Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 06:00 pm

Apocalyptic Plagues and Anthropocene Forests: How Charles C. Mann’s 1491 Rewrote My Brain

Posted by Sarah

Books Seeds of Story

Apocalyptic Plagues and Anthropocene Forests: How Charles C. Mann’s 1491 Rewrote My Brain

Exploring how history and other non-fiction works inspire speculative writing.

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Published on July 15, 2025

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/">https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818080">https://reactormag.com/?p=818080</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/seeds-of-story/" class="inline-block link-no-animation" aria-label="Link to term or tag Seeds of Story 1"> Seeds of Story </a> </span> </div> <h2 class="post-hero-title text-h1">Apocalyptic Plagues and Anthropocene Forests: How Charles C. Mann’s <i>1491</i> Rewrote My Brain</h2> <div class="prose post-hero-description prose--post-hero">Exploring how history and other non-fiction works inspire speculative writing.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/ruthanna-emrys/" title="Posts by Ruthanna Emrys" class="author url fn" rel="author">Ruthanna Emrys</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 15, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 6 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Apocalyptic Plagues and Anthropocene Forests: How Charles C. 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/07/Seeds-of-Story-1491-header-740x407.png" class="w-full object-cover" alt="Cover of 1491: New Revelations of the Americas Before Columbus by Charles C Mann" srcset="https://reactormag.com/wp-content/uploads/2025/07/Seeds-of-Story-1491-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/07/Seeds-of-Story-1491-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/07/Seeds-of-Story-1491-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/07/Seeds-of-Story-1491-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome to <a href="http://reactormag.com/tag/seeds-of-story" target="_blank" rel="noreferrer noopener">Seeds of Story</a>, a new column where I explore the non-fiction that inspires—or should inspire—speculative fiction. Every couple weeks, we&#8217;ll dive into a book, article, or other source of ideas that are sparking current stories, or that have untapped potential to do so. Each article will include an overview of the source(s), a review of its readability and plausibility, and highlights of the best two or three “seeds” found there.</p> <p>I’m starting with <a href="https://bookshop.org/p/books/1491-second-edition-new-revelations-of-the-americas-before-columbus-charles-c-mann/7828628?ean=9781400032051&amp;next=t" target="_blank" rel="noreferrer noopener">Charles C. Mann’s <em>1491: New Revelations of the Americas Before Columbus</em></a>. Twenty years ago, this book rewrote my brain. It changed how I think about the continent where I live and the range of possible societies. While numerous more recent books examine North American history from an Indigenous perspective, Mann’s provided many non-Indigenous folks’ introduction to the field, and its success opened the door to a stream of popular publications.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>What It’s About</strong></h3> <p>U.S. education notoriously treats Native American nations as part of the country’s origin story: a small group who helped the colonies survive and were then destroyed by them. Lucky students may learn more detail about the Aztec empire, the Haudenosaunee’s role as a model for democracy, or the occasional battle won on an inevitable road to loss. Things have improved marginally since I was a kid in the ’80s, but I’ve still had to explain to my own children that, for example, native nations still exist and have their own governments.</p> <p>Mann’s book uses demographic and anthropological research to show that native pre-contact populations were far larger than popularly supposed. This is the common thread binding the book together, but is merely a central spine for a history of wildly diverse cultures, governance structures, ecological management approaches, and technologies. Despite the title, Mann also spends plenty of time on how pre-contact dynamics affected contact itself and the years following.</p> <p>The increased estimates of pre-Columbian population force readers to confront the sheer scale and horror of post-contact plagues. Earlier estimates were based on settler reports of community sizes, failure to recognize non-European indicators of human activity, and the general conviction that <em>it couldn’t have been that bad</em>. Also, plain wishful thinking by people who don’t want to imagine that plagues can get worse than the Black Death. Studies now place the population collapse upwards of 90%, and place modern North Americans in a post-apocalyptic landscape where we wander among half-buried monuments and half-remembered names. And this collapse was prior to more deliberate genocidal projects like biological warfare, massacre, and residential schools.</p> <p>Despite that, this is primarily a book about survival and creativity. Another key thread covers the anthropocene project by which native peoples dramatically shaped their environment. Colonists wondered at forests full of food, with easy paths meandering through a veritable cornucopia. Obviously, they concluded, this is a gift from the divine: Manifest destiny, Q.E.D. It can’t possibly be a manmade landscape, because we know what that looks like: neat monocropped rows and orchards. These sections will make you want to slap the Pilgrims, even more than you presumably already do, but also make you think about how we recognize—or fail to recognize—technology when we find it. There’s terraforming hidden in Northeastern forests, the engineered soil of the Amazon, and corn.</p> <p>Did I mention the corn? The wild version of this now near-universal staple crop is teosinte, a slender grass with a few tiny kernels sprouting sporadically up its length. Breeding teosinte into all the diverse and delicious strains of cob corn is now understood as a multigenerational breeding project, one of humanity’s first and most successful genetic engineering efforts.</p> <p>In among these longer threads, Mann shares stories that illustrate the drama and variability of native experiences. Many, like Tisquantum’s intercontinental adventures and the Borgia-esque tale of 8-Deer Jaguar Claw, have inexplicably not been turned into blockbuster adventure series. (It’s explicable; the explanation is racism.) Tisquantum was kidnapped twice, wrangled incompetent European sailors, survived war and mutiny, and became a vital diplomatic go-between due to his familiarity with multiple cultures and languages. I want the web serial ASAP.</p> <p class="has-text-align-center">* * *</p> <p>This book changed the way I see the world, and the way I write. It made me understand, at a gut level, the possibility of humans acting as functional parts of our ecosystems—a very different thing from stereotypes about native harmony with nature. When I worldbuild future or alien technologies now, I think about flexibility versus hardness, and the difference between working iron tools and creating extraordinarily thin metal plates. I was once napping at an all-night gathering, vaguely heard someone discussing their refusal to eat genetically-engineered crops, woke up to ask if they’d brought teosinte to the potluck, and promptly fell back asleep.</p> <p><em>1491</em> is extraordinarily readable and extraordinarily memorable. It’s full of things you’ll want to talk about at parties (even when awake). It writes human agency back into the landscape of the Americas. And by doing this, it made it easier for more people, including Indigenous authors, to get published on all these topics. The failure mode for a non-Indigenous author can be to miss cultural context and shape stories to their own expectations—while I’m obviously not in a position to speak to this directly, I haven’t encountered the same sorts of native critiques of <em>1491</em> that I have, for example, of <a href="https://bookshop.org/p/books/guns-germs-and-steel-the-fates-of-human-societies-jared-diamond/7364118?ean=9780393354324&amp;next=t" target="_blank" rel="noreferrer noopener">Jared Diamond’s <em>Guns, Germs, and Steel</em></a> or <a href="https://bookshop.org/p/books/indigenous-continent-the-epic-contest-for-north-america-pekka-hamalainen/19670277?ean=9781324094067&amp;next=t" target="_blank" rel="noreferrer noopener">Pekka Hämäläinen’s <em>Indigenous Continent</em></a>. Mann is careful about the limits of his evidence, avoids broad generalizations, and makes events accessible without turning them into neat or familiar narratives.