Blog - Nathan Bransford | Writing, Book Editing, Publishing ([syndicated profile] nathanbransford_feed) wrote2025-08-08 07:00 pm

Is the rapid release self-publishing era ending? (This week in books)

Posted by Nathan Bransford

This week! Books!

First up, thanks so much to all my newsletter subscribers who joined my inaugural office hours yesterday evening! Thanks for your patience as I worked out the kinks. It was a lot of fun and I hope to do it again. Be sure and subscribe to my newsletter if you want to be a part of future events.

Are We Nearing the End of Rapid Release? Q&A with Johnny B. Truant – Jane Friedman – This interview only available for premium subscribers of Jane Friedman’s blog/newsletter (which I’d recommend), but Jane had a fascinating conversation with Johnny B. Truant, the host of The Self-Publishing Podcast, who argues A.I. may upend the longstanding algorithm-gaming self-publishing strategy of releasing books rapid fire in favor of artisanal approaches and long-term relationships with readers.

killer comps – Leigh Stein, Attention Economy – A guest post by literary critic Lisa Levy on what makes for good comps. Some very good advice here!

Rare copy of The Hobbit sells for ‘record-breaking’ sum – Clara Bullock and Chloe Harcombe, BBC – If you had a spare £43,000 on your hands this week you could have gotten your hands on an extremely rare well-preserved first edition of The Hobbit.

Rendering Revealed for Flatiron Building’s Residential Conversion in Flatiron District, Manhattan – Michael Young and Matt Pruznick, YIMBY – Visiting the Macmillan offices in the iconic Flatiron building in Manhattan was still a singular “holy crap I’m really here” moment in every young publishing employee’s journey. Sadly, after sixty years of occupancy, Macmillan decamped in 2019 and now the Flatiron Building is getting converted into condos. Another era has ended.

Zero Tolerance – Andrea Long Chu, Vulture – Currently in Andrea Long Chu’s crosshairs: Thomas Chatterton Williams and a strain of liberal thought that is quite concerned with cancel culture but can’t seem to stomach criticism.

How To Be A Resilient Writer – Charlie Jane Anders, Happy Dancing – Some awesome tips on weather creative ups and downs.

Publicity is Dead. Long Live Publicity! – Kathleen Schmidt, Publishing Confidential – Lots of people are declaring the death of PR in our slop era. Prematurely, as Kathleen Schmidt argues.

Long Beach will open up its e-book library so teens from other states can read banned books – Natalie Canalis, Long Beach Post – The Los Angeles area continues to be at the forefront of resisting the current regime, including Long Beach opening up its e-book library so teens across the country can access banned books.

How a Dungeons & Dragons Joke Led to a Best-Selling Romance Novel – MJ Franklin, New York Times – I had not come across the phenomenon known as Tusk Love prior to Comic-Con, so imagine my surprise as I spied a massive banner showing an orc about to make out with a maiden at the Penguin Random House booth. MJ Franklin profiles the unlikely path of a running Dungeons & Dragons joke in the web series Critical Role into a bestselling novel.

This week in bestsellers

Here are the top five NY Times bestsellers in a few key categories. (All links are affiliate links):

Adult print and e-book fiction:

  1. My Friends by Fredrik Backman
  2. Project Hail Mary by Andrew Weir
  3. Atmosphere by Taylor Jenkins Reid
  4. She Didn’t See It Coming by Shari Lapena
  5. One Golden Summer by Carley Fortune

Adult print and e-book nonfiction:

  1. On Power by Mark Levin
  2. The Idaho Four by James Patterson and Vicky Ward
  3. The Body Keeps the Score by Bessel van der Kolk
  4. The Anxious Generation by Jonathan Haidt
  5. Gwyneth by Amy Odell

Young adult hardcover:

  1. A Theory of Dreaming by Ava Reid
  2. Glorious Rivals by Jennifer Lynn Barnes
  3. Immortal Consequences by I.V. Marie
  4. Hour of the Pumpkin Queen by Megan Shepherd
  5. The Last Tiger by Julia Riew and Brad Riew

Middle grade hardcover:

  1. Wonder by R.J. Palacio
  2. Refugee by Alan Gratz
  3. Impossible Creatures by Katherine Rundell
  4. Blood in the Water by Tiffany D. Jackson
  5. Odder by Katherine Applegate

This week on the blog

In case you missed them, here are this week’s posts:

And keep up with the discussion in all the places!

And finally:

What triggers lightning? Exploding stars. – Philip Plait, Bad Astronomy – In the “science can be stranger than fiction” realm, while know the conditions where lightning happens, the trigger has remained mysterious. Would you believe cosmic rays from exploding stars?

Have a great weekend!

Need help with your book? I’m available for manuscript edits, query critiques, and coaching!

For my best advice, check out my online classes, my guide to writing a novel and my guide to publishing a book.

And if you like this post: subscribe to my newsletter!

Photo: The Huntington, San Marino, CA. Follow me on Instagram!

Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 06:44 pm

Proposed Star Trek Series Could Bring Back Captain Archer in an Andor-Style Story

Posted by Vanessa Armstrong

News Star Trek

Proposed Star Trek Series Could Bring Back Captain Archer in an Andor-Style Story

The Paramount/Skydance merger may have opened the door for Scott Bakula to return in a different kind of Star Trek series.

By

Published on August 8, 2025

Courtesy of CBS

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/">https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820702">https://reactormag.com/?p=820702</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-trek/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Trek 1"> Star Trek </a> </span> </div> <h2 class="post-hero-title text-h1">Proposed <i>Star Trek</i> Series Could Bring Back Captain Archer in an <i>Andor</i>-Style Story</h2> <div class="prose post-hero-description prose--post-hero">The Paramount/Skydance merger may have opened the door for Scott Bakula to return in a different kind of Star Trek series.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 8, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Courtesy of CBS</p> <div id="te-floating-button-container"></div> <div id="te-floating-button-container"></div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 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8.33833 9.21809 8.04943 9.21809 7.81219C9.21809 7.42953 9.11478 7.11193 8.90814 6.85938C8.70151 6.60683 8.40687 6.48055 8.02422 6.48055C7.54972 6.48055 7.14794 6.69866 6.81886 7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="417" src="https://reactormag.com/wp-content/uploads/2024/01/trek-enterprise-divergence-02-740x417.jpg" class="w-full object-cover" alt="Scott Bakula as John Archer in Star Trek: Enterprise" srcset="https://reactormag.com/wp-content/uploads/2024/01/trek-enterprise-divergence-02-740x417.jpg 740w, https://reactormag.com/wp-content/uploads/2024/01/trek-enterprise-divergence-02-1100x620.jpg 1100w, https://reactormag.com/wp-content/uploads/2024/01/trek-enterprise-divergence-02-768x433.jpg 768w, https://reactormag.com/wp-content/uploads/2024/01/trek-enterprise-divergence-02.jpg 1500w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Courtesy of CBS</p> <div id="te-floating-button-container"></div> <div id="te-floating-button-container"></div> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The merger between Paramount and Skydance is complete, and <em>Star Trek: Enterprise </em>and <em>Voyager</em> writer and producer Michael Sussman thinks that could mean we’ll see more <em>Star Trek</em> projects moving forward.</p> <p>“The hope is that Paramount is planning to invest more in <em>Star Trek</em> on television, and they’ve been very clear about how they want to make Paramount+ a real player in the streaming space,” Sussman told <a href="https://trekmovie.com/2025/08/08/exclusive-scott-bakula-eyeing-star-trek-return-in-president-archer-series-pitch-from-enterprise-producer/" target="_blank" rel="noreferrer noopener">TrekMovie</a>.</p> <p>It turns out that Sussman already has an idea in mind, one that he had inadvertently laid the groundwork for twenty years ago, when <em>Enterprise</em>’s “In a Mirror Darkly, Part II” aired in April 2005. In that episode, we see a dossier on the future of Captain John Archer (played by Scott Bakula).</p> <p>“It occurred to me that someone on the writing staff, not the art department, needed to write this graphic,” Sussman said. “Somebody needed to think about this, right? This was going to be a graphic that spelled out Archer’s life and career after the series ended.”</p> <p>That graphic included the note that Archer becomes President of the United Federation of Planets. From that note, Sussman came up with the idea for a show called <em>Star Trek: United</em>, which followed Archer in this presidential role. Sussman described it to TrekMovie as “a political thriller and a family drama set in those chaotic, formative years of the Federation,” and likened it to shows like <em>The West Wing </em>and <em>The Diplomat</em>. He also said that he thought the series “could do for <em>Star Trek</em>, what <em>Andor</em> did for <em>Star Wars</em>. It’s a show where you can tell adult stories about adults and tell them in a very grounded, realistic way.”</p> <p>Sussman had previously pitched the idea (Bakula has also expressed interest), and while he said the idea was well-received, the project was initially passed on. With the merger, however, Sussman hopes the new leadership might take interest. He’s not the only one: <em>Strange New Worlds </em>co-showrunner Akiva Goldsman is reportedly eager to pitch his <em><a href="https://reactormag.com/would-you-watch-star-trek-tos-again-strange-new-worlds-co-showrunners-think-you-might/" target="_blank" rel="noreferrer noopener">Star Trek: Year One</a></em><a href="https://reactormag.com/would-you-watch-star-trek-tos-again-strange-new-worlds-co-showrunners-think-you-might/" target="_blank" rel="noreferrer noopener"> concept</a>, following Kirk from the day after he takes the captain’s chair on the <em>USS Enterprise</em> to the first episode of <em>The Original Series</em>.</p> <p>Where all these <em>Star Trek</em> projects end up is still up in the air, though we can currently watch new episodes of <em>Strange New Worlds</em> weekly on Paramount+, and the next show, <em><a href="https://reactormag.com/holly-hunter-star-trek-starfleet-academy-character/" target="_blank" rel="noreferrer noopener">Starfleet Academy, </a></em><a href="https://reactormag.com/holly-hunter-star-trek-starfleet-academy-character/">will come out in 2026</a>. [end-mark]  </p> <p>The post <a href="https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/">Proposed &lt;i&gt;Star Trek&lt;/i&gt; Series Could Bring Back Captain Archer in an &lt;i&gt;Andor&lt;/i&gt;-Style Story</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/">https://reactormag.com/proposed-star-trek-series-captain-archer-andor-details/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820702">https://reactormag.com/?p=820702</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 04:45 pm

Cat Candidates Compete to Become Purr-fect Bike Path Mayor in Massachusetts Town

Posted by Molly Templeton

News cats

Cat Candidates Compete to Become Purr-fect Bike Path Mayor in Massachusetts Town

Hopefully this election won’t be a catastrophe.

By

Published on August 8, 2025

Photo: Sarah Tolf

Scrungles, a black cat with very big ears, rests on a blue blanket and looks meaningfully into the viewer's eyes

Photo: Sarah Tolf

All cats rule over their territories (and our hearts), but only one cat can be the bike path mayor of Somerville, Massachusetts. Thanks to the delightful Bluesky account cats being weird little guys, we have been alerted to this very important election, which is currently being held via Google form and comes complete with the most cat-tastic yard signs:

Cat campaign signs from the Bluesky account cats being weird little guys
Screenshot:
cats being weird little guys

According to NBC Boston, there’s some cat-troversy about the race:

“It’s dirty politics,” said one Somerville resident. “The original race — we have photo evidence, it’s all over the Somerville Discord — was Orange Cat versus Berry, who’s the incumbent. I see Berry all the time. I see Orange Cat almost as much. And then other candidates started coming in and then Berry’s sign was stolen.”

Boston.com says the race was originally a way for Berry’s owner to let neighbors know that Berry did in fact have people, and “wasn’t just a random cat roaming around.”

Many feline political parties are represented here, including the Com-meow-nist Party, the Catalyst Party, and the Indoor Cat Party. We are paw-tial to Minerva, whose entire platform is simply “CRIME.” She looks as if she would take the matter quite seriously.

Cat-cerns include the amount of kibble available, being pro-treat and pro-nap, the availability of good birdwatching perches, and yowling at ICE.

This election is such a hot topic that it’s been covered by local news, People magazine, and even in other countries. Other animals are trying to get in on the action, including dogs, a turtle, a guinea pig, and a snake. How can a snake be mayor? That’s preposter-hiss. (Or is it pre-paw-sterous? Maybe we should have a vote.)

Somerville’s human mayor, Katjana Ballantyne, has endorsed Berry “as a proven leader defending our bike path values.” But you can still make your voice—or yowl—heard. How better to celebrate International Cat Day than to vote for a cat?

The cat model pictured above (Eli, AKA “Scrungles”) is not among Somerville’s mayoral candidates, but if he were, his platform would be focused on naps. However, he will soon be adoptable via Brooklyn Animal Action. [end-mark]

The post Cat Candidates Compete to Become Purr-fect Bike Path Mayor in Massachusetts Town appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 03:30 pm

Weapons Lives Up to the Hype, Then Laughs at the Hype and Transcends It

Posted by Leah Schnelbach

Movies & TV weapons

Weapons Lives Up to the Hype, Then Laughs at the Hype and Transcends It

Once again, horror is the best way to talk about most of society’s ills.

By

Published on August 8, 2025

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<p class="syndicationauthor">Posted by Leah Schnelbach</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-weapons-by-zach-cregger/">https://reactormag.com/movie-review-weapons-by-zach-cregger/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820569">https://reactormag.com/?p=820569</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/weapons/" class="inline-block link-no-animation" aria-label="Link to term or tag weapons 1"> weapons </a> </span> </div> <h2 class="post-hero-title text-h1"><em>Weapons</em> Lives Up to the Hype, Then Laughs at the Hype and Transcends It</h2> <div class="prose post-hero-description prose--post-hero">Once again, horror is the best way to talk about most of society&#8217;s ills.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/leah-schnelbach/" title="Posts by Leah Schnelbach" class="author url fn" rel="author">Leah Schnelbach</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 8, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="348" src="https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-740x348.jpg" class="w-full object-cover" alt="A child runs across the street at 2:17am in Zach Cregger&#39;s Weapons." srcset="https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-740x348.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-1100x518.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-768x361.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-1536x723.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-1-2048x964.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> <p></p> </div> </div> <p>If this had been a <em>Sinners</em>-less year, I would say this is by far my favorite horror film of 2025. <em>Weapons</em> is what I wanted <em>Bring Her Back</em> to be, and, even though I liked <em>Longlegs</em> quite a bit, it’s what I wanted <em>Longlegs</em> to be, too. If you even <em>remotely</em> like horror you should get to this one in a theater as soon as you can.</p> <p><em>Weapons</em> is one of those movies that you should go into cold. It’s not even that you should try not to get spoiled, it’s that you should know nothing beyond what’s written on the poster or in the first trailer—so all I’ll tell you of the plot is that one night, at 2:17am, 17 children from one third grade class walk out of their houses and disappear into the night. <em>Weapons</em> shows us the aftermath of that disappearance, as people connected to the kids try to get on with their lives, alongside the one kid from the class who <em>didn’t</em> disappear. I’ll talk about a few non-spoiler things first, and then dig into a little more plot and thematic stuff further down, after a spoiler warning.</p> <p><em>Weapons</em> isn’t a mystery box that falls apart as soon as you learn its secrets—if anything it gets better once you know everything—but the way the story unfolds is so fun and surprising that you owe it to yourself to let it happen to you. <em>Weapons</em> is one of those movies that’s so rich, and the story becomes so layered, that by the end of it, it almost feels like the opening scenes were from a different movie. This is definitely a horror movie—it has elements of thriller, mystery, and black comedy, but it mostly pulls from a few different subgenres of horror. It’s tense and creepy and spooky at times, but there are also scenes of gore and body horror, and some <em>excellent</em> jump scares. The entire film hinges on children being in danger, so be warned if you have trouble with that.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="540" src="https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-1100x540.jpg" alt="A show of solidarity for the missing children in Zach Cregger&#39;s Weapons." class="wp-image-820578" srcset="https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-1100x540.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-740x363.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-768x377.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-1536x754.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/Weapons-2-2048x1005.jpg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Screenshot: Warner Bros.</figcaption></figure> <p>This is Zach Cregger’s second horror film. He started out as a founding member of the comedy troupe The Whitest Kids You Know, and made the comedies <em>Miss March, The Civil War on Drugs, </em>and <em>Mars</em> with members of the troupe (I haven’t seen <em>Miss March</em> or <em>Civil War </em>yet, but I got to see <em>Mars</em> at Tribeca Film Festival and it’s fun as hell) as well as writing and directing 2022’s <em>Barbarian</em>, and producing last year’s fantastic <em>Companion</em> with writer/director Drew Hancock. I came late to <em>Barbarian</em>, but when I finally saw it I <em>loved</em> it, and if anything I think <em>Weapons</em> is even stronger. Like the prior film I think there are some huge ideas and themes at work here, but I’m obviously not digging into that in a non-spoiler review.</p> <p>The film has a fairly large cast, and each character is a fully-realized human being who felt real to me. The film is rich with details and quirks that bring the characters and town of Maybrook, Pennsylvania to life—which maybe sounds like a basic thing to praise, but for me horror only really sings when it’s rooted in reality, and I’m pretty sure I could take a bus to Maybrook and find my way around the town. Key to this is a cast of actors who all give flawless performances. Zach Cregger has written a cast of complicated, multi-layered characters, all trapped in the unfolding waking nightmare that a group of the town’s children have vanished without a trace. No one knows if those kids are dead or alive, but the town still has to function, people still have to go to work. The actors show us their characters gradually, their moments of heroism and weakness, until by the end a couple of them felt more real to me than people I actually know.</p> <p>Everyone’s great, but I’ll specifically mention that Julia Garner is absolutely perfect as third-grade teacher Justine Gandy, as is Cary Christopher, who plays Alex, the one remaining child from Ms. Gandy’s class. And I really, <em>really</em> want Amy Madigan to get an Oscar nomination for her role as Alex’s Aunt Gladys. On top of that, there’s an excellent use of one of my favorite George Harrison songs, a <a href="https://www.youtube.com/watch?v=N7KznfgGHK4" target="_blank" rel="noreferrer noopener">Handsome Family needledrop</a>, <em>and</em> comedian Whitmer Thomas in a pivotal role. The marketing for the movie has added a fun layer as well, with some theaters hosting screenings at 2:17pm in a nod to the time of the kids’ disappearance (as much as <em>I’d</em> be down for a 2:17am screening, no employee should be subjected to that) and Warner Bros uploading <a href="https://www.youtube.com/watch?v=SlFuKPjc1E0&amp;t=6507s" target="_blank" rel="noreferrer noopener">an unlisted, two-hour-long video of security footage</a> to YouTube.</p> <p>OK, now people who haven’t seen it and want to go in cold should hold their arms out like airplane wings and run full-tilt to the nearest theater, <strong>because I&#8217;m going to talk about a few thematic things now</strong>. I still won&#8217;t give away any plot details, but we&#8217;re verging on <strong>SPOILERS</strong>.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2025/04/Weapons-clock-1100x733.jpeg" alt="Digital clock in the dark reading the time 2:17 a.m." class="wp-image-811572" srcset="https://reactormag.com/wp-content/uploads/2025/04/Weapons-clock-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/04/Weapons-clock-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/04/Weapons-clock-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/04/Weapons-clock.jpeg 1400w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: New Line</figcaption></figure> <p>OK, we’re good? Only people who truly don’t mind knowing a couple things are left?</p> <p>AAAHHH Aunt Gladys is so creepy and good!!!</p> <p>I didn’t expect the movie’s structure to be my favorite element, but I LOVE this structure. Cregger has talked about being inspired by <em>Magnolia</em>, and that shows, in a good way, as we follow the points of view of six different characters in turn, each one intersecting with or crashing into each other in startling ways. We see how insular everyone is, how lost and alone. Sure, they grieved and put up a poster that says “Maybrook Strong” in the days after the disappearance, but now there are jobs to go to, money to make, vodka to drink.</p> <p>So much vodka.</p> <p>Everyone is expected to tamp their emotions down, mask their pain, and get back to “normal”, and where I think the film really succeeds is that this psychotic commitment to normalcy can apply to so many things in today’s society, from school shootings to the pandemic to politics, but since the actual disappearance of the children is so specific and <em>harrowing</em>, the movie never feels thematically undercooked. Justine and Archer, the only two people in the movie who let themselves feel pain, are mostly treated as nuisances by the rest of the characters—but because Cregger is an exceptional writer, Justine and Archer do both kind of <em>suck</em>. Justine’s a troubled alcoholic who really <em>does</em> overstep her role as a teacher, and look for connection in all the wrong places. Archer was clearly not an easy father to have. But they’re also the only two people who are willing to treat an emergency like an emergency. The last thing I’ll mention here is that I was happy to see that this was truly a <em>horror</em>, with a supernatural element, but also that said supernatural element isn’t explained. It’s just there, it’s real, the movie accepts it, and off we go. I mention it only because I keep seeing people refer to this film as a “thriller”, but I’d put it solidly in the horror camp. The central mystery is inexplicable, which is part of why it’s so terrifying.</p> <p>I love this film, I&#8217;m excited to watch it again, but most of all, I&#8217;m interested to see the discussions <em>Weapons</em> inspires.[end-mark]</p> <p>The post <a href="https://reactormag.com/movie-review-weapons-by-zach-cregger/">&lt;em&gt;Weapons&lt;/em&gt; Lives Up to the Hype, Then Laughs at the Hype and Transcends It</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-weapons-by-zach-cregger/">https://reactormag.com/movie-review-weapons-by-zach-cregger/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820569">https://reactormag.com/?p=820569</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 03:02 pm

What to Watch and Read This Weekend: Weapons, Wednesday, and Hot Vampire Summer

Posted by Molly Templeton

News What to Watch

What to Watch and Read This Weekend: Weapons, Wednesday, and Hot Vampire Summer

Struggling with the dog days of summer? Here’s what to watch and read for the weekend of August 8th.