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>The Best Seeds for Speculative Stories</strong></h3> <p><strong><em>Alternate Plagues</em></strong>. Several years ago, an alternate history book posited Americas full of megafauna, but never populated by Pleistocene humans—thus making a conveniently guilt-free new frontier. It was unusual in the arguments that followed, but not in the ease with which it considered mammals more central to the continent than humans. I’m not sure anyone could read this book and <em>not</em> have the first branch point on their minds be, “Could we have avoided the worst plague in human history?” The number of options is vast. For example, there’s a relatively brief period between Eurasians evolving minimal resilience to smallpox et al. and developing vaccines. Earlier contact would’ve led to, at least, more symmetrical effects across continents; later contact would’ve involved less exposure. It could have also involved better treatments and cures—you can’t count on genocidal empires to share their medical acumen, but imagine someone like Tisquantum fitting a little medical tech espionage in amid all his hairbreadth escapes. Or what if native nations managed to domesticate more local megafauna, thus developing their own set of zoonotic diseases to share—and perhaps earlier protective options?</p> <p>The oddest method of mitigating the plagues, in a surprising number of books, has been dragons. <a href="https://bookshop.org/p/books/his-majesty-s-dragon-book-one-of-the-temeraire/17287916?ean=9780593359549&amp;next=t" target="_blank" rel="noreferrer noopener">Naomi Novik’s <em>Temeraire </em>series</a>, for example, shows a North America in which plague decimated the human population, but less-affected draconic symbionts have managed to protect against invaders while humans slowly recover their numbers. And while the dragons in <a href="https://bookshop.org/p/books/to-shape-a-dragon-s-breath-the-first-book-of-nampeshiweisit-moniquill-blackgoose/18731992?ean=9780593498286&amp;next=t" target="_blank" rel="noreferrer noopener">Moniquill Blackgoose’s <em>To Shape a Dragon’s Breath</em></a> haven’t prevented invasion, they’re helping hold the line on the western side of the continent—and are perhaps helping change the dynamic in the east.</p> <p><strong><em>A Different Sort of City</em></strong><em>.</em> Most people—unless I’m having a <a href="https://xkcd.com/2501/" target="_blank" rel="noreferrer noopener">Feldspar problem</a>—know something about Tenochtitlan, the Aztec capital on the current site of Mexico City. Mann lays out exactly how impressive it was, and even before it became commonplace to <a href="https://www.bbc.com/news/articles/crmznzkly3go" target="_blank" rel="noreferrer noopener">trip over ancient cities</a> in the region, pointed out that it was far from unique. What’s surprising is that cities north of the Rio Grande were almost unheard of, with one exception. Cahokia Mounds was, at its peak in the 11<sup>th</sup>-12<sup>th</sup> centuries CE, bigger than any city in the eventual U.S. would be again until the late 1700s. It was a center for religion, leadership, and trade—and we know relatively little about it. The name comes from later locals who may not be related to its builders, and unlike Mayan cultures, they didn’t leave written records. Cahokia’s fall has been attributed to authoritarian overreach, ecological collapse, sanitation failures, and/or a gradual cultural rejection of city life. It’s full of untapped story ideas. Though not entirely untapped: <a href="https://bookshop.org/p/books/people-of-the-morning-star-people-of-cahokia-kathleen-o-neal-gear/18403354?ean=9781250856814&amp;next=t" target="_blank" rel="noreferrer noopener">W. Michael and Kathleen O’Neal Gear’s <em>People of the Morning Star</em></a> builds on the real history, while <a href="https://bookshop.org/p/books/cahokia-jazz-francis-spufford/20165424?ean=9781668025451&amp;next=t" target="_blank" rel="noreferrer noopener">Francis Spufford’s <em>Cahokia Jazz</em></a><em> </em>plays with a version of the city that survives into the 1920s.</p> <p><strong><em>Flexible Technologies</em></strong>. Split up a sapient species at the hunter-gatherer stage, and wildly different routes of technological development result. While Andean settled agriculture has recognizable similarities to Mesopotamian settled agriculture, the Americas by 1492 saw a wider spectrum of possible land management strategies than Eurasia and Africa. Food forests were human-shaped, but did not require intensive tending or harvesting. Controlled burns maintained ecosystems from grassland to salmon runs. In the Amazon, rich <a href="https://www.science.org/content/article/ancient-amazonians-created-mysterious-dark-earth-purpose" target="_blank" rel="noreferrer noopener"><em>terra preta</em></a> incorporated charcoal and broken pottery to increase fertility; we’re still trying to replicate its methods.</p> <p>Many native technologies also emphasized flexibility and tensile strength over the advances in hardness preferred by Europeans. European houses were brick and stone; northern American houses tended toward tight weaving and easy revision. The rule doesn’t generalize everywhere—a Mayan pyramid is plenty hard and the English did complicated things with wool—but is a good guide to central tendencies.&nbsp;</p> <p>One vivid speculative depiction of this kind of technology is most certainly <em>not</em> influenced by Mann—but Mann’s book does change how I watch the work of noted non-deep cross-cultural thinker George Lucas. Take a look at that Ewok village, and tell me it’s actually low-tech, as opposed to tech-unrecognizable-to-spaceship-people. For that matter, take a look at how quickly Ewoks figure out hoverbikes, and how well arrows work against mass-produced helmets. Lucas was working with stereotypes, but accidentally got something right.</p> <p><a href="https://www.goodreads.com/book/show/1056201.Hellspark" target="_blank" rel="noreferrer noopener">Janet Kagan’s <em>Hellspark</em></a> is a first contact novel that, more deliberately, depicts the common failure to recognize technology that doesn’t look like ours. The book is built around the question of how we figure out that other people are people, and whether that might be something we can get better at. <a href="https://bookshop.org/p/books/the-actual-star-monica-byrne/17059176?ean=9780063002906&amp;next=t" target="_blank" rel="noreferrer noopener">Monica Byrne’s <em>The Actual Star</em></a> braids three timelines: ancient Mayan, modern-day, and a future culture. The latter draws on Mayan heritage and technology for a flexible and portable lifestyle, one that bears more resemblance to post-contact northern nomadism than settled cities. It does an impressive job of depicting how dramatic societal changes can be over time. <a href="https://bookshop.org/p/books/a-memory-called-empire-arkady-martine/6986710?ean=9781250186447&amp;next=t" target="_blank" rel="noreferrer noopener">Arkady Martine’s <em>A Memory Called Empire</em></a> draws on the same history, as well as on Martine’s scholarly background in Byzantine history, combining rigid and flexible aspects of technology with fascinating results.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>New Growth: What Else to Read</strong></h3> <p><em>1491</em> opened the way for books such as <a href="https://www.goodreads.com/book/show/186872416-native-nations?ref=nav_sb_ss_1_14" target="_blank" rel="noreferrer noopener">Kathleen DuVal’s <em>Native Nations</em></a>, <a href="https://bookshop.org/p/books/the-rediscovery-of-america-native-peoples-and-the-unmaking-of-u-s-history-ned-blackhawk/18722854?ean=9780300276671&amp;next=t" target="_blank" rel="noreferrer noopener">Ned Blackhawk’s <em>The Rediscovery of America</em></a>, <a href="https://www.goodreads.com/author/show/49921.Robin_Wall_Kimmerer" target="_blank" rel="noreferrer noopener">Robin Wall Kimmerer</a>’s books on native ecological management and philosophy, and numerous more tightly-focused histories and biographies. Mann’s own sequel, <em><a href="https://bookshop.org/p/books/1493-uncovering-the-new-world-columbus-created-charles-c-mann/8721736?ean=9780307278241&amp;next=t" target="_blank" rel="noreferrer noopener">1493</a></em>, isn’t quite as groundbreaking as <em>1491</em>; however, it remains a fascinating overview of the Columbian Exchange that altered foodways and ecologies around the world. <a href="https://bookshop.org/p/books/four-lost-cities-a-secret-history-of-the-urban-age-annalee-newitz/16712885?ean=9780393882452&amp;next=t" target="_blank" rel="noreferrer noopener">Annalee Newitz’s <em>Four Lost Cities</em></a> goes in-depth on what we know about four ancient, abandoned cities, including Cahokia. And David Graeber and David Wengrow’s recent <em><a href="https://bookshop.org/p/books/the-dawn-of-everything-a-new-history-of-humanity-david-graeber/15873078?ean=9781250858801&amp;next=t" target="_blank" rel="noreferrer noopener">The Dawn of Everything: A New History of Humanity</a></em> dives into the diversity of governance options explored on all continents prior to written records and settled agriculture. It makes some dubious assumptions, but also points out assumptions that other researchers are making, and will probably show up in this column at some point—if “seasonally-variable government” sounds like a tempting plot bunny, you want to read it.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Have you read <em>1491</em>, and if so what did you think? Share your thoughts, and recommendations for both fiction and non-fiction playing with and expanding on these ideas, in the comments section.[end-mark]</p> <p>The post <a href="https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/">Apocalyptic Plagues and Anthropocene Forests: How Charles C. Mann’s &lt;i&gt;1491&lt;/i&gt; Rewrote My Brain</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/">https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818080">https://reactormag.com/?p=818080</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 05:00 pm

Without a Paddle: “The Willows” by Algernon Blackwood

Posted by Sarah

Books Dissecting The Dark Descent

Without a Paddle: “The Willows” by Algernon Blackwood

A classic horror tale that continues to inspire writers of the weird…

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Published on July 15, 2025

Book cover of The Dark Descent horror anthology

Welcome back to Dissecting The Dark Descent, where we lovingly delve into the guts of David Hartwell’s seminal 1987 anthology story by story, and in the process, explore the underpinnings of a genre we all love. For an in-depth introduction, here’s the intro post.


Algernon Blackwood is one of the more unusual figures in The Dark Descent. An occult investigator (he was a member of the Golden Dawn and the Ghost Club during his storied life), journalist, and writer of the weird by trade, he strove in his work to instill a sense of awe, along with the idea that the world was larger than our perceptions would have us believe. His best-known work, “The Willows,” is perhaps the story that best codifies modern weird fiction, using that idea of a world beyond perception and the idea of powers beyond consciousness to show what happens when its protagonists trespass in an area controlled by natural powers beyond their understanding. While the travel, nature, and exploration tropes woven through “The Willows” remain buried in the past, it’s Blackwood’s depictions of horrors just beyond the borders of our perception that keep the story firmly in the present.

Two men set off in a canoe down the Danube, hoping to eventually navigate the length of the river. In the stretch between Austria and Hungary, they find themselves in an unnerving and treacherous area of swamps and deltas penned in by ominous willow bushes, which inspire a kind of quiet, menacing horror in the narrator. When the pair run aground on a sandy delta to make camp, the strangeness they feel blossoms into outright horror as they’re beset by strange noises, sudden windstorms, flooding rapids, and most of all, the encroaching presence of those horrid willow bushes. As the willows close in and their avenues of escape are cut off, the presence of something beyond their understanding makes itself known…and demands sacrifice.

Nature itself is inherently weird when you stop to think about it, especially for those who don’t live in its midst. While there are plenty of explanations for the weird things that happen—trees moving when there’s no wind, an odd oscillating noise humming through the air, foxes and rabbits emitting horrifying shrieks that usually set the other animals off in an endless loop of terror—for someone not used to any of that, it’s already pretty terrifying. Stories in The Dark Descent have used the natural world before to great effect, as well; “Sticks” sets the placid beauty of nature against the horror of going off to war and the disturbing ruins in the woods, “The Damned Thing” comes out of the woods and returns the same way, and most of “Young Goodman Brown” and “The New Mother” take place well outside “civilization,” in the wilderness where weird things routinely happen.

While Blackwood’s touches in “The Willows” are certainly unique—with the implied menace of the willows, the odd sand funnels, and the dread-inducing presence of whatever entities inhabit the sacrifice delta—“weird holes,” “directionless unnatural humming,” and “the feeling that trees are moving around and there’s something lurking out in the darkness” are all things that tend to happen outside. Anyone who has lived near a significant insect population can tell you that the moment the weather goes north of 80 during the day, the air is filled with hissing, humming, and oscillating sounds from noon to sunrise. Plenty of animals and bugs burrow, leaving “sand-funnels” in their wake. Blackwood touches on this at the beginning of the novella, when our protagonists witness an otter rolling around in the shallows of the delta and initially mistake it for a dead body, something that sets up the final image as the men return to their canoe at the end.

Which brings us once again to common targets of weird fiction and horror, especially in this section of The Dark Descent: the romanticization of travel and nature by those with the privilege to freely experience both. Blackwood’s novella begins with a long poetic tribute to the Danube River (a passage a colleague of mine delights in using as a kind of literary Rickroll at times) as the narrator and his companion canoe through the wilderness. Rather than marvel at the untouched beauty of nature and the protagonists’ leisurely journey through the swamps of the European riverbanks, Blackwood instead immediately strands them in a nightmare scenario where they’re forced to survive multiple nights under threat from a malevolent presence in the wilderness (a presence similar to one explored in Scott Smith’s novel The Ruins (2006), though obviously at more length and in a much more grotesque manner), effectively draining any romanticism from the travel and wilderness.

Further underscoring this, the weirdness of the island begins shortly after the travelers have an odd encounter with a local in a boat who attempts to communicate, yelling something they can’t make out due to a language barrier—the protagonists are not welcome, and the area is completely foreign to them. It could also be implied that the protagonists get the same local killed, as the “sacrifice” at the end is described as a peasant local to the region. Blackwood further swipes at exploration narratives and the idea of crashing through an unwelcome area with the “folk wisdom” dispensed by the non-native who accompanies the narrrator, the unnamed Swede, who is both a foreigner to the region and, by the time he starts talking about gods, is completely whacked out of his skull by the humming noises, wind, and encroaching willows.

Even with the explanations, it’s the quiet menace, isolation, and removal from the status quo that makes “The Willows” all the more upsetting. When one is far enough away from the comforts of daily life, the world can become every bit as alien and otherworldly as a far-off planet, a place with its own gods and rules. The certainly applies to the sacrifice delta in “The Willows,” given the obvious dangers, both natural and unnatural, that ramp up throughout the story. For all nature may be explainable, it’s still untamed— “wild” is a key component of the world “wilderness”— the besieging willow bushes, the godlike entities the narrator sees ascending into the sky, and the means the delta uses to keep its intended sacrifices penned in all point to that. The “weird” in the story is merely the intersection of an isolated patch of wilderness with its own minor gods and the narrators’ unfamiliarity with nature.