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Published on August 8, 2025

Screenshot: Warner Bros. Pictures

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-to-watch-and-read-this-weekend-august-8/">https://reactormag.com/what-to-watch-and-read-this-weekend-august-8/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820558">https://reactormag.com/?p=820558</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/what-to-watch/" class="inline-block link-no-animation" aria-label="Link to term or tag What to Watch 1"> What to Watch </a> </span> </div> <h2 class="post-hero-title text-h1">What to Watch and Read This Weekend: <i>Weapons</i>, <i>Wednesday</i>, and Hot Vampire Summer</h2> <div class="prose post-hero-description prose--post-hero">Struggling with the dog days of summer? Here&#8217;s what to watch and read for the weekend of August 8th.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 8, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Warner Bros. 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https://reactormag.com/wp-content/uploads/2025/08/Sinners-768x319.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/Sinners-1536x637.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/Sinners-2048x850.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Warner Bros. Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The internet tells me that we in the northern hemisphere are in the very last &#8220;dog days of summer,&#8221; technically, but it doesn&#8217;t feel like it. August downtime is for watching too many movies, getting too invested in multi-book re-reading projects, wishing for a cool breeze, and calling your reps. Here are some suggestions for how you might spend the weekend of August 8th!</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Can a Wimp Watch <em>Weapons</em>?</strong></h3> <p><site-embed id="16197"/></p> <p>I&#8217;m upset with the trailers for Zach Cregger&#8217;s <em>Weapons</em>, because they make me want to watch the movie. This is mostly due to Julia Garner, who was so magnetic in <em>Ozark</em>, a show that I did not watch, that when my partner watched it I would get distracted whenever she was on screen. But it&#8217;s also due to those weird little kids running out of their houses with their arms out like they&#8217;re doing airplane noises. And that scene with the line of salt.</p> <p>But I&#8217;m a <a href="https://reactormag.com/if-you-are-a-big-horror-baby-come-sit-by-me//">massive horror baby</a>. (Vampires get a pass. No, there is no logic to this.) I <em>hate</em> being scared. Tense is fine. Scared is not fine. So I asked Leah Schnelbach, who (lovingly) laughs in the face of most horror: Will I be able to handle <em>Weapons</em>? The answer was a very gentle and well-put <em>absolutely not</em>: &#8220;The atmosphere is impeccable, the characters are layered and Molly-friendly, but I think there are enough jump scares and upsetting violence that it might ruin your weekend. I thought it was a laff riot, but there&#8217;s something <em>wrong</em> with me.&#8221;</p> <p>Take this information and do with it what you will, horror fans <em>and</em> horror babies.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Hanif Abdurraqib on AI, Octavia Butler, and the End of the World</strong></h3> <p>&#8220;<a href="https://www.newyorker.com/culture/essay/lessons-for-the-end-of-the-world" target="_blank" rel="noreferrer noopener">Lessons for the End of the World</a>&#8221; is from February, but I found myself rereading it recently. It&#8217;s fire season, after all, and every week that the air is clear is a week for which I&#8217;m incredibly grateful. In the wake of the Los Angeles fires, Abdurraqib writes, like he so often does, with a lush honesty that reaches out to encompass more things than any synopsis can hope to include. I will read Abdurraqib on literally anything (full disclosure: I was briefly his publicist, years ago). But something about the way this piece weaves is especially striking. <em>Parable of the Sower</em>, the future that Butler saw in her own present, the presence of fire, the passage of time, poetry, lost things, lost places, just plain loss: it all comes together into something intensely personal and yet intensely familiar, weary and yet hopeful that there can still be hope. If you are in your late-summer feels, the way some of us get, it may especially speak to you.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Wet Hot Vampire Summer: <em>Sinners</em> and <em>Interview with the Vampire</em></strong></h3> <p><site-embed id="16198"/></p> <p>A side effect of growing up reading Anne Rice novels is that I think of vampires as a summer affair. (Sorry, <em>Twilight</em>.) Rice didn&#8217;t even set all her vampire books in New Orleans, but the strength of her association with NOLA is so strong that she might as well have. If you have not yet watched <em>Interview with the Vampire</em>, the series, any time is a good time to start; we still don&#8217;t know exactly when <em>The Vampire Lestat</em>, the third season, is going to arrive, but one most certainly hopes it will be worth catching up for. Lestat becomes a rock god! What more could you possibly want? (I want some questions answered, but I will have to catch up on the first two seasons before I pose them in public.)</p> <p>If the Rice vampires are not to your taste, then simply watch Ryan Coogler&#8217;s stunning <em><a href="https://reactormag.com/movie-review-sinners-ryan-coogler/" target="_blank" rel="noreferrer noopener">Sinners</a></em> again. It&#8217;s only the best movie of the year. (So far? Maybe so far? I&#8217;m skeptical anything better is going to come along in the next five months. We&#8217;ll see.)</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>What to Watch After <em>Wednesday</em></strong></h3> <p><site-embed id="16199"/></p> <p>Sorry, <em>Wednesday</em> fans, that you only got four episodes so far. (Netflix&#8217;s attempt to split the difference between weekly episodes and all-at-once drops feels weird, no?) If you need more spooky things to take the edge off, well, might I suggest <em>Chilling Adventures of Sabrina</em>? This show goes more than a little off the rails toward the end, but it starts strong, and it has a really great supporting cast that includes Eowyn herself, Miranda Otto, as one of Sabrina&#8217;s fantastic aunts. Sabrina&#8217;s cousin Ambrose is played by the late Chance Perdomo in a really stand-out turn, and Perdomo&#8217;s fellow <em>Gen V</em> star Jaz Sinclair is one of Sabrina&#8217;s classmates. Tati Gabrielle stalks around being a witch! <em>Battlestar Galactica</em>’s Alessandro Juliani runs a bookstore! It&#8217;s a good time.</p> <p>If you would like more immediate-family drama, Netflix released a single season of <em>October Faction</em> (based on the comic by Steve Niles and Damien Worm). I think of this show more often than you might expect, which is largely on account of Tamara Taylor and J. C. MacKenzie, who play parents who also hunt the supernatural. There&#8217;s a lot of small-town evil-stuff drama. </p> <p>Or you could just rewatch some <em>Buffy</em> episodes. Wouldn&#8217;t Dark Willow and Wednesday be friends? Go back to &#8220;<a href="https://reactormag.com/10-great-monsters-of-the-week-episodes-from-buffy-the-vampire-slayer/">Doppelgangland</a>&#8221; and see what you think.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>The Hugo Awards Are Very Soon</strong></h3> <p>It&#8217;s too late to <em>vote</em> in the Hugo Awards, yes, but that doesn&#8217;t mean you can&#8217;t have opinions about them. Unless you are a very fast reader, getting through all the longer works by the time the ceremony happens next weekend would likely prove quite challenging—but you could make a pretty good dent in the short story and novelette finalist lists, the best related work category, <em>and</em> the dramatic presentations.</p> <p>In the novelette category, “The Brotherhood of Montague St. Video” by Thomas Ha is at <em><a href="https://clarkesworldmagazine.com/ha_05_24/" target="_blank" rel="noreferrer noopener">Clarkesworld</a></em>; “By Salt, By Sea, By Light of Stars” by Premee Mohamed is at <em><a href="http://strangehorizons.com/wordpress/fiction/by-salt-by-sea-by-light-of-stars/" target="_blank" rel="noreferrer noopener">Strange Horizons</a></em>; Naomi Kritzer&#8217;s “The Four Sisters Overlooking the Sea” appeared in <a href="https://asimovs.com/wp-content/uploads/2025/03/TheFourSisters_Kritzer.pdf" target="_blank" rel="noreferrer noopener"><em>Asimov</em>’s</a>; “Loneliness Universe” by Eugenia Triantafyllou is in <em><a href="https://www.uncannymagazine.com/article/loneliness-universe/" target="_blank" rel="noreferrer noopener">Uncanny</a></em>; and “Signs of Life” by Sarah Pinsker is also in <em>Uncanny</em>. (Ann Leckie&#8217;s &#8220;Lake of Souls&#8221; only appears in the print collection of the same name).</p> <p>For short stories: “Five Views of the Planet Tartarus” by Rachael K. Jones is in <em><a href="https://www.lightspeedmagazine.com/fiction/five-views-of-the-planet-tartarus/" target="_blank" rel="noreferrer noopener">Lightspeed</a></em>; “Marginalia” by Mary Robinette Kowal in <em><a href="https://www.uncannymagazine.com/article/marginalia/" target="_blank" rel="noreferrer noopener">Uncanny</a></em>; “Stitched to Skin Like Family Is” by Nghi Vo in <em><a href="https://www.uncannymagazine.com/article/stitched-to-skin-like-family-is/" target="_blank" rel="noreferrer noopener">Uncanny</a></em>; “Three Faces of a Beheading” by Arkady Martine <em>also</em> in <em><a href="https://www.uncannymagazine.com/article/three-faces-of-a-beheading/" target="_blank" rel="noreferrer noopener">Uncanny</a></em>; “We Will Teach You How to Read | We Will Teach You How to Read” by Caroline M. Yoachim in <em><a href="https://www.lightspeedmagazine.com/fiction/we-will-teach-you-how-to-read-we-will-teach-you-how-to-read/" target="_blank" rel="noreferrer noopener">Lightspeed</a></em>; and “Why Don’t We Just Kill the Kid in the Omelas Hole” by Isabel J. Kim in <em><a href="https://clarkesworldmagazine.com/kim_02_24/" target="_blank" rel="noreferrer noopener">Clarkesworld</a></em>.</p> <p>As for the best related work finalists, you&#8217;ll find “Charting the Cliff: An Investigation into the 2023 Hugo Nomination Statistics” by Camestros Felapton and Heather Rose Jones at <a href="https://file770.com/charting-the-cliff-an-investigation-into-the-2023-hugo-nomination-statistics-by-camestros-felapton-and-heather-rose-jones/" target="_blank" rel="noreferrer noopener">File 770;</a> r/Fantasy’s 2024 Bingo Reading Challenge at <a href="https://www.reddit.com/r/Fantasy/comments/1bt4iqf/official_rfantasy_2024_book_bingo_challenge/" target="_blank" rel="noreferrer noopener">r/Fantasy</a> on Reddit, naturally; “The Spectacular Failure of the Star Wars Hotel” by Jenny Nicholson on <a href="https://www.youtube.com/watch?v=T0CpOYZZZW4" target="_blank" rel="noreferrer noopener">YouTube</a>; andaramount Plus “The 2023 Hugo Awards: A Report on Censorship and Exclusion” by Chris M. Barkley and Jason Sanford crossposted to <a href="https://www.patreon.com/posts/2023-hugo-awards-98498779" target="_blank" rel="noreferrer noopener">Genre Grapevine</a> and <a href="https://file770.com/the-2023-hugo-awards-a-report-on-censorship-and-exclusion/" target="_blank" rel="noreferrer noopener">File 770</a>. The other two finalists, <em>Track Changes</em> by Abigail Nussbaum and <em>Speculative Whiteness</em> by Jordan S. Carroll, are print books.</p> <p>The two <em>Star Trek: Lower Decks</em> episodes, “Fissure Quest” and “The New Next Generation,” are on Paramount+; the two <em>Doctor Who</em> episodes, &#8220;73 Yards&#8221; and &#8220;Dot and Bubble,&#8221; are on Disney+, where you&#8217;ll also find <em>Agatha All Along</em>’s “Death’s Hand in Mine”; and <em>Fallout</em>’s first-season finale, &#8220;The Beginning,&#8221; is on Prime. The movies—<em>Dune: Part Two</em>; <em>Flow</em>; <em>Furiosa</em>; <em>Wicked</em>; <em>The Wild Robot</em>; and <em>I Saw the TV Glow</em>—are streaming on various and sundry platforms.</p> <p>This is really just a start; there are also zines, podcasts, work by the best fan writer and artist nominees, various video games, and more. The full list of finalists is <a href="https://reactormag.com/2025-hugo-finalists/" target="_blank" rel="noreferrer noopener">here</a>; the Hugo Awards ceremony is on August 16th.[end-mark]</p> <p>The post <a href="https://reactormag.com/what-to-watch-and-read-this-weekend-august-8/">What to Watch and Read This Weekend: &lt;i&gt;Weapons&lt;/i&gt;, &lt;i&gt;Wednesday&lt;/i&gt;, and Hot Vampire Summer</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/what-to-watch-and-read-this-weekend-august-8/">https://reactormag.com/what-to-watch-and-read-this-weekend-august-8/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820558">https://reactormag.com/?p=820558</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 03:00 pm

Freakier Friday Didn’t Learn Its Lesson the First Time Around

Posted by Emmet Asher-Perrin

Movies & TV Freakier Friday

Freakier Friday Didn’t Learn Its Lesson the First Time Around

But Lindsay Lohan and Jamie Lee Curtis are having fun, so good for them?

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Published on August 8, 2025

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-freakier-friday-didnt-learn-its-lesson-the-first-time-around/">https://reactormag.com/movie-review-freakier-friday-didnt-learn-its-lesson-the-first-time-around/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820397">https://reactormag.com/?p=820397</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/freakier-friday/" class="inline-block link-no-animation" aria-label="Link to term or tag Freakier Friday 1"> Freakier Friday </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Freakier Friday</i> Didn’t Learn Its Lesson the First Time Around</h2> <div class="prose post-hero-description prose--post-hero">But Lindsay Lohan and Jamie Lee Curtis are having fun, so good for them?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/natalie-zutter/" title="Posts by Natalie Zutter" class="author url fn" rel="author">Natalie Zutter</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 8, 2025 </p> </div> </div> <div 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10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="492" src="https://reactormag.com/wp-content/uploads/2025/08/freakier-friday-740x492.jpg" class="w-full object-cover" alt="Anna and Tess Coleman, sitting in front of a disco crystal ball in Freakier Friday" srcset="https://reactormag.com/wp-content/uploads/2025/08/freakier-friday-740x492.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/freakier-friday-768x511.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/freakier-friday.jpg 1064w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The 2003 Disney comedy <em>Freaky Friday</em> marked a notable creative junction for both of its stars, despite their relative age differences and career paths: It was Lindsay Lohan’s last Disney movie before <em>Mean Girls</em> really catapulted her into the zeitgeist, while Jamie Lee Curtis was wrapping up her run as a Final Girl in the <em>Halloween</em> movies (at least, for several decades) before pivoting to the role of Mom in more family-friendly fare like <em>Christmas with the Kranks</em>. The two were perfectly situated to play multitasking working mom Tess and her misunderstood rocker daughter Anna, who spend twenty-four hours literally walking in each other’s shoes in order to discover just how tough the other has it. Add in early-2000s fashion and music, and it is an underrated classic for many Millennials.</p> <p>Twenty-odd years later, <em>Freakier Friday</em> starts strong by revisiting mother and daughter, now transformed into grandmother and mother, struggling to coparent rebellious teen Harper (Julia Butters). That’s not easy, as the ninth grader is mired in her own adolescent psychodramas further complicated by a new stepfather Eric (Manny Jacinto) and stepsister Lily (Sophia Hammons). Both movies dole out sly observations on how parenting is not one-size-fits-all; opening with Anna failing at gentle parenting (and her own self-regulation) while Tess has doubled down on being a know-it-all therapist makes fertile ground for the Colemans’ tendency to talk right past each other.</p> <p>But the sequel’s intergenerational switcheroo—Anna/Harper and Tess/Lily—changes the math on whose emotional journey the body swap is for. Even though Lohan and Curtis still spend the most time onscreen, this is no longer Anna and Tess’ movie. Mom and Grams have become supporting characters for Harper and Lily to figure out how to coexist without breaking up their blended family. Further loading down the movie with constant callbacks to the first movie (in place of character development for those familiar faces), as well as Lohan-centric inside jokes, makes it more akin to an episode of Pop-Up Video than a proper sequel.</p> <p>Even without their parents’ impending nuptials, Harper and Lily wouldn’t sit together in the high school cafeteria; the former is a chill L.A. surfer girl, while the latter is a prissy expat and aspiring fashion designer from London. But when Anna falls for Eric (and truly, who can blame her), what they decide is best for the family is to move everyone overseas—heartbreaking for Harper with her morning wave-shredding, and for Tess with both of her girls no longer within reach.</p> <p>The body swap is clearly intended to force some necessary perspective shifts, but it lacks its predecessor’s emotional underpinning about a teenager learning to grow up a little and an adult rediscovering her youthful freedom. The ageism is particularly egregious this time around, amplified by a stunning amount of ableism. Having rewatched <em>Freaky Friday </em>at the age that adult Anna now is, it was clear that 46-year-old Curtis shrieking about the Crypt Keeper was funny because she was <em>not</em> that old. But the new wave of the same jokes (now a Birkin bag left out to melt) twenty years later is just cruel. What’s much funnier, and which Curtis sells just as well, is Lily-as-Tess discovering the mundane horrors of enema kits and adult diapers at Walgreens; but even that is more gag than actual learning experience. Other zingers land better, like mocking Boomers’ obsession with pickleball; requisite gluten-free and safe-space jokes at Gen Z’s expense fall flat.</p> <p>A well-meaning attempt to rectify the original’s clumsy stereotyping of Asian mysticism offers a muddled explanation for why this is happening again, by way of Vanessa Bayer’s ditzy fortune-teller Madame Jen. Though in truth, this only reconfirms that there’s no need for a meddling outsider; it should just be the universe upending things to right them again.</p> <p>Oddly enough, the veterinary office I stopped at en route to the screening was playing <em>Labor Pains</em>, a forgotten 2009 comedy in which Lohan’s scatterbrained publishing secretary fakes a pregnancy to keep her job. It was the kind of screwball part that marked the peak of her popularity, and one of her last roles (aside from Elizabeth Taylor, oof) before a spate of parodying herself because her scandals had overshadowed any of her real work. While Lohan has made something of a comeback in the past few years, one still gets the sense that she’s mining her own checkered past even in this; there are sly references to <em>Mean Girls</em>, and more than one <em>Confessions of a Teenage Drama Queen</em>-inspired fashion moment. Adult Anna feels less like a clear continuation of the constantly-undermined teen from <em>Freaky Friday</em>, and more like a greatest-hits of Lohan’s past onscreen personas. Any opportunity to delve into what it’s like for Anna to be in her mom’s shoes thanks to age and experience rather than magic—and for what it means that Tess is navigating uncharted territory as a working grandma—is left unexplored.</p> <p>This is not helped by the movie’s hugely glaring plot hole: <em>Why</em> is Anna a mom in the first place? Tess hand-waves it away with “when my daughter decided to become a single mom,” which could initially be read as her going it alone via sperm donor… except that she would have had to be about 21 to make this choice, and that math just does not math. So, is it more likely that Anna accidentally got pregnant and Tess enthusiastically yes-and-ed her on keeping the baby? Does that mean that her first love Jake (Chad Michael Murray) is Harper’s dad, or some random Pink Slip groupie?? When in all of this did she leave the band, and how much time passed before the former songwriter/musician decided to pivot to managing other rising talent? Make it make sense!</p> <p>Whew. Let’s take a breath and recenter. (If we were in <em>Freakier Friday</em>, I would repeat this callback until it stops being funny.)</p> <p>There’s a <em>Mamma Mia</em> vibe to some of the casting choices—let’s bring back a beloved <em>Parent Trap</em> grown-up! <em>SNL</em>’s Chloe Fineman wants to practice her Australian accent as the wedding dance instructor? Why not! The problem in trying to redo the premise for a new generation is introducing a whole other family whose conflicts feel tonally out of pace with the sequel’s hijinks. (Though Manny Jacinto channels Patrick Swayze in a moment that made our whole theater gasp in delight.) No matter how compellingly Jacinto and Hammons express their grief about leaving behind memories of his late wife (and her mother), this doesn’t feel like the movie for that.</p> <p>Where the movie is strongest is in revisiting the characters from the original in these new life phases. The Pink Slip bandmates provide a fascinating what-if for Anna if she had decided to stay in the limelight, though aside from a few lines about not being teenagers anymore, they’re still only tangential to her story. Murray’s return as Jake is a high point because of how cheekily the movie doubles down on him still holding a torch for Tess; clearly Anna never actually let him in on the switcheroo. (I know we’re in a supposed CMM-aissance, but neither his <em>Full Monty</em> Hallmark romance nor any potential <em>One Tree Hill</em> reboot cameos can top this.)</p> <p>This body-swapping sequel won’t change any hearts or minds, but it’ll give you a few good laughs. And even though Anna and Tess don’t reach any breakthroughs in <em>Freakier Friday</em>, it is unequivocally great to see Lohan and Curtis tapping back into some of the first movie’s magic—and doing so side-by-side, looking like they’re having just as much fun as they did twenty years ago.[end-mark]</p> <p>The post <a href="https://reactormag.com/movie-review-freakier-friday-didnt-learn-its-lesson-the-first-time-around/">&lt;i&gt;Freakier Friday&lt;/i&gt; Didn’t Learn Its Lesson the First Time Around</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-freakier-friday-didnt-learn-its-lesson-the-first-time-around/">https://reactormag.com/movie-review-freakier-friday-didnt-learn-its-lesson-the-first-time-around/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820397">https://reactormag.com/?p=820397</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-08 02:00 pm

Five User-Friendly Rulesets for Tabletop Roleplaying Games

Posted by Sarah

Books Gaming

Five User-Friendly Rulesets for Tabletop Roleplaying Games

Not every gamer finds joy in wildly complicated, esoteric, hard-to-learn rules…

By

Published on August 8, 2025

Photo by Joshua Olsen [via Unsplash]

Photo of a single six-sided die in shallow focus

Photo by Joshua Olsen [via Unsplash]

Early tabletop roleplaying games (TTRPGs) were an offshoot of miniature wargaming. In the era in question, there was often a sense that complexity and verisimilitude were interchangeable terms. It was fine if rules were arcane1. Other factors led to steady escalations in rules page counts, with the result that TTRPG materials could be (and sometimes still are) arcane tomes, heavy enough to cause debilitating lower-back injuries and as complex as the post-graduate work players were neglecting in order to play TTRPGs.

Not everyone enjoys investing into their entertainment the same degree of cognitive effort required to translate Finnegans Wake into Sanskrit. How to cope? Some players simply focus on the specific rules pertaining to their characters, leaving the rest to their gamemaster and fellow players. Another, just as valid, solution, is for the game company to provide streamlined rulesets, as suitable for new players are they are for experienced players who don’t want to have to look up Rule 8.9.1, subsection Q, paragraph Aleph again.

Perhaps examples might help…

Dungeons & Dragons Basic Set

By J. Eric Holmes, et al

While TSR transformed Gygax and Arneson’s original rules into the increasingly complex Advanced Dungeons & Dragons (AD&D), Holmes offered a streamlined version suitable for novices. The Basic box, which covered characters from level 1 to 3, came with useful accessories while eschewing Gygax and Arneson’s open-minded approach to grammar and sentence construction.

As I understand it, the original intent was that once characters exceeded level 3, campaigns would transition to AD&D. However, Holmes’ rules proved popular enough that Basic became its own D&D lineage. Under Holmes’ successors—Tom Moldvay (1981), Frank Mentzer (1983), Troy Denning (1991), and Doug Stewart (1994)—the line offered players straightforward rules, initially as a series of affordably priced box sets, later as a single-volume book, the justly famed D&D Rules Cyclopedia.

Basic Roleplaying

By Greg Stafford and Lynn Willis

By modern standards, Steve Perrin and Ray Turney’s RuneQuest isn’t that long at 144 pages. RuneQuest was created to showcase Greg Stafford’s Glorantha secondary fantasy universe, and the game reflected that. Certain aspects of the rules are very Glorantha-specific. However, the core of the system seemed to offer the potential for a much broader, one might even say universal2, game system.

Enter Stafford and Willis’ Basic Roleplaying3 or BRP. BRP boiled RuneQuest’s 144 pages down to a setting-neutral 16 pages. Not only was BRP a perfectly functional, if lean, system on its own, it was the seed from which many, many roleplaying games have grown. That list would include, but not be limited to, Elfquest, Stormbringer, Hawkmoon, Call of Cthulhu, and Drakar och Demoner.

One curious descendent: the 2008 Big Gold Book edition of Basic Roleplaying collected all of the extant rules from various iterations of BRP in a single, 400-page volume. 400 pages is somewhat longer than 16 and it could be that “lean and efficient” no longer applied. Jason Durall and Steve Perrin’s 2023 Basic Roleplaying: Universal Game Engine (BRUGE) is only 264 pages, but 264 is still larger than 16. I see that there is a 48-page quickstart available, which presumably is to BRUGE as BRP was to RuneQuest. Have we come full circle?

Fate Accelerated

By PK Sullivan, Lara Turner, Fred Hicks, Sophie Lagacé, Richard Bellingham, Robert Hanz, Leonard Balsera, and Ryan Macklin

USENET4 discussions begat Steffan O’Sullivan’s FUDGE5, which in turn begat Rob Donoghue and Fred Hicks’ FATE6. Even in its most complex presentation, Fate Core is comparatively7 streamlined and elegant, and the mechanics are flexible enough to support a variety of genres. Still, some new players might find the prospect of reading the 308 6″x9″ pages intimidating.

Enter Fate Accelerated. Compatible with other Fate products, Fate Accelerated is a slender 68 pages… including the quick reference system. Even better, Fate Accelerated is very affordably priced, with the PDF going for as little as $4.00.

Tribes in the Dark

By Wil Hutton, Chris Czerniak, Logan Rollins, Oscar Simmons, and Jim Pinto

Philippe R. Boulle, Stéphane Brochu, and Joshua Mosqueira-Asheim’s Tribe 8, from the 1990s, offered players an enticing post-apocalyptic Montreal in which to adventure, a setting effectively conveyed by Ghislain Barbe’s visuals. The core game engine was Dream Pod 9’s Silhouette System. Now, while I am a fan of Silhouette, I admit it was originally designed to simulate mecha, not eldritch creatures, and is a product of another era—an era when players were perfectly happy with ten attributes, five secondary traits, and a vast number of skills.

Tribes in the Dark preserves the original Tribe 8 setting, but replaces Silhouette with Evil Hat’s Forged in the Dark playbook-centred rules. The playtest rules for Tribes in the Dark have been available since 2022 for the very affordable price of free. The Kickstarter went live/will soon go live (depending on when this piece is published) here.

Warhammer: The Old World Roleplaying Game

By Dominic McDowall and Pádraig Murphy et al.

Richard Halliwell, Rick Priestley, Graeme Davis, Jim Bambra, and Phil Gallagher’s 1986 Warhammer Fantasy Roleplay (WHFRP) offered players the chance to explore the grimy, violence-filled world previously introduced in Games Workshop’s ever-expanding, income-consuming miniatures game. Focusing as it did on characters well out of their depth as they contended with horrors and worse, WHFRP was in interesting contrast to other, more hero-focused TTRPGs.

What WHFRP wasn’t was particularly user-friendly. One could argue that the complexity of certain rules—magic rules, in particular—reflected the bewildering world in which the characters were trapped until their inevitable demises at the claws of a monster, a miscast spell, or the blast of an insufficiently firmly thrown grenade. One could argue that games were like that back in the 1980s. Ask me about THACO.

Cubicle 7’s Warhammer: The Old World (due out the first quarter of 2026, if we’re all still here8) is set many decades before WHFRP, in an era when people believe (or at least really want to believe) that supernatural threats are a thing of the past, leaving the population free to focus on mundane issues such as making a living, superstitious xenophobia, and which of the three or four emperors is the true emperor. The rules are more user-friendly than WHFRP and will be presented in two convenient volumes: a Player’s Guide, with the rules and such that are of immediate utility to players, and a Gamemaster’s Guide, filled with details about the setting with which the GM can surprise and delight their players once the players have grown attached to their characters.


Of course, these are only a few of the works though which companies have made their games more accessible to players. No doubt many of you have favourites not mentioned above. Feel free to name them and extol their virtues in comments below.[end-mark]

  1. But not always. The original Classic Traveller was three straightforward slender black books: Book 1 Characters and Combat, Book 2 Starships, and Book 3 Worlds and Adventures. 44 pages, 48 pages, and 48 pages respectively, they contained universes… but not many rules. ↩
  2. If I still thought universal game engines were possible, which I don’t. ↩
  3. Yes, it sure was helpful that the Dungeons & Dragons Basic Set and Basic Roleplaying have such similar titles. That absolutely didn’t cause confusion back in the day. ↩
  4. A worldwide distributed discussion system that, while venerable, still supports thriving communities greater than the communities of MySpace, Ello, and Shelfari combined. ↩
  5. Originally, that stood for Freeform Universal Donated Gaming Engine. Now, it’s Fantastic Adventures in Tabletop Entertainment. ↩
  6. FUDGE Adventures in Tabletop Entertainment. ↩
  7. Bearing in mind that I am comparing games to chonky bois such as RuneQuest: Roleplaying in Glorantha, Champions (4th Edition), and Aquelarre. ↩
  8. Cubicle 7 was kind enough to send me preliminary PDFs. ↩

The post Five User-Friendly Rulesets for Tabletop Roleplaying Games appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 07:32 pm

Dave Bautista Joins Highlander Remake Cast As a Major Villain

Posted by Vanessa Armstrong

News Highlander

Dave Bautista Joins Highlander Remake Cast As a Major Villain

There’s so many more than one: Bautista joins Henry Cavill and Russel Crowe on the call sheet.

By

Published on August 7, 2025

Credit: Warner Bros.

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/dave-bautista-highlander-remake-cast-villain/">https://reactormag.com/dave-bautista-highlander-remake-cast-villain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820461">https://reactormag.com/?p=820461</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/highlander/" class="inline-block link-no-animation" aria-label="Link to term or tag Highlander 1"> Highlander </a> </span> </div> <h2 class="post-hero-title text-h1">Dave Bautista Joins <i>Highlander</i> Remake Cast As a Major Villain</h2> <div class="prose post-hero-description prose--post-hero">There’s so many more than one: Bautista joins Henry Cavill and Russel Crowe on the call sheet.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="370" src="https://reactormag.com/wp-content/uploads/2022/02/rev-1-DU-TSR-028_High_Res_JPEG-1-740x370.jpeg" class="w-full object-cover" alt="DAVE BAUTISTA as Rabban Harkonnen in Warner Bros. Pictures’ and Legendary Pictures’ action adventure “DUNE,” a Warner Bros. Pictures and Legendary release." srcset="https://reactormag.com/wp-content/uploads/2022/02/rev-1-DU-TSR-028_High_Res_JPEG-1-740x370.jpeg 740w, https://reactormag.com/wp-content/uploads/2022/02/rev-1-DU-TSR-028_High_Res_JPEG-1-1100x550.jpeg 1100w, https://reactormag.com/wp-content/uploads/2022/02/rev-1-DU-TSR-028_High_Res_JPEG-1-768x384.jpeg 768w, https://reactormag.com/wp-content/uploads/2022/02/rev-1-DU-TSR-028_High_Res_JPEG-1-2048x1024.jpeg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Warner Bros.</p> <div id="te-floating-button-container"></div> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The <em>Highlander</em> remake helmed by <a href="https://reactormag.com/john-wick-director-highlander-henry-cavill/" target="_blank" rel="noreferrer noopener"><em>John Wick: Chapter 4</em> director Chad Stahelski</a> is fleshing out its immortal cast. We’ve known some casting for a while: Henry Cavill has been attached to the project since 2021, and will take on the role of the titular Highlander, Connor MacLeod (played in the original 1986 film by Christopher Lambert). And we also found out earlier this year that Russell Crowe will be playing <a href="https://reactormag.com/russell-crowe-will-join-henry-cavill-in-highlander-reboot/" target="_blank" rel="noreferrer noopener">another key character </a>in the film, the swordsman Ramirez (Sean Connery’s role in the original).</p> <p>Today, <em><a href="https://www.hollywoodreporter.com/movies/movie-news/highlander-dave-bautista-to-play-the-villain-1236338871/" target="_blank" rel="noreferrer noopener">The Hollywood Reporter</a></em> shared that Dave Bautista (<em>Guardians of the Galaxy</em>, pictured above in <em>Dune</em>) is in final talks to join the movie as the villain, The Kurgan, played in the original film by Clancy Brown. Bautista is also in talks to star in<a href="https://reactormag.com/guy-ritchie-is-set-to-direct-jake-gyllenhaal-in-road-house-2/" target="_blank" rel="noreferrer noopener"> the <em>Road House </em>sequel</a>. Both movies come from Amazon MGM Studios.</p> <p><em>Highlander</em> builds on the story from the 1986 film, and centers on immortals fighting over centuries to become the best immortal of them all… or something. <a href="https://reactormag.com/russell-crowe-will-join-henry-cavill-in-highlander-reboot/" target="_blank" rel="noreferrer noopener">Stahelski has said</a> that the film is “bringing it forward from the early 1500s in the Highlands to the beyond present-day New York and Hong Kong,” and that it will, unsurprisingly, have a lot of action.</p> <p>Stahelski also teased that there would be a love story element. In perhaps related news, <em>Industry </em>actor Marisa Abela is also starring in the remake.</p> <p>No news on when we’ll get to see this reimagining of <em>Highlander</em>, though filming is expected to start in late September in the UK and Hong Kong. [end-mark]</p> <p>The post <a href="https://reactormag.com/dave-bautista-highlander-remake-cast-villain/">Dave Bautista Joins &lt;i&gt;Highlander&lt;/i&gt; Remake Cast As a Major Villain</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/dave-bautista-highlander-remake-cast-villain/">https://reactormag.com/dave-bautista-highlander-remake-cast-villain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820461">https://reactormag.com/?p=820461</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 07:00 pm

Read an Excerpt From The Cruel Dawn by Rachel Howzell Hall

Posted by Stefan Raets

Excerpts Romantasy

Read an Excerpt From The Cruel Dawn by Rachel Howzell Hall

A sweeping romantasy where gods bleed, realms fall, and one woman stands between salvation and ruin.