The characters’ unfamiliarity with basic nature, lack of romanticism about “The Great Outdoors” that’s found in more lighthearted works (even those where the wilderness is hostile), and direct skewering of adventure, nature, and travel narratives in which protagonists experience the bountiful idyll of their surroundings are what give “The Willows” its staying power. Its savage critique of men setting out into nature and its willingness to take what are commonplace elements of the natural world to their most menacing supernatural extremes mean “The Willows” has outlasted most of the things it was mocking, but the story’s unnerving alienness and strange, encroaching horror have ensured that its influence continues to reverberate into the modern day.


And now to turn it over to you: Why do you think “The Willows” has such an influence on the modern weird? Is Blackwood’s critique of the “great outdoors” narrative warranted? What’s the weirdest experience you’ve had when camping?

Please join us in two weeks for “The Asian Shore,” as we revisit the work of queer horror and science fiction writer Thomas M. Disch.[end-mark]

The post Without a Paddle: “The Willows” by Algernon Blackwood appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 03:03 pm

Chris Pine and Doona Bae Join the Zellner Brothers’ Alpha Gang

Posted by Molly Templeton

News Alpha Gang

Chris Pine and Doona Bae Join the Zellner Brothers’ Alpha Gang

Take us to your leader?

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Published on July 15, 2025

Screenshot: Paramount Pictures

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/chris-pine-doona-bae-alpha-gang/">https://reactormag.com/chris-pine-doona-bae-alpha-gang/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818286">https://reactormag.com/?p=818286</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/alpha-gang/" class="inline-block link-no-animation" aria-label="Link to term or tag Alpha Gang 1"> Alpha Gang </a> </span> </div> <h2 class="post-hero-title text-h1">Chris Pine and Doona Bae Join the Zellner Brothers’ <i>Alpha Gang</i></h2> <div class="prose post-hero-description prose--post-hero">Take us to your leader?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Paramount Pictures</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> 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fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="389" src="https://reactormag.com/wp-content/uploads/2022/07/Dungeons-Dragons-Chris-Pine-740x389.jpg" class="w-full object-cover" alt="Chris Pine in Dungeons and Dragons: Honor Among Thieves" srcset="https://reactormag.com/wp-content/uploads/2022/07/Dungeons-Dragons-Chris-Pine-740x389.jpg 740w, https://reactormag.com/wp-content/uploads/2022/07/Dungeons-Dragons-Chris-Pine-1100x579.jpg 1100w, https://reactormag.com/wp-content/uploads/2022/07/Dungeons-Dragons-Chris-Pine-768x404.jpg 768w, https://reactormag.com/wp-content/uploads/2022/07/Dungeons-Dragons-Chris-Pine-2048x1078.jpg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Paramount Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>A little over a year ago, it was announced that <a href="https://reactormag.com/cate-blanchett-will-invade-earth-in-the-zellner-brothers-alpha-gang/" target="_blank" rel="noreferrer noopener">Cate Blanchett would take over the planet</a>. In a movie, I mean; specifically in <em>Alpha Gang</em>, the next film from <em>Sasquatch Sunset</em> filmmakers the Zellner Brothers. <em>Alpha Gang</em>, according to <a href="https://deadline.com/2025/07/alpha-gang-movie-casts-chris-pine-lily-rose-depp-kelvin-harrison-jr-1236457143/" target="_blank" rel="noreferrer noopener">Deadline</a>, &#8220;follows a group of alien invaders sent to conquer Earth. Disguised in human form as a 1950s leather-clad biker gang, they are ruthless in their mission… until they succumb to the most toxic and contagious human condition of all: emotion.&#8221;</p> <p>Everything about this already sounded really quite good, and now it&#8217;s gotten better: <a href="https://deadline.com/2025/07/alpha-gang-movie-casts-chris-pine-lily-rose-depp-kelvin-harrison-jr-1236457143/" target="_blank" rel="noreferrer noopener">Deadline</a> returns with the news that Chris Pine (<em>Dungeons &amp; Dragons: Honor Among Thieves</em>, pictured above), Doona Bae (<em>Sense8</em>), Lily-Rose Depp (<em>Nosferatu</em>), and Kelvin Harrison Jr. (<em>Elvis</em>) have all joined the cast of said film. If there is one downside to this announcement, it&#8217;s that no character details are on offer, meaning it is as yet unknown whether Pine will be part of this leather-clad biker gang. (He&#8217;d be <a href="https://trekmovie.com/2010/10/21/chris-pine-ponders-life-as-clooney-and-shatner-in-new-details-photos-videos/" target="_blank" rel="noreferrer noopener">so good at it</a>, though.) </p> <p>Léa Seydoux (<em>Dune: Part Two</em>), Dave Bautista (also <em>Dune: Part Two</em>), and Riley Keough are also among the cast of <em>Alpha Gang</em>, which is apparently about to wrap production. No release date has been announced, but hopefully it will be soon. Bring on the alien overlords![end-mark]</p> <p>The post <a href="https://reactormag.com/chris-pine-doona-bae-alpha-gang/">Chris Pine and Doona Bae Join the Zellner Brothers’ &lt;i&gt;Alpha Gang&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/chris-pine-doona-bae-alpha-gang/">https://reactormag.com/chris-pine-doona-bae-alpha-gang/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818286">https://reactormag.com/?p=818286</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 03:00 pm

Reading The Wheel of Time: Ambushes and Surprises Abound in Knife of Dreams (Part 20)

Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Ambushes and Surprises Abound in Knife of Dreams (Part 20)

Things are changing rapidly for Mat, Perrin, and Rand…

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Published on July 15, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-ambushes-and-surprises-abound-in-knife-of-dreams-part-20/">https://reactormag.com/reading-the-wheel-of-time-ambushes-and-surprises-abound-in-knife-of-dreams-part-20/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818259">https://reactormag.com/?p=818259</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Ambushes and Surprises Abound in <i>Knife of Dreams</i> (Part 20)</h2> <div class="prose post-hero-description prose--post-hero">Things are changing rapidly for Mat, Perrin, and Rand…</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 15, 2025 </p> </div> </div> <div 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https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_KODbook11.png 951w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome back to Reading The Wheel of Time! After so many short chapters, we are finally getting some real action. This week Perrin puts the first part of his plan to rescue Faile into motion, Mat begins a guerrilla warfare campaign against the Seanchan, and Rand meets a false Daughter of the Nine Moons. Suspecting a trap helps him avoid complete disaster, but things don’t go quite as well as he might have hoped, either.</p> <p>Let’s get to recapping!</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Perrin sits just inside a tree line on Stepper, watching some of the windmills that power the aqueduct and thinking about how it is almost time to add the fifty-fourth knot to the cord he uses to keep track of how long Faile has been a captive. Once Gaul and some of the maidens have made sure there are no Shaido around the windmills, some of the Seanchan begin emptying sacks of forkroot into the aqueduct. Perrin worries over the forkroot not being strong enough to take out the Wise Ones, and also worries about it steeping and taking effect too quickly. There is nothing he can do now but go ahead with the plan and hope.</p> <p>Perrin’s plan includes an advance party, which will enter the aqueduct and follow it down to the cistern, then make its way to the fortress in Malden. The first to climb in is Seonid, along with her three Warders and Masuri’s Warder, Rovair. They are followed by Elyas and Tallanvor. Perrin trusts Tallanvor because he smells of caution as well as eagerness, and empathizes with the man’s desire to see Maighdin as soon as possible. He isn’t sure if he himself would be capable of the restraint he trusts Tallanvor to have.</p> <p>Cha Faile is next in line, led by Selande. She thanks Perrin for including them in the advance party, and promises not to let him down.</p> <p>Next, Ban al’Seen leads a group of Two Rivers men who are going with the party. Perrin is surprised when Gaul joins as well, but the Aielman explains that Chiad is properly <em>gai’shain</em>, and will still have the rest of her year and a day to serve after being rescued.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“When a man has a woman as <em>gai’shain</em>, or a woman a man, sometimes a marriage wreath is made as soon as white is put off. It is not uncommon. But I heard the Maidens say they would reach Chiad first, to keep her from me.”</p></blockquote></figure> <p>Perrin finds Grady waiting for him in a clearing, where the gateway from the Seanchan encampment is still open. The Asha’man looks weary, and admits that all the Traveling has been wearing him out; he’s even started tying the gateways off because he’s too tired to hold them open for very long. Perrin knows that Neald is tired too, and worries that if the Asha’man fall short of the number of gateways Perrin will need them to make, a lot of people will die.</p> <p>He asks Grady to send him back to his own camp, and gives him permission to sleep in the Seanchan’s camp and spare him making one more gateway. Neald declines, however, admitting that he got into an altercation after suggesting to some of the <em>damane</em> that they might like to have their collars off. The <em>damane</em> began crying and calling for the <em>sul’dam</em>, which creeped Grady out.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Whatever happens with the <em>damane</em>, Grady, it won’t be this week, or next. And it won’t be us who fixes it. So you let the <em>damane</em> be. We have a job of work in front of us that needs doing.” And a deal with the Dark One to do it. He pushed the thought away. Anyway, it had grown hard to think of Tylee Khirgan being on the Dark One’s side. Or Mishima. “You understand that?”<br><br>“I understand, my Lord. I’m just saying it makes my skin crawl.”</p></blockquote></figure> <p>Once he has arrived at his own camp, Perrin finds Berelain in his own tent, entertaining Tylee. Annoura is also present, along with Aram, and Balwer hovering at the edge of things. Tylee immediately asks if Perrin has already begun putting the forkroot into the town’s water supply. When Perrin answers that he has, she sighs.</p> <p>Tylee tells him that a scout on a <em>raken</em> spotted seven thousand Children of the Light on the march. With Annoura interjecting, Perrin learns that Galad Damodred killed Eamon Valda and led those seven thousand Whitecloaks to leave the Seanchan cause. Balwer interjects that he feels he owes Galad Damodred a debt of gratitude, which makes Perrin wonder to himself if Balwer’s apparent grudge against the Children was against Valda personally.</p> <p>The more important piece of news comes when Tylee tells him that there are two large parties of Shaido heading towards Malden, only a few days away from reaching it. But at that moment, the world seems to ripple in front of Perrin, and he feels himself ripple too. Berelain clings to him in fright, and he holds her as the world ripples twice more. It feels like everything is made of fog that might blow away in the wind. When it passes, Tylee asks what happened, and Annoura admits she has no idea. Perrin tells them that it doesn’t matter.</p> <p>In Malden, Faile is feeling harassed after being beaten because Sevanna was unhappy with the quality of her bath. Many more wetlander <em>gai’shain </em>have been swearing fealty to her, and some are calling to rise up against the Seanchan. Faile is worried that there will be a revolt, and a slaughter, if she can’t stop it.</p> <p>Meanwhile, Rolan is trying to get her to play a kissing game, and Faile is trying to avoid it without completely rejecting his advances towards her. Catching sight of Galina, she tells Rolan that she has work to do and that she will have to think on his suggestion. He strokes her cheek, surprising her with the forward gesture, and then leaves.</p> <p>Faile insists that Galina promise, in plain words, to take her and her friends when she leaves. Galina slaps her, but Faile only slaps her back, and Galina makes the promise angrily. She tells Faile to bring it in the morning to the far edge of town where the Aiel burned all the buildings.</p> <p>In Altara, Rand is dressed to impress, wearing the Crown of Swords on his head and carrying the Dragon Scepter, on which the Maidens have carved dragons to match those glittering on his exposed hands. In his head, Lews Therin calls him a fool for walking into a trap, but Rand knows he has to take the chance for peace, and has plans for if the meeting does turn out to be a trap.</p> <p>He has Maidens with him, as well as Bashere and some of his men, Asha’man, Aes Sedai, and Warders. Some of his companions also express worry over a trap, but Rand is firm about sticking to his plan.</p> <p>Only Logain, Narishma, Sandomere, Cadsuane and Nynaeve are accompanying Rand to the meeting itself, plus Min, though Rand regrets promising that she could come. The rest will wait a distance away and come to Rand’s aid via gateway if needed.</p> <p>As they near the appointed meeting place, a manor house belonging to a minor Altaran noblewoman, the Asha’man all seize <em>saidin</em>, and Cadsuane and Nynaeve embrace <em>saidar</em>, though Rand doesn’t feel the usual goosebumps. The women have found a way to mask their ability, and thus shield him from even this small advantage in sensing the use of <em>saidar</em>.</p> <p>When they reach the building, which is little more than a large farmhouse, Rand has to admit to himself that it does smell like a trap. Three <em>sul’dam</em> and <em>damane </em>pairs appear in the doorway, followed by a small woman who perfectly matches the description Bashere was given of the Daughter of the Nine Moons.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“One of them is channeling,” Nynaeve said, just loudly enough for him to hear, as she climbed down from her saddle. “I can’t see anything, so she’s masked her ability and inverted the weave—and I wonder how the Seanchan learned <em>that!</em>—but she’s channeling. Only one; there isn’t enough for it to be two.” Her <em>ter’angreal</em> could not tell whether it was saidin or saidar being channeled, but it was unlikely to be a man.