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Published on August 7, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/">https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820162">https://reactormag.com/?p=820162</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/romantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag Romantasy 1"> Romantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>The Cruel Dawn</i> by Rachel Howzell Hall</h2> <div class="prose post-hero-description prose--post-hero">A sweeping romantasy where gods bleed, realms fall, and one woman stands between salvation and ruin.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/rachel-howzell-hall/" title="Posts by Rachel Howzell Hall" class="author url fn" rel="author">Rachel Howzell Hall</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn-header-740x407.png" class="w-full object-cover" alt="Cover of The Cruel Dawn by Rachel Howzell Hall." srcset="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><strong>The Cruel Dawn</strong></em>, the second book in Rachel Howzell Hall&#8217;s Vallendor romantasy series, out from Red Tower Books on August 19.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Kaivara Megidrail was once worshipped as the Grand Defender of Vallendor—until betrayal, punishment, and exile left her Diminished. Now, the realm she abandoned teeters on the edge of collapse. Monsters roam free. Gods whisper in shadows. And one man—Jadon Wake, prince, blacksmith, liar—may be the key to her salvation… or her final ruin.<br><br>Haunted by the past, hunted by divine enemies, and armed with only fractured Memories and an unrelenting will, Kaivara must choose: reclaim her power and face the truth about Jadon, or watch Vallendor fall to a traitorous god’s rising.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <p>One day, I will wake up to a kiss instead of a kill. I will stretch and sing instead of crouching and growling. Maybe tomorrow will be that day because today, right now, an otherworldly being with the shrewd blue eyes of a man, the cupped ears of a man, and the sharp teeth, short fur, and claws of a bear roars at me.</p> <p><em>“You have no business here.”</em> The creature sounds like he chews rocks and picks his teeth with burned splinters.</p> <p>I slowly reach for my back scabbard and pull out one of my two swords, the one with the wine-colored handle etched with moths. The one with the blade as black as night. <em>Fury.</em> A gift from the blacksmith.</p> <p>My heart wants to think about that blacksmith and figure out how I feel about him. Do I love him? Do I hate him? I don’t know, and I don’t have time for any of that right now. At this moment, all I care about is how this fucking incredible sword that he forged must save me from this rock-chewing, splinter-gnawing asshole thundering toward me from the canyons.</p> <p>I push up from my knees into a crouch. I’m not ready to fight the foul-smelling threat bearing down on me, but I have to be.</p> <p><em>“Get out of my desert,”</em> he snarls.</p> <p>“This is Vallendor,” I snarl back. “<em>My </em>realm, and no one tells me where I can or cannot be. Especially an aburan who holds no title to—”</p> <p>The beast roars again.</p> <p>My skin goose-pimples, and my knees quake. <em>One day, a kiss instead of a kill…</em> I lift my sword and wait for him to get closer… closer…</p> <p>He charges, but I wait, and I wait, and then…</p> <p>I swing.</p> <p>Teeth bared, the aburan successfully ducks my swipe—but he doesn’t expect my blade’s quick return.</p> <p>Fury finds the otherworldly’s neck and pushes through that fur and bone like a hot stone through snow. Beheaded, the body of the aburan topples to the dirt, surprise bright in his beady human eyes.</p> <p>Yeah, I’m also surprised to be here, sir—especially since I don’t even know where we are.</p> <p>Last time I opened my eyes to a strange new world, I ended up chasing a thief through a dying forest. She’d stolen my clothes and ran into a crummy little village filled with unhappy people who tried to kill me.</p> <p>Didn’t turn out so good for them in the end.</p> <p>Didn’t turn out so good for me, either.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn.jpg" class="attachment-full size-full" alt="The Cruel Dawn" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn.jpg" class="attachment-full size-full" alt="The Cruel Dawn" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">The Cruel Dawn</h3> <p class="shop-the-book-author">Rachel Howzell Hall</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1754680599" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1754680599" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="close modal"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn.jpg" class="attachment-full size-full" alt="The Cruel Dawn" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/The-Cruel-Dawn.jpg" class="attachment-full size-full" alt="The Cruel Dawn" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">The Cruel Dawn</h3> <p class="shop-the-book-modal-author">Rachel Howzell Hall</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0F1M532VR?tag=tordotcomgeneral-20" data-book-title="The Cruel Dawn" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781649379160" data-book-title="The Cruel Dawn" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781649374622" data-book-title="The Cruel Dawn" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781649379160" data-book-title="The Cruel Dawn" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781649379160" data-book-title="The Cruel Dawn" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Before being attacked, I’d opened my eyes to the world around me, sprawled on my belly in a sea of red dirt filled with mysterious shoeprints too big to be the average human’s. Now, I return to peer closer at those <em>one… two… three </em>pairs of prints, each a different size.</p> <p><em>Who made these prints—and why are they so close to my face?</em></p> <p>I squint at the dead beast’s feet.</p> <p>Bare. Bear.</p> <p>He didn’t make any of these tracks left in the red dirt.</p> <p>I sneeze—sand in my nose—then scan the desert in front of me.</p> <p>Jagged-edged craters filled with red dirt and glistening white bones. Sheer walls rise up there and end as plateaus. Goats with curled horns climb on barely there crags and ledges. Long-legged hares hop from one underground den to the next. Yellow lizards big as hounds, with three heads and three jaws strong enough to crack boulders, sun themselves on rocks. A pack of gray wolves with wings too small to fly slurp from a muddy watering hole.</p> <p>I can smell that water way over here. Smells like dead things. Musty things. Shitty things.</p> <p>Every creature that I see glows amber­. <em>That’s right.</em> I can tell who is sick and dying by the glow they emit, and in this realm, that soft light burns amber.</p> <p>But none of these animals at the watering hole or resting across boulders made these tracks.</p> <p>With a shaky hand, I touch the amulet still hanging from my sweaty neck. The moth’s gold chain still shines bright. Her ruby-crusted wings twinkle, but the stone thorax stays as dark as the night. Dead as it may appear, this amulet still gives me power and proves that I’m no ordinary Vallendorian. At least she’s mine. Chasing her all over Vallendor again is not how I aim to spend my time.</p> <p>What’s that smell?</p> <p>I sniff the air.</p> <p>Smells like… dead things riding upon a living thing.</p> <p>The air warms—whatever lurks here hasn’t come to welcome me to this part of the realm.</p> <p>Good.</p> <p>I push to sit up on my knees. My body creaks beneath my rose-gold armor, tarnished and gunked-up. Dried gore from humans and beasts covers my breastplate, vambraces, and gauntlets. Beneath my tunic, my bones feel as shattered as stardust with my armor now just a fancy casserole dish holding me together. My bloodred hooded cape, though, remains unspoiled, free of dirt and blood—a benefit of the protective wards stitched into its fabric.</p> <p>The ground beneath my feet vibrates.</p> <p>Whatever lurks here has decided to come visit, and I feel its presence before I see—</p> <p>He rushes toward me. A shrill cry shatters the silence.</p> <p>My gaze snaps to the sky above me.</p> <p>A flash of color blinks against the ginger-and blue-tinted sky. With those shimmering metallic gold-and-blue wings that span the width of a river and curved crimson beak…</p> <p>A daxinea!</p> <p>She cries again, then says, <em>“Come, Lady!”</em></p> <p>How about “no, thanks.” I chased another pretty thing across the realm—that thief’s name was Olivia—and that adventure landed me here, standing over a now-dead aburan. Not trying to do that again.</p> <p>But the bird won’t leave me alone. <em>“You must go there, Lady!”</em></p> <p>But where is “there”? And who left these tracks?</p> <p><em>“Hurry, Lady!”</em></p> <p>I swipe Fury’s bloody blade across the fallen aburan’s fur and stow her in the sheath beside the Adjudicator’s sword with a platinum hilt and engraved silvery-blue blade. <em>Arbiter. Judge. Truth. Mediator. Justice. Life. Death.</em> I won her in a fight against Elyn Fynal the Adjudicator at the Sea of Devour. I take a step, but my breath comes short and fast. I want to vomit even though my stomach is empty. My tongue feels dry and swollen, and it’s cut. The blood I’m now tasting reminds me that I’m not whole, that I’m imperfect, that my situation remains… <em>complicated</em>.</p> <p>With great care, I take tiny steps to the cliff’s edge and look out.</p> <p>I stand above a realm on the verge of destruction. Thorny shrubs and acacia trees. Red dirt tufted with spiky grass. Sandy columns that used to be mountains before harsh winds scraped them down. Way out there, the land shimmers—but it’s a trick. This place has no treasures. This place has no hope or any promise. That shimmer? Those are bleached bones and broken glass.</p> <p>Of all places in the world, Elyn swept me here, the ass-crack of Vallendor.</p> <p>My knees wobble and my head spins. The need to vomit surges in my throat.</p> <p>Another cry from the soaring daxinea. <em>“Come, Lady!”</em></p> <p>I need to sit for a moment. Those gray windwolves, though, blink their golden eyes at me, ready to lunge for my neck.</p> <p>Sitting means surrendering.</p> <p>I can’t surrender.</p> <p>According to Elyn, I made Vallendor this way, destroying the realm out of selfishness and frustration. <em>You are the one who will destroy the world.</em></p> <p><em>But I didn’t destroy</em> <em>this daxinea. </em>My heart swells to see her beauty and color bright against this landscape of desperation.</p> <p>The creatures down here in the canyons also watch the bird. The wolves with stunted wings flick their pink tongues across their bladed teeth. <em>“Hungry, so hungry.”</em></p> <p>“Don’t touch that bird or else,” I warn them. “You think your wings are little now.”</p> <p>The wolves blink at me, then drop their shaggy heads back down to the muddy pond. One thinks, <em>“She will fail.”</em> Another thinks, <em>“We will wait.”</em></p> <p>Yes, I was defeated in battle against the army of Syrus Wake, the Emperor and so-called Supreme Manifest of Vallendor. I remember confronting the traitor, Danar Rrivae. And I remember <em>him.</em> Jadon Ealdrehrt—no, Jadon <em>Wake</em>. The blacksmith. The prince. My lover. A liar. My foe. He’d asked me, Kaivara Megidrail, Grand Defender of Vallendor, Lady of the Verdant Realm, and Destroyer of Worlds, to be the empress to his emperor, as though this realm belonged to him. As though I trusted any word he uttered. As though he hadn’t betrayed me. Yeah, he betrayed me—I remember <em>that</em> most of all.</p> <p>But none of these memories calm my stomach, clear my head, or heed the call of the daxinea currently soaring over me. Nor do my titles or anger at the blacksmith tell me why I still feel like I’m being watched even after slaying an aburan.</p> <p>I take one last look around, and then I say, “Lead on,” to the daxinea. I follow her over the rocks and down the hillside. I scramble across scrapple and squeeze through slots. I rest because I get dizzy and the world keeps swooping, the edges of my vision fading.</p> <p>But I don’t sit down.</p> <p>Sitting means surrender.</p> <p>I take a moment to scan my surroundings again.</p> <p>No aburan. No humans.</p> <p>No one follows me, yet this big world feels cramped with too many pairs of eyes.</p> <p>Sometimes as I walk, the daxinea blots out the daystar and casts shadows across the land. Sometimes she circles, but she never slows even as the terrain climbs, and pebbles become rocks, and thorns grow to the size of a man’s hand.</p> <p>I gape at the sharp red rocks stabbing the sky, at those three-headed lizards and tiny-winged wolves lurking from their dens and rocks. My muscles ache as though I’ve fought every creature in this realm.</p> <p>The daxinea picks up speed. I run to catch up with her again and—</p> <p>Roars. Growls. Women screaming. Men shouting. Children shrieking.</p> <p><em>Supreme, help us!</em></p> <p><em>Supreme, hear our prayers!</em></p> <p><em>Supreme, have mercy!</em></p> <p>The cries and roars echo throughout the canyons and roll over this desert.</p> <p>Humans in distress.</p> <p><em>Fuck.</em></p> <p>Here we go again.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em><a href="https://www.entangledpublishing.com/books/the-cruel-dawn" target="_blank" rel="noreferrer noopener">The Cruel Dawn</a></em>, copyright © 2025 by Rachel Howzell Hall.</p> <p>The post <a href="https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/">Read an Excerpt From &lt;i&gt;The Cruel Dawn&lt;/i&gt; by Rachel Howzell Hall</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/">https://reactormag.com/excerpts-the-cruel-dawn-by-rachel-howzell-hall/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820162">https://reactormag.com/?p=820162</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 06:30 pm

Home Renovation Can Be a Nightmare: Cherie Priest’s It Was Her House First

Posted by Christina Orlando

Books book reviews

Home Renovation Can Be a Nightmare: Cherie Priest’s It Was Her House First

A horror ghost story that finds the right balance between personal drama and supernatural thrills.

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Published on August 7, 2025

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<p class="syndicationauthor">Posted by Christina Orlando</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-it-was-her-house-first-by-cherie-priest/">https://reactormag.com/book-review-it-was-her-house-first-by-cherie-priest/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=819866">https://reactormag.com/?p=819866</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/book-reviews/" class="inline-block link-no-animation" aria-label="Link to term or tag book reviews 1"> book reviews </a> </span> </div> <h2 class="post-hero-title text-h1">Home Renovation Can Be a Nightmare: Cherie Priest’s <i>It Was Her House First</i></h2> <div class="prose post-hero-description prose--post-hero">A horror ghost story that finds the right balance between personal drama and supernatural thrills.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/tobias-carroll/" title="Posts by Tobias Carroll" class="author url fn" rel="author">Tobias Carroll</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/08/review-It-Was-Her-House-First-740x407.png" class="w-full object-cover" alt="Cover of It Was Her House First by Cherie Priest." srcset="https://reactormag.com/wp-content/uploads/2025/08/review-It-Was-Her-House-First-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/08/review-It-Was-Her-House-First-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/08/review-It-Was-Her-House-First-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/08/review-It-Was-Her-House-First.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Are we living through the birth of a new subgenre: HGTV horror? Andrew F. Sullivan and Nick Cutter’s <em>The Handyman Method</em> told the story of a seemingly idyllic family who move into a house that needs some renovations—and which gradually immerses them in the aftereffects of an eldritch bargain. Sarah Pinsker’s <em>Haunt Sweet Home</em> is set against the backdrop of a reality show involving haunted houses. And the plot of Cherie Priest’s new novel is set into motion when Ronnie Mitchell, mourning the death of her younger brother, buys a run-down home in present-day Seattle and gets to work fixing it up.</p> <p>The title of this novel is <em>It Was Her House First</em>, and it’s very clear from the outset who that “her” refers to. Ronnie is one of two narrators here; the other is a detective named Bartholomew Sloan, whom we first encounter in 1932. Sloan is mourning the death of his friend Oscar Amundson, who has just been hanged for the murder of Oscar’s wife, a silent film star named Venita Rost. Sloan’s narration also hints at a tragic outcome for Oscar and Venita’s daughter Priscilla.</p> <p>The detective inherits Oscar and Venita’s house, where he discovers a letter from Venita, telling him several things, chief among them that she framed her husband for her own murder. Oh, and the gin Bartholomew is sipping? Well, it’s poisoned. Exit Bartholomew, presumably—except that this isn’t the kind of novel where a mere death by poisoning is enough to clear someone off the board. By the time Ronnie purchases the house decades later, the place abounds with restless spirits, two of whom have spent the bulk of their afterlives silently loathing one another.</p> <p><em>It Was Her House First</em> is a haunted house story, yes, but it’s also a lot more complicated than that. Both of the novel’s narrators are haunted by their complicity in the death of an innocent. We’ll get to Bartholomew’s case soon enough. In Ronnie’s case, she accidentally started a fire that led to the death of her brother Ben. If Ben had opted to use the bedpan rather than go to the bathroom, or if he’d brought his phone to the bathroom with him, he’d likely have been fine. But he didn’t, and so instead of his terminal cancer killing him, smoke inhalation was the cause. Ronnie blames herself largely because she’d been taking anti-anxiety medication, which caused her to worry less about things like leaving the dryer running when leaving the house.</p> <p>As Ronnie begins renovating the house, Ben’s fiancée Kate assists her—and, no, Ronnie hasn’t shared any of this with her. As she phrases it: </p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Lying to Kate by omission doesn’t torment me, it’s just something I think about every now and again, especially when I’m alone and it’s quiet and the night is settling in around me—in a place that’s loud like those machines were, in Ben’s room. I think about telling her, and then I remember that I mostly want her to know so that I’ll feel better, having unburdened myself.</p></blockquote></figure> <p>One of the qualities ghosts have in this novel is a kind of telepathy, and Bartholomew is able to glean knowledge of this from her. What’s less clear is what he can do about it, as the dead’s ability to communicate with the living is seriously limited. And there’s a wild card in all of this as well, a young man who introduces himself as Coty Deaver and becomes fast friends with Ronnie and Kate. Bartholomew is quick to tip us off that Coty has an agenda of his own, and it won’t be long before Ronnie learns more about Coty’s past as well. He mentions that he’s a descendent of Bartholomew’s, which is true, but his designs on the house are less altruistic than making new friends.</p> <p>There’s a sort of third narrator present in the novel as well: Venita Rost, whose journal Ronnie finds and reads, and in doing so learns more about the way in which Bartholomew became part of Oscar and Venita’s lives and how that gradually fell apart. It’s the scenes set in the first half of the 20th century that Priest’s novel becomes something more than a traditional ghost story, weaving in larger supernatural forces in a way somewhat reminiscent of (but relatively distinct from) Stephen King’s <em>Bag of Bones</em>.</p> <p><strong>[Spoilers follow.]</strong></p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/It-Was-Her-House-First.jpg" class="attachment-full size-full" alt="It Was Her House First" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/It-Was-Her-House-First.jpg" class="attachment-full size-full" alt="It Was Her House First" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">It Was Her House First</h3> <p class="shop-the-book-author">Cherie Priest</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1754594459" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1754594459" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="close modal"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/It-Was-Her-House-First.jpg" class="attachment-full size-full" alt="It Was Her House First" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/It-Was-Her-House-First.jpg" class="attachment-full size-full" alt="It Was Her House First" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">It Was Her House First</h3> <p class="shop-the-book-modal-author">Cherie Priest</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DK61C28D?tag=tordotcomgeneral-20" data-book-title="It Was Her House First" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781728292854" data-book-title="It Was Her House First" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781728292861" data-book-title="It Was Her House First" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781728292854" data-book-title="It Was Her House First" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781728292854" data-book-title="It Was Her House First" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Bartholomew, it turns out, was a reasonably good detective who made a bargain with some sort of eldritch being for even greater success. Venita discovered the source of his power and disrupted it, and he conducted a new ritual in the hopes of re-establishing his contract with a being from beyond. It was into this ritual that Venita and Oscar’s daughter Priscilla—who’d become fond of her parents’ friend and periodic houseguest—wandered and was accidentally killed, a moment that haunts Bartholomew long after his death.</p> <p>The specific details of the bargain and the ritual are left vague, which is intentional; Bartholomew himself alludes to it as the kind of bargain that one is not permitted to speak of after it takes place. That the bargain persists beyond death acts as a kind of MacGuffin that attracts unsavory figures to the house. And it gives Ronnie and Bartholomew a shared guilt over their feelings of responsibility for the death of an innocent.</p> <p>There are degrees of responsibility, though, and Bartholomew’s guilt feels more deserved than Ronnie. One death involved a chain of accidents and bad luck that could have easily been averted; one involved an accident arising from a bargain with powerful supernatural forces. The guilt arising from these two incidents is similar; the circumstances that led to them are not.</p> <p>For all that Bartholomew’s story brings in larger uncanny forces, the conflicts of <em>It Was Her House First</em> are rooted in human emotions: Resentment, guilt, and jealousy all play parts. While the narrators’ parallel guilt seems to be setting up a larger moment of convergence that doesn’t come, Priest also keeps all of her characters endearingly messy. These are people (alive and dead) whose problems won’t simply go away with one cathartic conversation or act, and this novel doesn’t pretend otherwise.</p> <p>Aside from those characters, <em>It Was Her House First</em> has plenty of charm to recommend it as well, from its lived-in depictions of Seattle to its forays into silent film history, given Venita’s career. It largely finds the right balance between personal drama and supernatural thrills; if its readers get a good sense of what it takes to renovate a house with great bones, so much the better.[end-mark]</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size"><em><a href="https://www.sourcebooks.com/it-was-her-house-first.html" target="_blank" rel="noreferrer noopener">It Was Her House First</a></em> is published by Poisoned Pen Press.</p> <p>The post <a href="https://reactormag.com/book-review-it-was-her-house-first-by-cherie-priest/">Home Renovation Can Be a Nightmare: Cherie Priest’s &lt;i&gt;It Was Her House First&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-it-was-her-house-first-by-cherie-priest/">https://reactormag.com/book-review-it-was-her-house-first-by-cherie-priest/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=819866">https://reactormag.com/?p=819866</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 06:00 pm

Summer of Terror: Curtains and I Saw You That Night!

Posted by Leah Schnelbach

Books Teen Horror Time Machine

Summer of Terror: Curtains and I Saw You That Night!

The concept of Grand Guignol shouldn’t be your inspiration when you plan your summer camp for children.

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Published on August 7, 2025

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<p class="syndicationauthor">Posted by Leah Schnelbach</p><p class="ljsyndicationlink"><a href="https://reactormag.com/curtains-and-i-saw-you-that-night-r-l-stine-teen-horror-time-machine-review/">https://reactormag.com/curtains-and-i-saw-you-that-night-r-l-stine-teen-horror-time-machine-review/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820109">https://reactormag.com/?p=820109</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/teen-horror-time-machine/" class="inline-block link-no-animation" aria-label="Link to term or tag Teen Horror Time Machine 1"> Teen Horror Time Machine </a> </span> </div> <h2 class="post-hero-title text-h1">Summer of Terror: <em>Curtains</em> and <em>I Saw You That Night!</em></h2> <div class="prose post-hero-description prose--post-hero">The concept of Grand Guignol shouldn&#8217;t be your inspiration when you plan your summer camp for children.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alissa-burger/" title="Posts by Alissa Burger" class="author url fn" rel="author">Alissa Burger</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> 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10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/08/i-saw-you-that-night-header-740x407.png" class="w-full object-cover" alt="Cover of I Saw You That Night! by RL Stine" srcset="https://reactormag.com/wp-content/uploads/2025/08/i-saw-you-that-night-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/08/i-saw-you-that-night-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/08/i-saw-you-that-night-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/08/i-saw-you-that-night-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>&nbsp;</em>With back-to-school season just around the corner, I dug through my ‘90s horror pile for one last gasp (as it were) of summer fun and found two early R.L. Stine books, <em>Curtains </em>(1990) and<em> I Saw You That Night!</em> (1994). These are both standalone, non-Fear Street books and of course, both feature anticipated summer fun that turns out to be far more terrifying than expected.&nbsp;</p> <p>In <em>Curtains</em>, Rena is stepping well outside her comfort zone by going with her best friend Julie to a theatre arts summer camp, hosted and run by Broadway director Meritt Baxter, better known as “Bax.” This camp seems really exclusive and competitive, though Rena has never acted and has zero theatre experience, and it’s not quite clear how she made the cut, but she’s there. And not only that, she appears to have a natural acting talent and Bax casts her as the lead in the camp’s production, much to the dismay of Julie, and an ultra-competitive actress named Hedy, who tries to bully and intimidate Rena into giving up the role.&nbsp;</p> <p>Bax thinks Rena has a lot of potential, but he needs her to tap into primal feelings of anger and fear, which he tries to encouragesets out to do by terrorizing and tricking her, including getting her co-star Chip to yell at and berate her in front of her fellow campers. This combative approach understandably makes Rena incredibly uncomfortable and she considers giving up the part and leaving the camp, but she’s determined to prove to Hedy and her fellow campers that she is capable and not a quitter. But even off the stage, Rena is not having the best time at the Meritt Baxter Summer Theater Camp: after she wins the lead role, she finds a dead goose in her bed with its throat cut and her sheets full of blood. Someone cuts up all of her clothes, Julie’s jealousy over Rena’s casting is further complicated by the fact that she’s still mad that Rena stole her boyfriend last year (though he eventually dumped Rena too, so now they’re friends again), and when she goes out for a walk one night with a boy named George, he forces himself on her, grabbing and kissing her, ignoring her objections until she has to scream and physically force him away from her.&nbsp;</p> <p>With these stresses and complications, Rena actually starts to think that it might be nice to lose herself in the character she’s playing, but the stage isn’t a safe space either—in addition to Bax’s abusive treatment of the campers, someone switches out the prop knife from one of the scenes and Rena actually stabs Chip, who nearly dies. And later, when the actors’ energy is flagging and Bax doesn’t feel like they’re digging deep enough for the emotion he needs them to bring to their performances, he FAKES HIS SUICIDE: orchestrating a power outage, he pretends to hang himself on the stage and when the lights come back on, he plays dead as the campers panic, cut him down, and try to figure out the most effective emergency response, all without any adult supervision or support through this incredibly traumatic event. Just as Rena begins to become truly hysterical, he sits up, proclaiming “That’s the fear! That’s the feeling! … Hold that feeling, everyone! Remember it!” (107).&nbsp;</p> <p>So clearly, Bax is a monster and this is almost the WORST summer camp ever (Camp Crystal Lake is an unshakeable #1). And there’s an additional layer of horror for poor Rena, who has a reason for keeping her emotions in check and not tapping into memories of fear to fuel her performance. Before Rena and her family moved to Cambridge, she lived in Hartford and had a boyfriend named Kenny, who had serious mental health challenges. Based on the description Stine provides, depression and bipolar disorder seem likely diagnoses, though Kenny doesn’t seem to have ever gotten the professional support or treatment he needed, as Rena tells Julie that “you could never predict what he was going to say or do. And you could never predict what kind of mood he’d be in … Sometimes he’d be so happy and so much fun. And other times, he’d be so low I couldn’t even talk to him. He’d get down on himself and talk about how worthless he was. Stuff like that” (74-75). Rena tried her best to be there for Kenny and support him, and one day, she found him in the basement with a gun. She doesn’t remember exactly what happened next, just the sound of the gunshot and the blood, and she has an overwhelming sense of guilt over Kenny’s death, unable to remember whether or not she was holding the gun that day. The police rule Kenny’s death a suicide, but Rena is unable to set down the weight of her doubt and guilt, saying “a lot of people believed that I killed Kenny. A lot of people. I was one of them. For a long time I really believed that I did it. Now I don’t know. I don’t know what to think. I just don’t remember” (77). Not only has Rena lived with this grief, guilt, and doubt for three years, every time Bax forces her into a situation where she has to tap into fear and horror, this is where her mind takes her, immersing her once more in a nightmare that she has worked so hard to leave behind.&nbsp;</p> <p>It turns out that there’s someone else who doesn’t want her to leave Kenny’s death behind either: George turns out to be Andy, Kenny’s brother, who moved to California with his dad when their parents split up and who absolutely blames Rena for Kenny’s death, no matter what the evidence says. He’s the one who put the dead goose in her bed, slashed her clothes, replaced the knife, and set up every other terrifying experience Rena has had at camp, with the end goal of luring her to the boathouse, trapping her, and making sure she drowns. He almost succeeds but Rena escapes while Andy is drowned, though Rena’s unwilling to have this doubt and responsibility on her again, and she pulls him out of the water and resuscitates him, saving his life despite the fact that he’s actively trying to kill her (thank goodness this isn’t a slasher film, or Rena would be doomed). The fight for her life and facing Andy’s accusations also allow Rena to recover her memories of Kenny’s death: she was running up the basement stairs to try to get help when she heard the gunshot. She wasn’t holding the gun and she didn’t kill him. When Rena’s parents come to pick her up from camp, her dad says “I don’t believe a thing that’s happened here” (138), which is an astute assessment and a ridiculous understatement of the situation. Even without the ghosts of Rena’s past trying to kill her, the Meritt Baxter Summer Theater Camp is a terrifying place, with both the adolescents and the adults who are supposed to have a duty of care to the campers being horrible, self-serving, and ruthless.&nbsp;</p> <p>In <em>I Saw You That Night!</em>, Roxie is spending a pretty uneventful summer at home in the beach town of Rocky Shores. She’s taking a summer French class, spending time with her boyfriend Terry and her best friend Ursula, and engaging in a friendly wager with Ursula over which of them can get a date with mysterious bad boy Lee first. The stakes are high (maybe a little higher for Roxie, because Terry isn’t going to be happy if he finds out about this game) and with fifty dollars on the line, the goal is to get a date with Lee and claim a trophy: the baseball cap he wears just about everywhere. Ursula is more outgoing than Roxie and Roxie finds herself at a distinct disadvantage, at least until she comes up with a workaround and decides her best option is to break into Lee’s house while he and his family are out and steal the hat from his room. This is (obviously) a terrible idea but it’s the one that Roxie goes with. She breaks into the house, takes pictures of Lee’s room (intended as proof of her access and which she intends to gloat over with Ursula later, which is decidedly creepy), and looks frantically for his hat, though she comes up empty-handed.&nbsp;</p> <p>A weird night gets even weirder when Roxie hears someone come into the house and a boy and girl begin fighting downstairs. She listens to the physical struggle between the two and the girl’s cries for help, though Roxie’s self-serving primary concern is on how she can get out of the house without being seen. Later, once she’s clear—though the flash of her camera goes off as she’s running past the living room, alerting the two people to her presence and raising the possibility of photographic evidence—she starts to wonder whether she should have done something to intervene, whether she ought to call the police, and whether or not the girl is okay. As it turns out, she’s not. The next morning, Roxie overhears a news report on the radio about the dead body of a murdered young woman found on the beach and when she goes to the scene, Roxie recognizes the girl from the brief glimpse she got the night before.&nbsp;</p> <p>The girl’s name is Maddy Andrews and, faced with her actual death, Roxie concocts a half truth, telling her parents and the police that she heard the fight from the front steps when she went by to see Lee that night. She still has to deal with their questions about why she didn’t call the police then, but at least she doesn’t have to tell them she broke into the house. She’s afraid that Lee saw her and will kill her next and she’s even more terrified once the police discover that he has an alibi and let him go. When Roxie finds out that both Lee and Terry knew Maddy, her suspicions turn to Terry and she starts clandestinely spending more time with Lee … right up until he tries to murder her too, because it was him all along. Terry and Ursula come to the rescue, despite the fact that Roxie kind of betrayed them both, the cops show up to arrest Lee, and Roxie survives, hopefully with a new perspective on whether it’s okay to break into people’s houses and what to do if she ever overhears another murder in progress.&nbsp;</p> <p>Home or away, these teens have some serious summer horrors to contend with and while Rena and Roxie survive, their brushes with death have been too close for comfort. Rena now knows for sure that she was not responsible in any way for Kenny’s death, but that doesn’t mitigate the trauma of having been there when he died, seeing his body, and the intrusive thought loop of wondering if there was more she could have done to help him. Like Rena, Roxie isn’t responsible for Maddy’s death, though in this case, she chose to remain silent when she could have helped, focused on keeping herself out of trouble rather than calling the police. Rena ran for help while Roxie ran away, and both stories end tragically. Despite Rena’s best efforts to save Kenny, he died, and though Roxie tries to reassure herself that she couldn’t have known the consequences of her inaction, she’ll have to come to terms with the fact that she may have been able to save Maddy’s life if she had made a different choice.[end-mark]</p> <p>The post <a href="https://reactormag.com/curtains-and-i-saw-you-that-night-r-l-stine-teen-horror-time-machine-review/">Summer of Terror: &lt;em&gt;Curtains&lt;/em&gt; and &lt;em&gt;I Saw You That Night!&lt;/em&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/curtains-and-i-saw-you-that-night-r-l-stine-teen-horror-time-machine-review/">https://reactormag.com/curtains-and-i-saw-you-that-night-r-l-stine-teen-horror-time-machine-review/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820109">https://reactormag.com/?p=820109</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 05:06 pm

Thursday Murder Club Trailer Shows David Tennant Isn’t Afraid of Cantankerous Old Farts

Posted by Molly Templeton

News The Thursday Murder Club

Thursday Murder Club Trailer Shows David Tennant Isn’t Afraid of Cantankerous Old Farts

Who doesn’t want to watch the Tenth Doctor antagonize James Bond?

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Published on August 7, 2025

Image: Giles Keyte/Netflix

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/thursday-murder-club-netflix-trailer/">https://reactormag.com/thursday-murder-club-netflix-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820391">https://reactormag.com/?p=820391</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-thursday-murder-club/" class="inline-block link-no-animation" aria-label="Link to term or tag The Thursday Murder Club 1"> The Thursday Murder Club </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Thursday Murder Club</i> Trailer Shows David Tennant Isn&#8217;t Afraid of Cantankerous Old Farts</h2> <div class="prose post-hero-description prose--post-hero">Who doesn&#8217;t want to watch the Tenth Doctor antagonize James Bond?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Giles Keyte/Netflix</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/thursday-murder-club-netflix-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 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https://reactormag.com/wp-content/uploads/2025/08/TMC_20240717_Unit_03256_RT-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/TMC_20240717_Unit_03256_RT-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/TMC_20240717_Unit_03256_RT-1536x1025.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/TMC_20240717_Unit_03256_RT-2048x1366.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Giles Keyte/Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><em>The Thursday Murder Club</em> is pretty straightforward about what it&#8217;s about: Solving murders. On Thursdays. The only details missing from the title are the age of the club&#8217;s participants and the matter of their residence in what seems like the fanciest retirement home on this or any other Earth. When I&#8217;m old enough, can I live there?</p> <p>The Murder Club, for the most part, solves cold cases. A more recently living dead body changes things up a little, much to the excitement of Joyce (Celia Imrie), who seems to be the latest member of a gang that includes Elizabeth (Helen Mirren), Ron (Pierce Brosnan), and Ibrahim (Ben Kingsley).</p> <p><em>The Thursday Murder Club</em> is based on Richard Osman&#8217;s bestselling novel, and is directed by Chris Columbus, who knows a thing or two about making genial, unremarkable blockbusters from very popular books. The charm here is largely due to the cast: Having all four stars say &#8220;Bugger&#8221; one after another is about as close as this trailer gets to being genuinely funny. </p> <p>The movie&#8217;s (relatively) younger generation is also well-cast, with Naomi Ackie (<em>Mickey 17</em>) playing a police officer drawn into the Club&#8217;s shenanigans, and David Tennant (<em>Jessica Jones</em>) dismissing the &#8220;cantankerous old farts.&#8221; It seems fairly apparent, even to someone who hasn&#8217;t read the source material, that Tennant is playing a villain—which immediately makes the whole thing just that much more appealing.</p> <p>You can join <em>The Thursday Murder Club</em> on Netflix on August 28th.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="16190"/> </div></figure> <p>The post <a href="https://reactormag.com/thursday-murder-club-netflix-trailer/">&lt;i&gt;Thursday Murder Club&lt;/i&gt; Trailer Shows David Tennant Isn&#8217;t Afraid of Cantankerous Old Farts</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/thursday-murder-club-netflix-trailer/">https://reactormag.com/thursday-murder-club-netflix-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820391">https://reactormag.com/?p=820391</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 05:00 pm

Back to Basics — Star Trek: Strange New Worlds: “Through the Lens of Time”

Posted by Sarah

Movies & TV Star Trek: Strange New Worlds

Back to Basics — Star Trek: Strange New Worlds: “Through the Lens of Time”

It’s an episode of Strange New Worlds where they visit a strange new world!