</p></blockquote></figure> <p>Cadsuane informs Rand that they can’t tell which <em>damane</em> is channeling but that she can do something about it once they are closer. Rand whispers for Min to stay behind him and starts towards the doorway, flanked by Cadsuane and Nynaeve and the Asha’man. The Daughter of the Nine Moons starts towards them in turn, but suddenly she flickers, her image changing to a taller woman with a different face. Rand recognizes Semirhage instantly from Lews Therin’s memories, and says her name aloud.</p> <p>He tries to reach for <em>saidin</em> but is blocked by Lews Therin trying to grasp it as well. Semirhage shoots a ball of fire at him, and Rand can’t reach the Source or jump out of the way, since Min is behind him. He throws up the hand with the Dragon Scepter in it, and the world seems to “explode in fire.”</p> <p>He’s next aware of being on the ground with his cheek in the mud. He can feel <em>saidin</em> being channeled and the goosebumps from <em>saidar</em>, but when he tries to push himself up he feels immense pain and discovers that his entire left hand has been burned away entirely. Min tries to keep him lying down, but he grasps the One Power and manages to climb to his feet—only to find that the fighting is over.</p> <p>Semirhage is a prisoner, restrained by flows of Air. One of the <em>sul’dam</em>&#8211;<em>damane</em> pairs is similarly restrained, while the second are injured and the third are dead. Sandomere’s arm is broken, but Nynaeve heals it.</p> <p>Gateways begin opening all around as Rand’s backup forces arrive, every Asha’man full of <em>saidin</em>, while Bashere gives orders for the house to be searched. Nynaeve comes to Rand, apologizing profusely because she knows she can’t restore what he has lost.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>His entire arm began tingling, and the pain drained away. Slowly, blackened skin was replaced by smooth skin that seemed to ooze down until it covered the small lump that had been the base of his hand. It was a miraculous thing to see. The scarlet-and-gold scaled dragon grew back, too, as much as it could, ending in a bit of the golden mane. He could still feel the whole hand.</p></blockquote></figure> <p>Nynaeve is aware that there is something wrong with his eyes, but wants to study the problem more before trying to do anything about that. Rand insists that he can see fine, though this is a lie. Bashere joins them, observing that at least Rand’s alive. Rand agrees that they have both seen men with worse injuries.</p> <p>Nynaeve thinks Rand must be in shock, but Min answers that Rand isn’t—he’s simply moved on from a fact he can do nothing to change. Nynaeve tries to insist that it’s alright and normal to feel stunned and to grieve, but Rand only answers that he doesn’t have time for that.</p> <p>Rand fills Bashere in on what happened, and when Cadsuane asks Rand how he knows Semirhage, the Forsaken herself explains that Rand is mad.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Graendal could explain it better than I. Madness was her specialty. I will try, however. You know of people who hear voices in their heads? Sometimes, very rarely, the voices they hear are the voices of past lives. Lanfear claimed he knew things from our own Age, things only Lews Therin Telamon could know. Clearly, he is hearing Lews Therin’s voice. It makes no difference that his voice is real, however. In fact, that makes his situation worse. Even Graendal usually failed to achieve reintegration with someone who heard a real voice. I understand the descent into terminal madness can be… abrupt.”</p></blockquote></figure> <p>Rand feels numbness through his bond with Min, and worries that he is about to lose her. But then the feeling is replaced by compassion and determination, and love so warm it almost feels physical to Rand.</p> <p>Cadsuane tells Semirhage that she looks forward to some long talks with her. Rand declares that they will send the <em>sul’dam </em>and <em>damane</em> back to Ebou Dar to send word that he wants to meet with the real Daughter of the Nine Moons.&nbsp;</p> <p>Bashere’s men find the house empty but with traces of blood, and a wooden box with <em>a’dam</em> in it. Nynaeve identifies male <em>a’dam</em> next to those for women, and becomes furious that Egeanin didn’t drop them in the ocean the way she promised. Now, the Seanchan have made more.</p> <p>Everyone is horrified at the realization that Semirhage could have collared all of them, and that only the fact that Rand’s allies were already holding the One Power saved them from that fate. When Rand gives orders to send the <em>sul’dam</em> back to somewhere near Ebou Dar, Falendre asks who he is to demand such an audience.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>&#8220;My name is Rand al’Thor. I’m the Dragon Reborn.” If they had wept at hearing Semirhage’s name, they wailed at hearing his.</p></blockquote></figure> <p>Mat sits on Pips with his <em>ashandarei</em> across his saddle, waiting with Tuon and Selucia, Teslyn, Captain Mandevwin, and two thousand mounted crossbowmen. His men are hitting the Seanchan in half a dozen places on the same night, but Mat is waiting specifically to ambush a large party that he is trying lure to come to the aid of the smaller camp where the <em>raken </em>is. Two green nightflowers launched in the distance let him know that his plan is unfolding and that the <em>raken </em>has been sent towards the large camp.</p> <p>He starts his forces moving, ignoring Teslyn’s complaints that his plan relies heavily on luck. That is somewhat true; he has no guarantee that the commander of the Seanchan will move his forces in the way Mat expects. When they come to the spot for the ambush, Mat gives orders for the horses to be hobbled and given feed bags, so they won’t make any noise. He also gives orders for the placement of his crossbowmen and setting a watch. He reflects on the fact that Tuon must not like what is happening, but he still trusts her to keep her word anyway.</p> <p>As they wait, Teslyn warns Mat about Joline; Teslyn expects her to try to convince Mat to become her Warder, and might find a way to make him agree without even realizing he has done it. Tuon becomes incensed, telling Teslyn that Mat is hers and she won’t let anyone have him, especially a <em>marath’damane</em>. Mat cuts off their argument, and Tuon remarks that he is being masterful again.</p> <p>Mat admits to Teslyn that his aim with these raids and skirmishes is to draw the Seanchan forces out of the Molvaine Gap so that he and his party can slip through. Tuon, Selucia, and Teslyn all stare at him and he can’t figure out why, or what they are thinking.</p> <p>Eventually Vanin arrives to report four thousand lancers coming down the road about a mile behind him. This is about a thousand more than expected, and Mat’s forces are outnumbered two to one, but Mat merely takes them back to join the main force, where Mandevwin already has everyone in place, every crossbow loaded and aimed.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>An owl hooted twice, somewhere behind him, and Tuon sighed.<br><br>“Is there an omen in that?” he asked, just for something to say.<br><br>“I’m glad you are finally taking an interest, Toy. Perhaps I will be able to educate you yet.” Her eyes were liquid in the moonlight. “An owl hooting twice means someone will die soon.” Well, that put a bloody end to conversation.</p></blockquote></figure> <p>The Seanchan lancers come into view. Mat assumes it must be <em>ta’veren</em> work when the commander calls the company to a halt in absolutely the perfect position for his ambush. Before the men on the road can mount up, Teslyn sends a ball of light out above them on Mat’s command. The crossbows release almost at the same time, in a torrent of arrows, limbs breaking and even armor being pierced at such close range.</p> <p>The commander tries to lead his men into the trees before Mat’s forces can reload, but the new cranks put paid to that plan as two thousand more bolts crash into them. Afterwards there is no one left standing, and only a few mounted riders may have managed to escape. Mat gives orders to start moving out, but Teslyn interrupts to remind him that the rules of war demand that he offer aid to the wounded.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“This is a new kind of war,” he told her harshly. Light, it was silent on the road, but he could still hear the screaming. “They’ll have to wait for their own to give them aid.”</p></blockquote></figure> <p>Tuon murmured something half under her breath. He thought it was, “A lion can have no mercy,” but that was ridiculous.</p> <p>He leads his men towards their next target, intending to hit the Seanchan again before morning.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Gosh, I never imagined Rand would suffer yet <em>another</em> grievous, unfixable injury. Not before the Last Battle, anyway.