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Published on August 7, 2025

Credit: Paramount+

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/">https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820349">https://reactormag.com/?p=820349</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-trek-strange-new-worlds/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Trek: Strange New Worlds 1"> Star Trek: Strange New Worlds </a> </span> </div> <h2 class="post-hero-title text-h1">Back to Basics — <i>Star Trek: Strange New Worlds</i>: “Through the Lens of Time”</h2> <div class="prose post-hero-description prose--post-hero">It’s an episode of Strange New Worlds where they visit a strange new world!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/keith-decandido/" title="Posts by Keith R.A. DeCandido" class="author url fn" rel="author">Keith R.A. DeCandido</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Paramount+</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 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src="https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-01-740x493.jpg" class="w-full object-cover" alt="Jess Bush as Christine Chapel in Star Trek: Strange New Worlds season 3 episode 5: &quot;Through the Lens of Time&quot;" srcset="https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-01-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-01-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-01-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-01.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Paramount+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Hey look, it’s an episode of <em>Strange New Worlds</em> where they visit a strange new world! What a concept!</p> <p>Sarcasm aside, it is nice to see an episode that goes back to basics and isn’t a gimmick episode or yet another tiresome Gorn episode (though the ongoing Gorn mishegoss does play a role in this story). In addition, it’s a story that continues laying the groundwork for what we already saw in the original series, specifically the relationship between Christine Chapel and Roger Korby.</p> <p>The original series episode “<a href="https://reactormag.com/star-trek-the-original-series-rewatch-what-are-little-girls-made-of/" target="_blank" rel="noreferrer noopener">What are Little Girls Made Of?</a>” established that Chapel and Korby were affianced, and that Chapel signed onto the <em>Enterprise</em> under Captain James T. Kirk as a nurse in order to find Korby, who’d gone missing. But another original series episode, “<a href="https://reactormag.com/star-trek-the-original-series-rewatch-qthe-naked-timeq/" target="_blank" rel="noreferrer noopener">The Naked Time</a>,” established that Chapel was in love with Spock, something she admitted while under the influence of the Psi 2000 virus that made everyone act a little binky-bonkers (Tormolen committing suicide, Sulu running around shirtless with a sword, Spock having an emotional breakdown, etc.).</p> <p>Here’s the thing, and this is why I love what <em>SNW</em> is doing with Chapel, Spock, and Korby: “The Naked Time” came first (and that’s true whether you’re a sensible intelligent person and go with production order like I did in <a href="https://reactormag.com/columns/star-trek-tos-rewatch/" target="_blank" rel="noreferrer noopener">my rewatch</a> or a big honkin’ doofus and use airdate order like the DVDs and streaming services inexplicably do because they’re big honkin’ doofuses). Plus, as I said last week, we’re seeing the evolution of Spock from someone who was <a href="https://reactormag.com/star-trek-the-original-series-rewatch-qthe-cageq/" target="_blank" rel="noreferrer noopener">willing to smile</a> at the realization that the <a href="https://reactormag.com/star-trek-the-original-series-the-menagerie-parts-1-2/" target="_blank" rel="noreferrer noopener">flowers on Talos IV</a> stopped humming when you touched them to the guy who completely repressed his emotions by the time he served under Kirk.</p> <p>Notably, in this episode that has Spock, Chapel, and Korby all on the same landing party (an original series term that is used amusingly interchangeably with “away team,” the term coined by <em>TNG</em> and which is much more in the public consciousness at this point), we see that Spock is <em>much</em> more closed off, much more logical, much less emotional. In other words, closer to the Spock Leonard Nimoy played from 1966 to 1969, as opposed to the one he played in 1964. On top of that, we’re actually <em>seeing</em> how much Korby and Chapel love each other, as they make quite the adorable couple, which has the added bonus of making the events of “…Little Girls…” that much more poignant.</p> <p>And yes, I’m spending a lot of time showing the clever connections that bridge “<a href="https://reactormag.com/star-trek-the-original-series-rewatch-qthe-cageq/" target="_blank" rel="noreferrer noopener">The Cage</a>” and the original series because I’m <em>really really</em> sick and tired of the complaints by folks online about how <em>SNW</em> (and <em>Discovery</em>) simply <em>must</em> be in an alternate timeline from the shows that aired from 1966-2005. Which conveniently forgets all the folks who insisted from 2001-2005 that <em>Enterprise</em> simply <em>must</em> be in an alternate timeline from the shows that aired from 1966-2001. Not to mention the folks who insisted in 1979 that <em>The Motion Picture </em>had to be in an alternate timeline from the TV show. It’s tiresome.</p> <p>The story itself is a two-pronged plot that we often see in <em>Trek</em>: some folks are on the planet dealing with a thing and the people back on the ship are dealing with another thing. Sometimes the two things are related, as they very much are here. Korby and Chapel have discovered some artifacts on one world that indicate the possibility of an ancient civilization on another world, which has refused Federation membership. They do allow <em>Enterprise</em> to orbit and send a small party down, led by Chapel and Korby, and with a native guide, N’Jal (Ish Morris).</p> <p>The placement of the artifacts on a particular item on the world results in a huge building appearing out of nowhere, and our heroes immediately investigate it, with Chapel allowing the door to prick her finger and examine her blood and then allow her ingress, along with everyone else.</p> <p>The original plan was for a small team that included Chapel, Korby, Uhura, and Gamble. In fact, the episode opens with Gamble’s personal log, as the young nurse is thrilled to be on away team duty for the first time, having been requesting it for ages. With the huge building now to explore, Spock and La’an join the party. Originally Spock was going to stay on the <em>Enterprise</em> to avoid awkwardness, but this is too big a find for the science officer not to be present. Also taking the trip is Beto Ortegas (Mynor Luken, back from “<a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-hegemony-part-ii-and-wedding-bell-blues/" target="_blank" rel="noreferrer noopener">Wedding Bell Blues</a>”), recording stuff on the <em>Enterprise</em> for his documentary on the Federation Centennial.</p> <p>Of course, things go horribly wrong once they’re inside. For starters, comms don’t work inside the structure. Procedure dictates that they should go back outside and report in, but there is much to see here—and Korby isn’t Starfleet, and he doesn’t want to leave. Spock, to his credit, asks N’Jal what <em>he</em> wants, since this is his world, and they’re his guests. Their decision to stay and investigate further is N’Jal’s.</p> <p>And then more things go wrong as a device that Gamble picks up explodes in his face and blows out his eyes. Chapel and La’an take him outside so he can beam back to <em>Enterprise</em>. They continue searching, but then N’Jal sees something that he views as evil—it’s a visceral reaction, one that causes him to run to the door to leave—</p> <p>—at which point he’s vaporized, and then the door closes and they can’t open it back up. It turns out that Chapel has to be the one to use the doors, and when anyone else uses the door without her, they get zapped.</p> <p>The planet plot proceeds nicely, as the landing party continues to explore the building, now also trying to find a way out. They move into another chamber only to find themselves separated in pairs: Uhura and Beto in one room, La’an and Chapel in another, Korby and Spock in a third. Except it turns out they’re all in the same room, just slightly displaced in time and space, which they only discover thanks to Beto’s cameras. (Beto also has a freakout at one point, as (a) he’s a civilian, and (b) unlike the other civilian on this mission, Korby, he’s not used to this nonsense. Uhura is able to calm him down, however, drawing on her own fears and difficulties as a newbie cadet back in season one.) Everyone contributes to the quest to get the hell out of the building, including Chapel having to trust a crazy-ass notion of Spock’s that is nonetheless rooted in logic. They also eventually determine that this is an interdimensional prison for creatures, one of whom was what attacked Gamble.</p> <p>Except, as we eventually learn over the course of the shipboard plot, the creature didn’t just attack Gamble. It takes a while, but it soon becomes clear that there was a creature that invaded his mind and took over his body. It appears to have some telepathic abilities—it gets information about both M’Benga and a security guard that it could only get by reading their minds—and pretends to be Gamble until it grows strong enough.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-02-1100x733.jpg" alt="Babs Olusanmokun as Dr M&#39;Benga in Star Trek: Strange New Worlds season 3 episode 5: &quot;Through the Lens of Time&quot;" class="wp-image-820383" srcset="https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-02-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-02-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-02-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/star-trek-snw-305-lens-of-time-02.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Paramount+</figcaption></figure> <p>In fact, M’Benga’s instruments indicate that Gamble is already dead, even though he’s talking to him. But Gamble is M’Benga’s protégé, and he refuses to accept that he isn’t still in there somewhere, even though by the episode’s end he’s killed two crewmembers, gotten into a huge fight with Batel (more on that in a bit), and is threatening Pelia, Scotty, and Sam. M’Benga’s distracting the creature is what allows Pelia to shoot and kill it.</p> <p>I’m still not at all happy about the use of the Gorn on this show, but I do like that the cure Batel got in “<a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-shuttle-to-kenfori/" target="_blank" rel="noreferrer noopener">Shuttle to Kenfori</a>” is proving to be complicated. Her Gorn DNA responds instinctively to the presence of the creature that has taken over Gamble and they have a brutal fight in sickbay. There’s a sense here—in Batel’s response to the creature, in how deeply the creatures have been buried, not just in space, but in time, and in Pelia’s reaction to the creature—that this is a very ancient evil that has been hidden away for very good reason. And the final shot implies that it’s still in the <em>Enterprise</em>’s computer.</p> <p>This episode also touches on another of <em>Trek</em>’s tropes, and manages to do it right and wrong at the same time. Chris Myers has been in each of the three prior episodes to this one, and he and the writers have given us a friendly charming character in Gamble. His death here carries more weight because we’ve gotten to know him and like him. In addition, N’Jal’s death is effective, as both the script and Morris’ understated performance make him feel like a real person, not just a plot device, and his death is mentioned several times over the course of the episode, not forgotten like side character deaths often are.</p> <p>But then we have the poor science officer whom Gamble kills off-camera (we just see his corpse on the deck when security captures him) and the security guard that Gamble later kills when the creature gets strong enough to walk through the brig’s force field unharmed. While it’s nice to see that La’an’s security team is competent—they capture Gamble and the one guy only dies because of the unforeseen possibility of his not being affected by the force field—neither of those dead-meat characters get a name or a mention of their deaths after it happens. The penultimate scene has an eye-rolling comedy moment, as Pelia makes a stentorian pronouncement, not because she thinks what she’s saying is important, but because she wants to sound cool in Beto’s documentary. This results in a chuckle from Pike, which is so totally inappropriate for the debrief of a mission in which four people died.</p> <p>At least the last scene gives us M’Benga making the condolence call to Gamble’s family himself, which was a welcome touch. I just wish the other two guys on the ship who died got even a fraction of the consideration.[end-mark]</p> <p>The post <a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/">Back to Basics — &lt;i&gt;Star Trek: Strange New Worlds&lt;/i&gt;: “Through the Lens of Time”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/">https://reactormag.com/tv-review-star-trek-strange-new-worlds-through-the-lens-of-time/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820349">https://reactormag.com/?p=820349</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 04:00 pm

A Samurai in Time Beautifully Defies Our Expectations of a Sci-Fi Comedy

Posted by Sarah

Featured Essays movie reviews

A Samurai in Time Beautifully Defies Our Expectations of a Sci-Fi Comedy

A delightful time travel movie with some genuinely moving moments.

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Published on August 7, 2025

Credit: Mirai Eiga-sha

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/">https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820298">https://reactormag.com/?p=820298</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/featured-essays/" class="inline-block link-no-animation" aria-label="Link to term or tag Featured Essays 0"> Featured Essays </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/movie-reviews/" class="inline-block link-no-animation" aria-label="Link to term or tag movie reviews 1"> movie reviews </a> </span> </div> <h2 class="post-hero-title text-h1"><i>A Samurai in Time</i> Beautifully Defies Our Expectations of a Sci-Fi Comedy</h2> <div class="prose post-hero-description prose--post-hero">A delightful time travel movie with some genuinely moving moments.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/robert-repino/" title="Posts by Robert Repino" class="author url fn" rel="author">Robert Repino</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 7, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Mirai Eiga-sha</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="494" src="https://reactormag.com/wp-content/uploads/2025/08/samurai-in-time-740x494.jpeg" class="w-full object-cover" alt="Makiya Yamaguchi as Kosaka Shinzaemon in A Samurai in Time" srcset="https://reactormag.com/wp-content/uploads/2025/08/samurai-in-time-740x494.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/08/samurai-in-time-1100x735.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/08/samurai-in-time-768x513.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/08/samurai-in-time.jpeg 1198w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Mirai Eiga-sha</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>There are some hero’s journeys that end not in victory, conquest, or justice, but in a changed hero, a new person who has learned to adapt, endure, grow, and reflect. Such a story is inherently introspective, challenging the audience to explore an inner struggle rather than reveling in the just resolution of a righteous, external conflict.</p> <p>The indie Japanese hit <em>A Samurai in Time</em> (2024) proves that this kind of inward journey can work even in a zany, high-concept premise, propped up by an endless stream of fish-out-of-water jokes. If you haven’t heard of the film, I promise you’ll be smiling by the end of this synopsis: On a stormy night in 19<sup>th</sup>-century Japan, near the end of the Tokugawa shogunate, the devoted samurai Shinzaemon Kosaka (Makiya Yamaguchi) prepares for combat with a rival. As their battle of swords commences, a bolt of lightning strikes Shinzaemon. In a flash, he finds himself in an unfamiliar village, where some trouble is brewing: a gang of brigands has challenged a lone samurai in a fight to the death. When Shinzaemon draws his sword to join the melee, a movie director—wearing modern clothes—charges at him and angrily slaps the weapon away.</p> <p><site-embed id="16187"/></p> <p>Our hero will soon come to understand that the freak lightning storm has transported him to the 21<sup>st</sup> century. (Props to director Jun&#8217;ichi Yasuda for not wasting time with a ham-fisted explanation of how the time travel works.) And as if that weren’t confusing enough, Shinzaemon has landed on the set of a jidaigeki show—the beloved, ubiquitous style of Japanese period drama that typically features a noble warrior fighting for justice and slicing lots of bad guys with his sword. In many ways, jidaigeki is a samurai equivalent of a Western, with the dramatic beats of a soap opera.</p> <p>After a shaky start, and with the help of some incredibly kind people, Shinzaemon finds a place in this world as a kirareyaku—that is, a nameless swordsman whose fate is to melodramatically die at the hands of the show’s protagonist. One of the tropes of jidaigeki is that the bad guys rarely fight the hero all at once, choosing instead to get their asses kicked one at a time. The fighting can be beautifully choreographed, or it can be clunky and slow, adding to the charm of a low-budget crowd pleaser.</p> <p>Shinzaemon, under the tutelage of a patient stunt coordinator, throws himself into his new role with the same passion, commitment, and loyalty that drove his life as a real samurai. But just as he begins to make a name for himself, the past that he left behind catches up with him, forcing him to choose between his peaceful modern life or a return to his more violent line of work.</p> <p>The film’s setup fits with the <a href="https://bookriot.com/kishotenketsu/" target="_blank" rel="noreferrer noopener">Kishōtenketsu</a> structure that East Asian storytelling traditions have utilized since ancient times. Western storytelling typically focuses on a protagonist faced with conflict, whose decisions and agency drive the plot forward to a resolution over three acts. That framework could involve a knight on a quest, for example, or perhaps a heartbroken person trying to reconnect with a lost love. Kishōtenketsu, on the other hand, does not rely on conflict, focusing instead on a protagonist facing the arbitrary difficulties of the world and trying to adapt, or simply endure. Each syllable of Kishōtenketsu refers to a separate act, which fit <em>A Samurai in Time</em>. Act one (Ki) introduces Shinzaemon. Act two (shō) develops the story, in this case by transporting Shinzaemon to the present and following him as he tries to get by in his new surroundings. Act three (ten) is often described as a twist the story, but it can simply be an unexpected change that provides a new context for the characters. In the case of <em>A Samurai in Time</em>, the twist presents Shinzaemon with a chance to fulfill his destiny as a samurai. Finally, act four (ketsu) concludes the story, with Shinzaemon living with the consequences of his decisions, reflecting on the past, and adjusting to a new normal.</p> <p>The action that follows the twist makes <em>A Samurai in Time</em> something truly special. Here, the fish-out-of-water jokes slow down, making room for a genuine drama, filled with heartbreak and regret. Shinzaemon blames himself for the collapse of the old ways. When the opportunity to enact justice comes along, he finds it impossible to resist. The payoff works because of the humor from earlier in the film. In one scene, Shinzaemon bursts into tears while tasting a dessert that, to his palate, is so sweet that he assumes it must be a delicacy for a nobleman. He cries even harder while watching a schmaltzy jidaigeki show, to the bewilderment of the people nearby. And so, when we witness his terrible loneliness and seething anger later in the film, culminating in a showdown with far more serious consequences, his grief carries real weight, which allows the film to transcend its sci-fi comedy premise in a refreshing and truly compelling way, becoming so much more in the process.</p> <p><em>A Samurai in Time</em> is inspiring for a number of other reasons, notably its shockingly low budget ($170,000!) that director Yasuda stretched into a lovely film. Not surprisingly, this movie has drawn comparisons to indie darling <a href="https://www.youtube.com/watch?v=_jH2Hi1z5Dw" target="_blank" rel="noreferrer noopener"><em>One Cut of the Dead</em></a> (2017), which is also a love letter to the history of Japanese cinema. Both movies were nominated for Best Film by the Japan Academy, which <em>A Samurai in Time</em> won in 2025.</p> <p>Thanks to new streaming options, <em>A Samurai in Time</em> is now finding the wider audience it deserves, and introducing more people to the versatile storytelling structure that has given us masterpieces like <em>Parasite</em> (2019) and <em>Spirited Away</em> (2001). Shinzaemon may not be on a familiar hero’s journey, but he rises to the occasion with resilience and creativity in the face of the unknown, the unknowable, the mundane, and the meaningless.[end-mark]</p> <p>The post <a href="https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/">&lt;i&gt;A Samurai in Time&lt;/i&gt; Beautifully Defies Our Expectations of a Sci-Fi Comedy</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/">https://reactormag.com/a-samurai-in-time-beautifully-defies-our-expectations-of-a-sci-fi-comedy/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820298">https://reactormag.com/?p=820298</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-07 02:00 pm

Five Spanish Women SpecFic Writers You Should Know

Posted by Christina Orlando

Books reading recommendations

Five Spanish Women SpecFic Writers You Should Know

An introduction to some essential women writers from Spain

By

Published on August 7, 2025

Detail from the cover of Epiphany by JV Gachs

The spectacular developments in the Latin American novel of the 1960s and 1970s mean that any reader wanting to take a chance on Spanish-language writing over the past fifty years has found that the obvious path is more likely to pass through Buenos Aires than Barcelona. What happened in Spanish-language writing during the Latin American Boom changed the game: a singular moment of genius that overturned the literary idiom. The ripples of that wave of visionaries are still being felt, with significant attention paid to voices hailing from that particular tradition. Meanwhile, Spain kept a separate but parallel path. The influence of the Boom is undeniable, but the writers of my generation, born at the time when the forty-year dictatorship was finally fading away, grew up trying to find their own idiom as we went along: the dictatorship had created a cultural void that lasted four decades, and our models were few and far-between. Our first encounters with narrative were with works full of the textual subtlety and ambiguity needed to overcome the censors, all of it sprinkled with a healthy degree of uncanny surrealism: after all, we are the land of Dalí, Buñuel, and Victor Erice. But some of us looked elsewhere, to the English-language tradition. 

The result is a breed of Peninsular Spanish writers of speculative genres now coming of age, brought up on a healthy mixture of Buñuel and García Márquez, together with our own masters—Ana María Matute or Bécquer, the Spanish Poe—but who were also reading Dickens, the Brontës, MR James, alongside them. Many of us studied abroad, some of us write in both Spanish and English. Our path has been articulated by a process of discovery, and active challenge to the status quo: this is particularly true of female writers, as Spain is still a male-dominated society. 

Sofía Rhei

Cover of The Deep Forest by Sofia Rhei

Of this new wave, the outstanding figure is clearly Sofía Rhei, author of multiple experimental and speculative works, of which there are over fifty at the last count. Sofía’s work often uses linguistic and narrative game-playing and metatextuality, as shown in her hyper-imaginative Everything Is Made of Letters (Aqueduct Press, 2019). One of the most fertile imaginations presently at work in Spain, it is no wonder that she counts English-language writers of the stature of Frances Hardinge or Lisa Tuttle among her fans. Everything Is Made of Letters shows off to the full Rhei’s Anglophilia, her easy familiarity with literary tropes, her subtly queer reworkings of literary history. 

Perhaps the work where Rhei’s fabulous imagination is best on display is the micro-fiction collection The Deep Forest (Aqueducte Press, 2025), where this difficult genre that stands halfway between prose and poetry is used in the service of the reinvention and re-creation of folktales and fairy stories, re-imagined and re-spun with a fecundity of imaginative reach that recalls the work of someone like Italo Calvino infused with a modern, feminist perspective. In Spain’s patriarchal award circuit, Rhei is one of a handful of female writers usually shortlisted for all major speculative awards. 

Cristina Jurado

Cover of Alphaland by Christina Jurado

Another writer who breaks the mould and is a regular fixture on awards lists in Spain is Cristina Jurado. Jurado mostly writes science fiction with a strong bent towards the Weird. She has acted as international editor for Apex, and is on the board which currently judges the British Science Fiction Association translation prize. In English you can read her fascinatingly strange stories in Alphaland and Other Tales (Calque Press, 2023), and more recently Chlorophilia (Apex Books, 2025).

Alphaland and Other Tales is a multi-genre collection in which science fiction, horror, and fantasy are mixed and reorganised into a myriad of hybrid forms, all of them offered us through the lens of Jurado’s peculiar imagination. ‘Vanth’, for example, is a cosmic body horror infused with the legacy of a bleak abusive childhood, in which the vital persistence of human memory and the cultural valorisation of inherited trauma is shown to be nugatory and insignificant when it comes up against an almost Lovecraftian universal indifference. Alphaland has won endorsements from writers such as Robert Shearman and Lavie Tidhar, which tells you the company Jurado is playing in: her fluency and assuredness, her highly crafted worldbuilding and the compassion she feels for her characters are reminiscent of writers such as Premee Mohamed.

Jurado’s other offering available to English readers, Chlorophilia, is a beautiful tale of transformation which reimagines the themes of ecological science fiction into a narrative of self-sacrifice, of personal immolation for the greater good. Its depiction of a human race on borrowed time is at times quite poetic, although there are no answers at the end as to which way humanity should go. Jurado, who herself sometimes writes in English, is also exceedingly lucky in her translators: in the case of Chlorophilia it is none other than novelist Sue Burke, author of the Semiosis trilogy. 