</p> <p>In many ways, the loss of the hand feels symbolic, reminding us how much of himself Rand has lost, and is still losing. Mostly this is a spiritual loss; as he becomes hard and is overcome by the madness of the taint, he is losing his connection to his humanity, to the kind and warm shepherd boy he was before Moiraine, and the Dark, came to find him. Of course, losing part of one’s body doesn’t make one less human, but it can make someone feel separate from other people, to feel othered, and especially in the aftermath of loss, to feel less than whole.</p> <p>It is significant, too, that Rand suffered this loss because of his main weakness. Not Min, not his love for others, though that is what he believes it to be. His true weakness is all the problems he has with <em>saidin</em>. The madness of having Lews Therin in his head, fighting him for <em>saidin</em>, is the reason he wasn’t able to seize <em>saidin</em> fast enough to protect himself from Semirhage’s attack. Whatever happened to him when he and Moridin channeled balefire at the same time, and the sickness that has resulted from it, prevents him from wanting to hold the One Power prematurely, which is what saved his companions from the attack.&nbsp; If Rand had had access to his power, he would almost certainly have been able to participate in the fight and to protect himself from so simple an attack as a fireball to the face. Or hand.</p> <p>Semirhage’s explanation of Rand’s madness is about what I concluded the truth about Lews Therin’s presence to be. I’m not sure how to metaphysically explain the bleed-through of another voice, another personality, within the worldbuilding context of The Wheel of Time, but then, it seems even the great healers of the Age of Legends didn’t really know the answer. And we’ve seen that the Dark One’s touch sometimes causes the past to bleed into the present as the Pattern unravels, so the idea of bleed-through of personalities also suggests some kind of corruption being responsible for the bleed-through of a past personality—though the Dark One might not always be responsible for this, if it was a condition was being treated during the Age of Legends. However, the Dark One doesn’t necessarily have to be responsible for all problems that emerge within the Pattern. After all, balefire can be wielded by any channeler, including those serving the Light, and it is so dangerous that it could actually unravel the Pattern for good.</p> <p>In any case, at last we have a solid answer about whether or not Lews Therin is part of Rand’s madness. Presuming Semirhage is telling the truth, but I don&#8217;t see a reason for her to lie here—she’s not really worried about having been captured. As Rand observes, she’s been a captive before and escaped by <em>terrorizing her own guards into letting her go</em>. And I imagine she thinks these primitive people will be much easier to deal with than those guards were.</p> <p>Semirhage references Graendal’s (usually unsuccessful) attempts to “achieve reintegration” with someone who was hearing a “real” voice. Jordan may have been referencing dissociative identity disorder (formerly called split personality or multiple personality disorder) and suggesting that Graendal worked with patients on integration, basically recombining separated personalities back into one person. I don’t know enough about DID to comment in depth about this concept, but it feels important to note that DID is not a condition where people hear voices telling them to do things, but rather one where a person has multiple identities.</p> <p>Obviously, Rand’s condition is not meant to be any “real world” mental health disorder, though it may remind us of the pop culture versions of conditions like DID and schizophrenia. I do appreciate that Jordan seems to have avoided the worst of these film and book stereotypes as he deals with the concept of “magic” induced madness.&nbsp;&nbsp;</p> <p>I find myself&nbsp; wondering if this comment by Semirhage isn’t giving us (and maybe Rand) a clue about how the Lews Therin issue might eventually be resolved. Semirhage says that Graendal <em>usually</em> failed to achieve integration, which means that she was sometimes successful. Perhaps Rand will eventually, through some psychological or metaphysical means, be able to make Lews Therin a part of himself instead of a separate personality, and a separate voice, in his head.</p> <p>It’s kind of a relief for me as a reader that other people know about Lews Therin now. Rand isn’t just making himself harder and harder—he is also keeping so many secrets about his pain and struggles. The bond with Min, Aviendha, and Elayne has started to change that, since he can’t hide his emotions or his experience of physical pain from them, but learning truths like this one is also really important. He’ll never be able to open up and feel his emotions, to “relearn laughter and tears” the way Cadsuane (and everyone else) wants him to, if he’s hiding every source of his distress. I can’t help but think how much easier it might be for him to let go of that list of dead women if he were actually to experience, and to share, the grief he feels over those losses. Process his emotions, as mental health tiktok keeps reminding us we need to do.</p> <p>He has so many people who care about him, if only he would let them.</p> <p>It will be interesting to see how Rand adapts to having only one hand. He mentions to Bashere that he will have to relearn the sword, since most forms require two hands, but I find myself wondering about channeling. Like the Aes Sedai, Asha’man use a lot of hand and arm motions when they weave the One Power, though it’s been suggested a few times that channeling doesn’t, or shouldn’t always, require specific gestures. (Cue me thinking about the scene in the first Doctor Strange movie when he suggests that he can’t make the Marvel Sparkle Circles<sup>TM </sup>because of his injured hand, and then the Ancient One introduces him to a man who can do it while missing an<em> entire</em> hand.) So I am really looking forward to seeing how he interacts with channeling and weaving now.</p> <p>I am also looking forward to Cadsuane interviewing Semirhage. Lews Therin remembers how terrifying Semirhage is, and that she “was never lacking in courage,” and Semirhage herself doesn’t seem very concerned about her position. No doubt she thinks that the people of this Age can do little that would measure up to what she has done, and experienced. But Cadsuane might prove to be more impressive, and resourceful, than Semirhage expects. That battle of wills is going to be fascinating, I think.</p> <p>But the thing I am looking forward to the most is Perrin finally, finally going in after Faile. I’m tired of the plotline, if I’m being totally honest, and narratively it feels like it’s been dragging for a while. Even with the forkroot in play, the attack promises to be a very dangerous and intense battle, and I think it is going to be <em>the</em> climactic battle of <em>Knife of Dreams</em>, while Rand’s climactic moment will be meeting Tuon and making some kind of alliance with the Seanchan. Both Perrin and Mat’s actions over the course of <em>Knife of Dreams</em> will no doubt help convince Tuon to make some kind of peace with the Dragon Reborn. And I wonder, maybe that pull of his need that they are both feeling is not just about having them close. Maybe it is actually about the actions they are choosing to perform, without even realizing how they will benefit Rand’s cause.</p> <p>I appreciate that many of the characters continue to bring up the issue of the <em>damane</em>, even though there isn’t anything they can actually do to help the women in question. Perrin has made his deal with the Dark One and cannot take it back (even if he wanted to, which he doesn’t). However, that doesn’t make the issue any less repulsive, and it’s good that people aren’t turning themselves off to that fact. I really like Grady as a character, he’s very down-to-earth, especially for an Asha’man, and a very caring person. I wonder how much correlation there is between someone’s nature and their desire to care for others and a Talent in Healing.</p> <p>The question of whether or not Grady and Neald will have enough left in the tank to open the last of the gateways needed to enact Perrin’s plan for the battle against the Shaido feels like a bit of a Chekov’s gun to me, even more so than the question of whether or not the Wise Ones will all be taken out by the forkroot in the drinking water. I have a feeling that falling one gateway short may be the wrench, or at least one of the wrenches, in Perrin’s plan.</p> <p>Another one, though, might be Faile escaping before or right when he is attacking. Galina has no need to keep her promise to take Faile and her friends with her when she escapes with the rod, since she is Black Ajah. But she might decide to if she thinks she can gain some advantage by having them with her. She did want to kill Faile, if memory serves, but she might not be in a hurry to do that right away. And even if she tried, Faile might escape the attempt as well, especially since Galina will still be bound by the rod until she can find another channeler to activate it and remove its restrictions on her.