J.V. Gachs

Cover of Epiphany by JV Gachs

Rhei and Jurado are the premier examples of a new wave of female Spanish authors of science fiction, fantasy and the Weird, but other genres, most notably horror and the Gothic, also have their heroes. J.V. Gachs stakes the usual Spanish tropes of nuns, religion, and regional folklore, and gives us a series of tales repositioning them as inescapable horrors. Fundamentally she is interrogating societal and family trauma, unveiling the subtle ways in which Spain connects these things.

In Unholy (Mad Axe Media, 2025), a nun and the owner of a provincial sex shop are tasked with stopping the end of the world, a scenario reminiscent of the pulp-classic film El día de la bestia, but reimagined here as a female-centred narrative. Unholy is fast-paced and fun, and the horror punches are excellent, but Gachs’ preeminent work to date is Epiphany (Off Limits Press, 2023), a novel told through a variety of media—a diary, a podcast, interview transcripts etc. These meta offerings are glimpses of some authentically Spanish folkloric dark force, and the increasing complexity of the form disconcerts us as we head to an overwhelming conclusion. Gachs’ stories are fun and packed with smart twists and scares, but what makes her writing shine is how deeply she understands horror and history and community, and how the interconnect to form scars that ripple through society, and affect us for generations. Epiphany is one of the four novels shortlisted for the Kelvin Prize awarded by the Celsius Festival this year, the only one by a female writer. 

Layla Martinez

Cover of Woodworm by Layla Martinez

Woodworm by Layla Martinez (Harvill Secker, 2024), is equally interested in using horror to further a political agenda. Intergenerational trauma, bad blood, the sins of the parents… The interior monologue of two women of different generations is dazzling, at times making it impossible to know if what happens is real or in the protagonists’ imaginations. Are they witches, or women misunderstood by society? Nothing is simple, nothing is spelled out. But this fever-dream novella reads like an oral memory for those forced to forget the trauma of the past.

Virginia Feito

Cover of Mrs March by Virgina Feito

Virginia Feito has two novels to date, both written directly in English. She’s by far the most successful of the group, with both Mrs March and Victorian Psycho (4th Estate, 2021, 2024), optioned by Hollywood. It’s her debut, Mrs March, that is still rippling through the world of horror. The book’s dark and claustrophobic Shirley Jackson-esque setting would be a bit on the nose if it weren’t for how perfected the voice is, how assured its depiction of a descent into madness worthy of a Gothic classic, with the ongoing sense of dread that we all stand a couple of mistakes from disaster, from revealing the stiches that hold our precarious lives together. What Feito adds to the mix is a delicious surrealism, dark and funny, which brings a dream-like quality to the proceedings: is Mrs March in Manhattan or in purgatory? It’s impossible to read this novel without pondering lives gaslit by history. All of these writers are using their work to highlight such issues, and showing a particular self-forged Spanish sensibility along the way. 

[end-mark]

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Lost Objects
Lost Objects

Lost Objects

Marian Womack

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Lost Objects

Lost Objects

Marian Womack

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The post Five Spanish Women SpecFic Writers You Should Know appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-06 07:58 pm

Vought Rising Cast Adds Stars From Sense8, Bridgerton, and The Bear

Posted by Vanessa Armstrong

News Vought Rising

Vought Rising Cast Adds Stars From Sense8, Bridgerton, and The Bear

The Boys prequel will star Jensen Ackles and Aya Cash as Soldier Boy and Stormfront.

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Published on August 6, 2025

Photo Courtesy of Amazon Studios

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/vought-rising-cast-members/">https://reactormag.com/vought-rising-cast-members/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820315">https://reactormag.com/?p=820315</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/vought-rising/" class="inline-block link-no-animation" aria-label="Link to term or tag Vought Rising 1"> Vought Rising </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Vought Rising</i> Cast Adds Stars From <i>Sense8</i>, <i>Bridgerton</i>, and <i>The Bear</i></h2> <div class="prose post-hero-description prose--post-hero">The Boys prequel will star Jensen Ackles and Aya Cash as Soldier Boy and Stormfront.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 6, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo Courtesy of Amazon Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/vought-rising-cast-members/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 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https://reactormag.com/wp-content/uploads/2025/08/THBY_S3_UT_307_210816_SAVJAS_00085_1-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/THBY_S3_UT_307_210816_SAVJAS_00085_1-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/THBY_S3_UT_307_210816_SAVJAS_00085_1-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/THBY_S3_UT_307_210816_SAVJAS_00085_1.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo Courtesy of Amazon Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>It’s been a little over a year since we first heard about <em>Vought Rising</em>, the prequel to <em>The Boys</em> <a href="https://reactormag.com/oh-boy-vought-rising-a-prequel-to-the-boys-starring-jensen-ackles-aya-cash-is-happening/" target="_blank" rel="noreferrer noopener">starring Jensen Ackles and Aya Cash</a> in their established roles as Soldier Boy and Stormfront. &nbsp;</p> <p>Production on the show is set to begin later this month, and we now have news on who will be joining Ackles and Cash in the series. According to <em><a href="https://variety.com/2025/tv/news/the-boys-prequel-vought-rising-production-begins-new-cast-1236480742/" target="_blank" rel="noreferrer noopener">Variety</a></em>, Jorden Myrie (<em>Bridgerton</em>), Nicolò Pasetti (<em>Belcanto</em>), Ricky Staffieri (<em>The Bear</em>), and Brian J. Smith (<em><a href="https://reactormag.com/sense8-has-ended-and-we-are-poorer-for-it/" target="_blank" rel="noreferrer noopener">Sense8</a></em>) will also be in <em>Vought Rising</em>, and they join already announced actors Will Hochman and Elizabeth Posey on the call sheet.</p> <p>We don’t have many details on the series yet, including who everyone besides Ackles and Cash will be playing. Back in July 2024, however, showrunner Paul Grellong described <i>Vought Rising</i> as “a twisted murder mystery about the origins of Vought in the 1950s, the early exploits of Soldier Boy, and the diabolical maneuvers of a Supe known to fans as Stormfront, who was then going by the name Clara Vought.”</p> <p>This is far from the only <em>Boys </em>spinoff, of course. Prime Video&#8217;s <em>Gen V</em> is soon coming back <a href="https://reactormag.com/gen-v-season-two-teaser/" target="_blank" rel="noreferrer noopener">for its second season,</a> the animated anthology, <em>The Boys Presents: Diabolical, </em>and a Spanish-language series has been in the works since at least November 2023, though <em>The Boys </em>creator, Eric Kripke, has said that development on that show is <a href="https://ew.com/the-boys-mexico-spinoff-update-eric-kripke-exclusive-8644478" target="_blank" rel="noreferrer noopener">facing some hiccups</a> on its way to development (and might not be made at all).</p> <p>No news yet on when <em>Vought Rising</em> will grace Prime Video, though the first season is weeks away from starting production. [end-mark]</p> <p>The post <a href="https://reactormag.com/vought-rising-cast-members/">&lt;i&gt;Vought Rising&lt;/i&gt; Cast Adds Stars From &lt;i&gt;Sense8&lt;/i&gt;, &lt;i&gt;Bridgerton&lt;/i&gt;, and &lt;i&gt;The Bear&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/vought-rising-cast-members/">https://reactormag.com/vought-rising-cast-members/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820315">https://reactormag.com/?p=820315</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-06 07:00 pm

Read an Excerpt From Honeyeater by Kathleen Jennings

Posted by Stefan Raets

Excerpts Excerpts

Read an Excerpt From Honeyeater by Kathleen Jennings

A dark fantasy that pulses with the beautiful destruction of a town reclaimed by the natural world.

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Published on August 6, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/">https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820004">https://reactormag.com/?p=820004</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 1"> Excerpts </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>Honeyeater</i> by Kathleen Jennings</h2> <div class="prose post-hero-description prose--post-hero">A dark fantasy that pulses with the beautiful destruction of a town reclaimed by the natural world.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kathleen-jennings/" title="Posts by Kathleen Jennings" class="author url fn" rel="author">Kathleen Jennings</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 6, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative 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fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/08/excerpts-Honeyeater-by-Kathleen-Jennings-740x407.png" class="w-full object-cover" alt="Cover of Honeyeater by Kathleen Jennings." srcset="https://reactormag.com/wp-content/uploads/2025/08/excerpts-Honeyeater-by-Kathleen-Jennings-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/08/excerpts-Honeyeater-by-Kathleen-Jennings-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/08/excerpts-Honeyeater-by-Kathleen-Jennings-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/08/excerpts-Honeyeater-by-Kathleen-Jennings.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://us.macmillan.com/books/9781250845887/honeyeater/" target="_blank" rel="noreferrer noopener"><strong>Honeyeater</strong></a></em> by Kathleen Jennings, a dark fantasy publishing with Tor Books on September 2</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Sub-tropical Bellworth is founded on floodplains and root-bound secrets. And Charlie, remarkable only for vanished friends and a successful sister, plans to leave for good, just as soon as he deals with his dead aunt’s house. Then Grace arrives, desperate, with roses pressing up through her skin, and drags Charlie into the ghost-choked mysteries of Bellworth, uncovering the impossible consequences of loss and desire—and a choice Charlie made when he was a boy.<br><br>But peeling back the rumors and lies that cocoon the suburb disturbs more than complacent neighbors and lost souls. And Charlie and Grace are forced to a decision that threatens not only their lives, but all they believed those lives could be.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <p>Gowburgh, of which Bellworth is one fragment, was— is—a river city, its light thick with humidity and rich as coloured glass. Foliage and flowers (spun-sugar, silk-velvet), blue-mirrored offices and tin-roofed houses foam the shores of its river. They rise along myriad gullies and flash like sun on waves.</p> <p>For most of his life, Charlie Wren—who, tall and brown-haired, should have been distressingly unremarkable in Gowburgh—had intended to leave. But although he had spent years escaping to friends, to part-time jobs, over bridges, through tunnels, he had never succeeded in moving away. He’d blinked and a year, a decade slid by.</p> <p>Today, he looped across the suburbs by bus and train, crawlingly aware of the approach of Bellworth Creek. Charlie, always conscious of waterways (life-threading, death-steeped), could have followed them with his eyes closed.</p> <p>And it was good to be out of his share house. For the last month, since the police had (again) asked him <em>not to leave Gowburgh at this time, </em>he’d been pretending. For the sake of curious housemates he’d performed moderate concern about his acquaintance (if that was the right word) Alli’s abrupt disappearance; he’d told himself things would be okay; he’d acquired for the last two weeks a veneer of decent sombreness after his aunt Ida died. It was a relief to stop acting.</p> <p>And quietly, he <em>was</em> worried about Alli, not just because the police were. But, as his older sister reminded him, and as he had dutifully convinced himself and the police, he and Alli hadn’t known each other well (despite his sister’s encouragement at the time) or for long—and people often left. His aunt, however, had raised Charlie and Cora. And while Wrens, as his sister reassured him, did not feel things deeply, housemates and detectives did not understand that.</p> <p>But the inheritance from Ida meant he was nearly free of all that. After he’d announced he was moving out, his room had been re-let with unflattering haste and he’d spent the last night on a too-short sofa (housemates, like detectives, became cold when people you knew had a tendency to go missing). His possessions were in a bag on the seat beside him, and as far as he knew, emptying their aunt’s house was Cora’s only current scheme involving him. He was between jobs he’d never intended to keep and was broke, true. But once they sold the property, once the police lost interest again and Alli sent a message to someone, he’d be gone—away from this city, and its creeks that haunted his dreams with deaths not his own. Charlie promised himself this was the last time he’d go home.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/Honeyeater.jpg" class="attachment-full size-full" alt="Honeyeater" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/Honeyeater.jpg" class="attachment-full size-full" alt="Honeyeater" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Honeyeater</h3> <p class="shop-the-book-author">Kathleen Jennings</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1754680599" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1754680599" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="close modal"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/Honeyeater.jpg" class="attachment-full size-full" alt="Honeyeater" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2025/08/Honeyeater.jpg" class="attachment-full size-full" alt="Honeyeater" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">Honeyeater</h3> <p class="shop-the-book-modal-author">Kathleen Jennings</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DQJ6DW25?tag=tordotcomgeneral-20" data-book-title="Honeyeater" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250845887" data-book-title="Honeyeater" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781250845894" data-book-title="Honeyeater" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250845887" data-book-title="Honeyeater" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250845887" data-book-title="Honeyeater" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>He had suggested they sell the house—cluttered long before Aunt Ida’s last slow illness—as-was. Cora, smiling, had said, “You never know what people might find.” Charlie knew better than to keep secrets. They’d be dug up by someone who hoped Charlie was as interesting as his sister, or who—based on his recurrent appearance in their investigations as known associate or last-person-to-see or (once) prior victim or person-who-found-the-corpse—suspected that he’d done something too interesting. But Cora, rising in council politics, couldn’t afford even other people’s secrets.</p> <p>The hills of latticed houses with sunset burned into their shadows fell away. The other passenger in the carriage—a man burdened with key chains—dozed and did not judge him. The train swayed into a cream brick station built when Bellworth was farms, ejected Charlie, and lurched away.</p> <p>Gowburgh, which had absorbed Bellworth a century before, had not dissolved it. Although from some rooftops you could glimpse a shard of the city centre, hazed silver, it would seem another world. Charlie, bag over his shoulder, strode into Station Road, angling down towards Bellworth Road and the creek. Although the decline was gentle, when water rose a metre’s difference became stark.</p> <p>First were the shops, the tidy library, and a sensation of being watched. And then, like a map, the streets unfolded around him.</p> <p>It was a golden day. Seedpods clattered, lost-bird posters fluttered on power poles. Above corrugated iron rooftops, flame trees burned away to jacaranda smoke (<em>in the branches,</em> said a long-ago voice, <em>are Chattering Jacks, their eyes too green in the night…</em>). But the branches were busy with birds— blue-faced honeyeaters flicking flowers up to get at the nectar, noisy miners falling and reeling grey-and-yellow on the breeze.</p> <p>Charlie was reluctantly buoyed. Alli had bullied him towards happiness, but today for a moment there was a swing in his step he’d last felt at fourteen, before nightmares of drownings (his, and others’) began to wake him.</p> <p>Then the ground dipped and a phantom torrent pressed on his lungs, and the rest of boyhood rushed back, stale with disappointments.</p> <p>In power lines over the ibis-haunted floodplains, the wind sang. (<em>And there I saw, shimmering in the middle of the reeds…</em> it was Liddy-down-the-hill’s voice.) Between high-set houses, a culvert cut under footpath and road. A spill of moss hinted at standing water (<em>and clever words, whispering out of the tunnel… </em>said that long-ago Liddy, her square freckled face gleeful).</p> <p>There was a shortcut over a footbridge. He hadn’t had a reason to take that path since Liddy and her family moved out of Bellworth. And since those days he’d learned to be prepared to explain his movements. First, about the old man at the Drowned House, whose death he shouldn’t regret, and then others, who’d been friends before vanishing: Stef McNally, good company and a terrible barista. Jess Poll, easy in all things, except returning. Micah Chave, whose friendship had got him through university, and whom he’d discovered in the river—the only return Charlie couldn’t hope for. Others, perhaps, who had been the cause of more oblique enquiries. Unless he recited their names, their faces blended into a composite <em>Missing</em> poster. And now, Alli, gone in… what? A bad mood, a spirit of adventure, a struggle in the water?</p> <p>Liddy’s was the only departure for which he hadn’t needed an alibi.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>Honeyeater</em>, copyright © 2025 by Kathleen Jennings.</p> <p>The post <a href="https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/">Read an Excerpt From &lt;i&gt;Honeyeater&lt;/i&gt; by Kathleen Jennings</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/">https://reactormag.com/excerpts-honeyeater-by-kathleen-jennings/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820004">https://reactormag.com/?p=820004</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-06 05:00 pm

Ghosting the Ghost: Hildur Knutsdottir’s The Night Guest (Part 8)

Posted by Sarah

Books Reading the Weird

Ghosting the Ghost: Hildur Knutsdottir’s The Night Guest (Part 8)

Iðunn indulges in a nice break from her troubles — which perhaps just invites further troubles…

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Published on August 6, 2025

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/">https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820146">https://reactormag.com/?p=820146</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/reading-the-weird/" class="inline-block link-no-animation" aria-label="Link to term or tag Reading the Weird 1"> Reading the Weird </a> </span> </div> <h2 class="post-hero-title text-h1">Ghosting the Ghost: Hildur Knutsdottir’s <i>The Night Guest</i> (Part 8)</h2> <div class="prose post-hero-description prose--post-hero">Iðunn indulges in a nice break from her troubles — which perhaps just invites further troubles&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/ruthanna-emrys/" title="Posts by Ruthanna Emrys" class="author url fn" rel="author">Ruthanna Emrys</a>, <a href="https://reactormag.com/author/anne-m-pillsworth/" title="Posts by Anne M. Pillsworth" class="author url fn" rel="author">Anne M. Pillsworth</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 6, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 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class="w-full object-cover" alt="" srcset="https://reactormag.com/wp-content/uploads/2025/04/The-Night-Guest-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/04/The-Night-Guest-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/04/The-Night-Guest-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/04/The-Night-Guest-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome back to <a href="http://reactormag.com/columns/reading-the-weird" target="_blank" rel="noreferrer noopener">Reading the Weird</a>, in which we get girl cooties all over weird fiction, cosmic horror, and Lovecraftiana—from its historical roots through its most recent branches. This week, we’re reading Chapters 60-73 of Hildur Knutsdottir’s <em>The Night Guest</em>. The English version, translated by Mary Robinette Kowal, was first published in 2024; the original was published in 2021. Spoilers ahead!</p> <hr class="wp-block-separator has-alpha-channel-opacity" /> <p>Iðunn would like to believe that she dreamed or hallucinated the slaughtered cats in the Grandi shed. Her phone has disappeared, so she has no photographic evidence. She reviews the neighborhood posts about missing cats and thinks that the owners need to know what happened to them. <em>Iðunn</em> needs to know what happened to them. If it’s the worst, she’ll create a pseudonym Facebook account and inform the police. Or just post the information to the neighborhood page.</p> <p>It takes two days for her to screw up her courage to return to Grandi. It’s midnight. No one’s around to see her climb the fence and enter the shed.</p> <p>There are no cat corpses. But there’s still a puddle, its water colored red.</p> <p class="has-text-align-center">* * *</p> <p>She buys a new phone. Mom’s inviting her to dinner. A friend recommends a series on Netflix. Stefan is still texting her. And Mar wants to meet up, which makes her remember her decision to just live life.</p> <p>She answers Mar, who invites her out to dinner.</p> <p class="has-text-align-center">* * *</p> <p>Mar looks surprised when he sees Iðunn. She tells him she’s been sick, and he mentions that she’s lost a little weight. He doesn’t mean the observation as a compliment, she senses.</p> <p>The patriarchy whispers in her mother’s voice that no man wants to sleep with a woman who’s too skinny. To prove she doesn’t have an eating disorder, Iðunn eats a heavy dinner, with beer and dessert. Back at Mar’s house, he opens a bottle of red wine and begins to massage her feet.</p> <p>He talks about her sister Ingunn. Her death must have been a terrible shock. Yes, Iðunn thinks. That was when she started being unable to sleep except in Ingunn’s bed.</p> <p>It was a shock to Mar, though he didn’t know Ingunn the way her family did. The way Iðunn did. There was also the way Ingunn died. But Mar has read that drowning is a peaceful form of death, especially in such cold water. Some people just feel pleasantly tired. They don’t even want to be saved. And… does Iðunn know if Ingunn meant to… or if it was just…</p> <p>Iðunn knows from Mar’s vacant stare that he’s picturing Ingunn. She wonders what memory-Ingunn looks like to him. Iðunn remembers her long fingers, the wrinkle between her 15-year-old eyes when she screamed at Iðunn for damaging her flat iron. Her fingers, always cold. The scornful tone she reserved especially for Iðunn.</p> <p>Mar remembers how beautiful, smart, funny and charming Ingunn was, so talented, her whole life ahead of her. It was so unfair, how she was snatched from them. He thinks sometimes about what she’d be doing now, if she’d lived. Does Iðunn think about that, too?</p> <p>Iðunn doesn’t have to wonder. She knows.</p> <p>Mar’s green eyes remind her of Mavur, her favorite cat. His forehead wrinkles with worry. His voice is gentle. He’s sorry if he’s made her uncomfortable talking about Ingunn. She doesn’t need to talk about it.</p> <p>Iðunn responds by leaning toward Mar and kissing him.</p> <p class="has-text-align-center">* * *</p> <p>She wakes up in her own bed. She’s afraid to call Mar. She wants to message him, but doesn’t remember what happened. What should she say? In what tone?</p> <p>The message: “Dear Mar. I don’t quite remember how last night ended. I think I drank a little too much. If I crossed any lines, I apologize for that.”</p> <p class="has-text-align-center">* * *</p> <p>He does not answer. He continues to not answer across three fraught single-sentence chapters.</p> <p class="has-text-align-center">* * *</p> <p>“Surely she has not…”</p> <p class="has-text-align-center">* * *</p> <p>“Surely <em>I</em> have not…”</p> <p class="has-text-align-center">* * *</p> <p>Iðunn calls Mar, who hangs up without speaking. At least he’s alive. She’s relieved at first. Then relief gives way to darkness carving through her chest.</p> <p>She keeps calling. Again and again. She turns on the TV, but watches her phone constantly. At last a message arrives: “Stop calling me. Stop sending me messages. Leave me alone, or I’ll call the police.”</p> <p><strong>The Degenerate Dutch:</strong><em> </em>The patriarchy, in Iðunn’s mother’s voice, tells you that losing weight is always good. But not too much weight, or men won’t want to sleep with “a skeleton.”</p> <p>For the record, I (Ruthanna) am as of this week living in the Netherlands. The bike culture, easy health care access, and delicious local food would doubtless terrify Lovecraft right out of his shoes. And if anyone in this café is looking over my shoulder, the “degenerate” line is a <em>quote</em> from someone who’s been dead almost a century.</p> <p><strong>Madness Takes Its Toll:</strong> “A shed full of cat carcasses” must be a hallucination. Right? Please?</p> <div style="height:11px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Anne’s Commentary</strong></h3> <p>Back in Chapter 57, Iðunn stated as a credo that “Nothing is worse than uncertainty.” In Chapter 58, she wavers: “In some cases, the certainty may be worse.” Whatever (whoever) her night guest is, it (<em>she</em>) is grimly (gaily) (grimly-gaily) determined to gaslight all unholy hell out of Iðunn.</p> <p>The first symptoms of her nocturnal takeovers are subtle. Iðunn wakes unrested from supposedly full nights of sleep. She aches from exertions she can’t remember performing. Is she physically ill, or is she lapsing into hypochondria? She starts to discover minor injuries that weren’t there before she went to sleep. She gets a watch with a step-counting app, which in the mornings reports far more steps than she knows she walked the day before. Is the watch broken, the app defective, or—could it be she’s sleepwalking?</p> <p>The idea of sleepwalking is comforting until her internet searches inform her it could be a serious problem, without a cure. She could injure herself during a somnambulistic jaunt. She could become violent and attack others. When she tries to prevent herself from leaving her apartment by blocking the door with a dresser, she wakes with a black eye; when she installs a padlock on the door, she wakes with fingers torn up by clawing at the lock. Both times she feels as if she’s being punished for her self-protective efforts. Earlier she’s made overnight recordings which show her rising from bed wearing commanding expressions and contemptuous smiles she’s seen before—but not on her own face.</p> <p>Nor can she account for why her feline friends now avoid her like a threatening stranger, or why her GPS shows her night-walking by different routes to the dicey Grandi neighborhood. So add to the uncertainties of whether she’s suffering from physical illness, or neurosis or stress somnambulism, the possibility that she’s being possessed by the ghost of an ever-domineering sister.</p> <p>Beneath all these shifting “diagnoses” is a mindset that Iðunn seems to have developed over years, perhaps over a lifetime; at the least, it pre-exists her sleep difficulties. She envisions two base realities, one emblematized by the stars and the other by the void between them. A “thin membrane” separates these spheres. Iðunn also characterizes the “membrane” as the “stretched-skin windows of a turf house.” On one side of the window is warmth and light, home. On the other side is a dark that “tries to force its way into [her] consciousness like some monster lying in wait.” The stars offer wholeness, the dark disintegration. The stars are “sparkling in front of [her], brilliant with the promise of a beautiful life.” The dark, the void, reveals only “the fundamental meaningless nature of life and the truth that despite the choices we make every day we all still die.”</p> <p>I thought Iðunn’s mindset could to some degree be influenced by the complete (24 hours) sunlight of polar day versus the complete absence of sunlight of polar night. I checked, however, and though winter days in Iceland can be as short as four hours, the country doesn’t experience polar night per se. Still worse for my idea, Iceland does experience polar day! Iðunn girl, why don’t you have a sunnier outlook?</p> <p>Anyway, when Iðunn tells psychologist Hakon that she doesn’t think she’s sleepwalking, it’s because she’s now leaning toward nocturnal possession as her problem. He pretty strongly suggests that she check into the psych hospital to determine whether she’s not outright psychotic.</p> <p>What a triumph of gaslighting for Ingunn! But not her ultimate triumph—that appears to be breaking down her little sister’s defenses against the void so that she can permanently usurp her body. Was it some blatant reveal that Iðunn does more than just <em>look</em> like Ingunn, that spooked Mar into ghosting her? It’s one thing to wax nostalgic over one’s tragically drowned love. It must be quite another thing for the drowned love to pull a <a href="https://reactormag.com/poetic-raptures-opium-and-necromancy-edgar-allen-poes-ligeia/" target="_blank" rel="noreferrer noopener">Ligeia</a>, and an incestuous one at that!</p> <p>Because, as Iðunn has over and over told us, Mar is a gentleman and a prince. Not a nascent necrophiliac. Or can gentlemen and princes be necrophiliacs too?</p> <p>I’ll have to check with their respective unions on that question.</p> <div style="height:11px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>Ruthanna’s Commentary</strong></h3> <p>Denial is not a warehouse in Grandi, either. But it’s a nice break from Iðunn’s troubles—maybe the only one she’s got left.</p> <p>Safe retreats and distractions are, piece by piece, being denied her. She’s too tired for the reassuringly-petting conversation of the office, or for the paperwork to nail down medical leave. Without her phone, she’s denied both data and social connections. And Mar… Mar, the “prince” obsessed with her dead sister, appears to have gotten a little too strong a taste on their latest date. “Living life” was “nice while it lasted.”</p> <p>Leaving what? As far as Ingunn is concerned, I suspect “nothing” is a perfectly reasonable answer.</p> <p>Prince Mar spends a lot of his time with Iðunn talking about Ingunn. Beautiful, smart, funny, charming, talented. Her whole life ahead of her. This is rather more praise than he heaps on the woman he’s with. Perhaps he doesn’t have siblings himself. Or perhaps it doesn’t occur to him that anyone could even <em>want</em> to compete with his lost lust-object.</p> <p>Iðunn has, but doesn’t share, a different perspective. She recalls screaming and castigation. Long, cold fingers, even in life. And “the scornful tone she kept especially for me”—by implication, hidden from everyone else. Ingunn could perform charm, but my sense is that she considered Iðunn <em>hers</em>. To beat up on, to confide in, to make demands of, to use, or to use up.</p> <p>In death, that attitude is expanded. Mar, too, is there for her use. And the cats.</p> <p>But use for what? A chapter’s worth of question, that. Is there pleasure in the darkness between the stars? Service? Or maybe, recalling <a href="https://reactormag.com/rreading-the-weird-chesya-burkes-please-momma/" target="_blank" rel="noreferrer noopener">last week’s questions</a>, the only direction that a soul like Ingunn’s has to move on?</p> <p>If she’s trying to go somewhere, does she expect to take Iðunn with her?</p> <p>If she’s trying to stay, does she expect to send Iðunn in her place?</p> <p>It’s a nightmare regardless of the answer. And even worse for someone like Iðunn, who is so conscious of others’ judgment, of her normative social obligations, and of the need to placate. Thanks to Ingunn’s behavior, she’s increasingly hemmed in by judgment and rejection. Frankly, while I’m not quite as much of a people-pleaser as our narrator, I have enough fear of rejection that this whole section gives me the shivers. You’re having a perfectly nice time with someone, but secretly you do something awful, and now they hate you and never want to see you again?</p> <p>Yeah, that’s terrifying.</p> <p>But there was something wrong in Ingunn’s life when it <em>was</em> a life, too. Iðunn remembers, but doesn’t share, “what I found under her pillow.” The obvious implication is a suicide note, some advance announcement or post-mortem explanation of Ingunn’s drowning. But forewarned by the cats, I wonder if it’s something stranger.</p> <p>Admittedly, I have no idea what “stranger” might look like. I suspect, though, that we’re going to find out.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Next week, N.K. Jemisin’s “Red Dirt Witch” takes on forces that Iðunn is most definitely not ready for. You can find it in Jemisin’s collection, <em><a href="https://bookshop.org/p/books/how-long-til-black-future-month-stories-n-k-jemisin/15678315?ean=9780316491372&amp;next=t" target="_blank" rel="noreferrer noopener">How Long ‘Til Black Future Month?</a></em>[end-mark]</p> <p>The post <a href="https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/">Ghosting the Ghost: Hildur Knutsdottir’s &lt;i&gt;The Night Guest&lt;/i&gt; (Part 8)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/">https://reactormag.com/ghosting-the-ghost-hildur-knutsdottirs-the-night-guest-part-8/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820146">https://reactormag.com/?p=820146</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-06 04:17 pm

Mesmerizing Him Trailer Makes Football Look Absolutely Horrifying

Posted by Molly Templeton

News Him

Mesmerizing Him Trailer Makes Football Look Absolutely Horrifying

Putting the GO! GO! GO! in “Go, team!”

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Published on August 6, 2025

Screenshot: Universal Pictures

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/justin-tipping-him-trailer/">https://reactormag.com/justin-tipping-him-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820267">https://reactormag.com/?p=820267</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/him/" class="inline-block link-no-animation" aria-label="Link to term or tag Him 1"> Him </a> </span> </div> <h2 class="post-hero-title text-h1">Mesmerizing <i>Him</i> Trailer Makes Football Look Absolutely Horrifying</h2> <div class="prose post-hero-description prose--post-hero">Putting the GO! GO! GO! in &#8220;Go, team!&#8221;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 6, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Universal Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/justin-tipping-him-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] 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</clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/08/him-trailer-740x493.jpg" class="w-full object-cover" alt="Tyriq Withers in Him" srcset="https://reactormag.com/wp-content/uploads/2025/08/him-trailer-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/08/him-trailer-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/08/him-trailer-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/08/him-trailer-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/08/him-trailer.jpg 1837w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Universal Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>You probably don&#8217;t need to be a sports fan to find yourself enraptured by the new trailer for <em>Him</em>. (I am not a sports fan.) It&#8217;s not quite as on-the-nose as the <a href="https://reactormag.com/the-trailer-for-justin-tippings-him-is-a-nike-ad-gone-off-the-rails/" target="_blank" rel="noreferrer noopener">first teaser</a>, which leaned very hard into &#8220;Nike ad, but super fucked up,&#8221; but it follows the same arc: Nice young man gets incredible football opportunity. Everything is great. Until it&#8217;s really, <em>really</em> not.</p> <p><em>Him</em> is produced by Jordan Peele, which should at the very least tell you that something is a little off about this sports movie. The synopsis drops more hints:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Former college wide-receiver Tyriq Withers (<em>Atlanta</em>, <em>I Know What You Did Last Summer</em>) plays Cameron Cade, a rising-star quarterback who has devoted his life, and identity, to football. On the eve of professional football’s annual scouting Combine, Cam is attacked by an unhinged fan and suffers a potentially career-ending brain trauma.<br><br>Just when all seems lost, Cam receives a lifeline when his hero, Isaiah White (Marlon Wayans), a legendary eight-time Championship quarterback and cultural megastar, offers to train Cam at Isaiah’s isolated compound that he shares with his celebrity influencer wife, Elsie White (Julia Fox; <em>Uncut Gems</em>, <em>No Sudden Move</em>). But as Cam’s training accelerates, Isaiah’s charisma begins to curdle into something darker, sending his protégé down a disorienting rabbit hole that may cost him more than he ever bargained for.</p></blockquote></figure> <p>But it&#8217;s this trailer that seals the deal. Just about a minute in, Wayans&#8217; character introduces his new protégé to a new training tactic. A bloody new tactic. A face-smashing new tactic. He sneers at Cade as Cade asks what exactly is going on. &#8220;In this game, violence is rewarded,&#8221; Wayans says. &#8220;So learn to enjoy it.&#8221;</p> <p>Uh. No? Is no an option here?</p> <p>The imagery includes masks and blood and cheerleaders with obscured faces (and football Jesus); the dialogue references gods and sacrifice. This, I feel confident in saying, is not really a football movie at all.</p> <p><em>Him</em> is directed by Justin Tipping (<em>Kicks</em>); the screenplay is by Tipping, Zack Akers, and Skip Bronkie (Akers and Bronkie created the podcast <em>Limetown</em>). It&#8217;s in theaters September 19th.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="16186"/> </div></figure> <p>The post <a href="https://reactormag.com/justin-tipping-him-trailer/">Mesmerizing &lt;i&gt;Him&lt;/i&gt; Trailer Makes Football Look Absolutely Horrifying</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/justin-tipping-him-trailer/">https://reactormag.com/justin-tipping-him-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820267">https://reactormag.com/?p=820267</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-08-06 03:16 pm

Matt Smith’s Long Road to Star Wars Ends With a Villain Role in Starfighter

Posted by Molly Templeton

News Star Wars: Starfighter

Matt Smith’s Long Road to Star Wars Ends With a Villain Role in Starfighter

The Eleventh Doctor will continue his villain era in Star Wars: Starfighter

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Published on August 6, 2025

Image: HBO

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/matt-smith-star-wars-starfighter-villain/">https://reactormag.com/matt-smith-star-wars-starfighter-villain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820251">https://reactormag.com/?p=820251</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-wars-starfighter/" class="inline-block link-no-animation" aria-label="Link to term or tag Star Wars: Starfighter 1"> Star Wars: Starfighter </a> </span> </div> <h2 class="post-hero-title text-h1">Matt Smith’s Long Road to <i>Star Wars</i> Ends With a Villain Role in <i>Starfighter</i></h2> <div class="prose post-hero-description prose--post-hero">The Eleventh Doctor will continue his villain era in Star Wars: Starfighter</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on August 6, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: HBO</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/matt-smith-star-wars-starfighter-villain/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 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https://reactormag.com/wp-content/uploads/2022/03/matt-smith-as-prince-daemon-targaryen-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2022/03/matt-smith-as-prince-daemon-targaryen-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2022/03/matt-smith-as-prince-daemon-targaryen-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2022/03/matt-smith-as-prince-daemon-targaryen.jpeg 1584w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: HBO</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Matt Smith&#8217;s next iconic role may be in space. The star of <em>Doctor Who</em> and <em>House of the Dragon</em> has landed a role in director Shawn Levy&#8217;s <em>Star Wars: Starfighter</em>, where he will face off against Ryan Gosling.</p> <p>According to <a href="https://deadline.com/2025/08/star-wars-star-fighter-matt-smith-villain-ryan-gosling-1236479292/"><em>Deadline</em></a> &#8220;sources say execs made the decision to go with Smith to play the next great villain in the Star Wars universe.&#8221;</p> <p>This is curious phrasing—but also perfect casting, as he looks like a space villain already. (No, we can&#8217;t explain this. But it&#8217;s true.) It&#8217;s also another role for Smith&#8217;s villain era, which already includes his turns in <em>Morbius</em> and <em>House of the Dragon</em> (pictured above).</p> <p>Once upon a time, the former Doctor Who was reported to be appearing in <em>The Rise of Skywalker</em>, though it&#8217;s perhaps for the best that that job never materialized. He&#8217;s <a href="https://theplaylist.net/matt-smith-star-wars-role-cut-from-script-20211103/" target="_blank" rel="noreferrer noopener">previously said</a> that the role he&#8217;d been considered for &#8220;became obsolete and they didn’t need it, and so, I never got to be in <em>Star Wars</em>, there we are.”</p> <p><em>Star Wars: Starfighter</em> has the potential to be a great improvement over <em>Rise of Skywalker</em>: Director Levy is a producer and director on <em>Stranger Things</em> and the director of <em>Deadpool and Wolverine</em>, and the movie has a screenplay from former novelist Jonathan Tropper (who created the series <em>Warrior</em> and worked with Levy on <em>The Adam Project</em>). Along with Gosling and Smith, the film&#8217;s announced cast includes <a href="https://reactormag.com/mia-goth-will-be-ryan-goslings-villain-in-shawn-levys-star-wars-starfighter/" target="_blank" rel="noreferrer noopener">Mia Goth</a>, who will also be playing a villain.</p> <p>But the movie is set just five years after <em>Rise of Skywalker</em>, which suggests it may owe a narrative debt to the uneven sequel trilogy. <a href="https://www.hollywoodreporter.com/movies/movie-news/star-wars-mia-goth-to-play-villain-opposite-ryan-gosling-1236257749/" target="_blank" rel="noreferrer noopener">Earlier reports</a> said that star Gosling is &#8220;playing a character that must protect a young charge against evil pursuers.&#8221; Gosling himself has said only the vaguest of things about it, like that it has “<a href="https://deadline.com/2025/04/star-wars-starfighter-shawn-levy-ryan-gosling-1236371412/" target="_blank" rel="noreferrer noopener">so much heart and adventure</a>.&#8221;</p> <p>We still have a while to wait: <em>Star Wars: Starfighter</em> is expected in theaters on May 28, 2027.[end-mark]</p> <p>The post <a href="https://reactormag.com/matt-smith-star-wars-starfighter-villain/">Matt Smith’s Long Road to &lt;i&gt;Star Wars&lt;/i&gt; Ends With a Villain Role in &lt;i&gt;Starfighter&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/matt-smith-star-wars-starfighter-villain/">https://reactormag.com/matt-smith-star-wars-starfighter-villain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=820251">https://reactormag.com/?p=820251</a></p>