</p> <p>Is it bad that I kind of want Galina to escape? I mean, she’s a bad guy, but the treatment she has received from Therava and Sevanna is still horrific, and I wouldn’t want to condemn anyone, even a Darkfriend, to it. Being made <em>damane</em> by the Seanchan might be a step up for Galina, really, since the <em>sul’dam</em> are more likely to treat her with gentleness and even their version of kindness if she behaves in the way they expect, though it’s always possible she might end up in the care of a <em>sul’dam</em> who is fickle like Sevanna or a sadist like Therava. One can’t imagine either Sevanna or Therava ever petting and cosseting a prisoner the way the <em>sul’dam</em> do with their <em>damane</em>, and Galina is already bound by a <em>ter’angreal</em> that won’t let her channel without permission, so trading the rod for the <em>a’dam</em> won’t be that big of a deal. Though would the binding of the rod get in the way of her channeling as a <em>damane</em>? Galina can channel when given permission and I don’t remember Therava restricting that permission to only being given by herself, so I think it would be fine.</p> <p>Therava herself might end up a <em>damane</em>, but I could see her will being strong enough to hold out for death rather than being broken to the <em>a’dam</em>. Again, I don’t feel great about anyone being made <em>damane</em>, but it certainly would be a taste of Therava’s own medicine, and I would be interested in seeing if her will was stronger than any <em>sul’dam</em>’s. And in Galina’s case, there is something poetic about a Darkfriend and Black Ajah member potentially being forced to fight in the Last Battle against the Dark One.</p> <p>In any case, we all know there will be hiccups in Perrin’s attempts to rescue Faile, and a lot of Shaido will end up being enslaved by the Seanchan, one way or another. I imagine Sevanna will be among them, since she is the one who brought about the decay and destruction of the Shaido. I will say, though, that I kind of respect her two baths a day. A lot of her affectations of wealth and power are adopted from wetlanders and it makes her seem so silly and vapid, but what says wealth and power to an Aiel more than being able to take baths? Sure, it’s also an abdication of the Aiel custom of never wasting water, and maybe I’m splitting hairs here, but I just found the idea kind of enjoyable.</p> <p>Rolan is also going to play a role in Faile’s escape, I think, though it’s hard to say whether it will be positive or negative. I don’t think he would intentionally and outright stop her from escaping, as he has indicated that he himself would help her do so if and when the <em>Mera’din</em> left for the waste, but his ideas and perspectives are very different than hers and he might cause a problem for her unwittingly, or in an attempt to help in his own way. He seems like a pretty good guy, all things considered, even if he doesn’t understand that no means no and Faile doesn’t ascribe to Aiel ideas of monogamy and “what happens in white stays in white.”</p> <p>Speaking of what happens in white, it never occurred to me that <em>gai’shain</em> could be taken from the Aiel they were captured by and brought to work for other Aiel who captured them from their captors. Since a <em>gai’shain</em> belongs to the warrior who captured them, you would think they would be exempt from any attempt to recover them. Apparently, however, this is not the case, as the Maidens suggested to Gaul that they were going to reach Chiad before he could and keep her from him. Apparently Gaul wants to take Chiad as his own <em>gai’shain</em> in the hopes that it will lead to her making a marriage wreath once her time wearing white is over.</p> <p>I am bemused by this, but mostly I want Gaul to start treating Bain right. I really liked Gaul when he was first introduced, but I have to say, I like the way the television show handled Bain and Chiad as girlfriends much more.</p> <p>And of course, I’m still waiting for Perrin to do something truly over the line in his attempts to rescue Faile. In some ways, he and Rand felt very similar in these two chapters. Perrin shrugs off the way the world ripples and nearly dissolves with the same attitude that Rand takes towards losing his hand. “It doesn’t matter, I won’t feel it, because only my goal is important.” Never mind you lost a hand. And also the Pattern is threatening to dissolve.</p> <p>I wonder if there is any significance to the fact that the “ripples” and sense of the world fading seems to be happening more often in and around Malden than anywhere else (as far as we know.) Does this have something to do with Perrin and his actions, or is it just happenstance that the Pattern is dissolving, or unraveling, particularly badly right in that area? Is it possible that an area of the world could actually disappear altogether?</p> <p>I don’t have a lot to say about Mat’s section, though it continues to be interesting watching Tuon and the Aes Sedai re-evaluate him in this new light of his skill as a general. I also just remembered that Suroth, on Semirhage’s orders, is intending to have Tuon killed, which puts a slightly different tone to her continued “captivity” with Mat and even his destruction of her soldiers. Would any of them think her to be the “imposter” Suroth accused her of being? How well-known is that information now? And what will happen when Mat eventually does send Tuon back to her people?</p> <p>But the main point of Mat’s section is the end, where he tells Teslyn that this is a new kind of war. I’ve been thinking a lot about how the inventions of the crossbow cranks and the “dragons” and “dragons eggs” will change warfare in Rand’s time, especially after Egwene’s dreams about Mat “bowling” and knocking down people. As technology advances, it is a natural consequence for warfare to become more brutal. However, what we see from Mat’s attitude is also an increase in brutality—necessary, perhaps, but still different from the rules of war that have governed at least the latter half of this Age. I wouldn’t say that guerrilla warfare is inherently more brutal than other styles, but going up against a foe that is much stronger than you in number and resources does require a certain level of hardness. Mat can’t afford to help the Seanchan soldiers even if he wants to. And as we know, the Seanchan themselves give very little quarter, and the forces of the Dark give none.</p> <p>The Last Battle is coming, and there will certainly be no room for mercy towards those enemies, or even mercy towards your own forces—hence the justifications for things like alliances with the Seanchan and tolerance of the <em>damane </em>system. Not to mention Rand’s dehumanization of himself and his fellow Asha’man.&nbsp;</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Next week we’ll be returning to Perrin and Faile, and at least the precursor to the final battle in Malden. I intend to cover chapters 28 and 29, possibly a little more or less depending on how complicated everything is. Hopefully not to complicated—I’m tired of waiting! Though not as tired of it as Perrin is. I’ll see you all then![end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-ambushes-and-surprises-abound-in-knife-of-dreams-part-20/">Reading The Wheel of Time: Ambushes and Surprises Abound in &lt;i&gt;Knife of Dreams&lt;/i&gt; (Part 20)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-ambushes-and-surprises-abound-in-knife-of-dreams-part-20/">https://reactormag.com/reading-the-wheel-of-time-ambushes-and-surprises-abound-in-knife-of-dreams-part-20/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818259">https://reactormag.com/?p=818259</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 02:33 pm

Madeleine McGraw Will Face Monsters and Band Dudes in SuperUnknown

Posted by Molly Templeton

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Madeleine McGraw Will Face Monsters and Band Dudes in SuperUnknown

Perhaps the power of music will tame the (super)unknown.

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Published on July 15, 2025

Screenshot: Universal Pictures

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/madeleine-mcgraw-superunknown/">https://reactormag.com/madeleine-mcgraw-superunknown/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818270">https://reactormag.com/?p=818270</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/superunknown/" class="inline-block link-no-animation" aria-label="Link to term or tag SuperUnknown 1"> SuperUnknown </a> </span> </div> <h2 class="post-hero-title text-h1">Madeleine McGraw Will Face Monsters and Band Dudes in <i>SuperUnknown</i></h2> <div class="prose post-hero-description prose--post-hero">Perhaps the power of music will tame the (super)unknown.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Universal Pictures</p> </div> <div class="quick-access 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/07/madeleine-mcgraw-black-phone-2-740x493.jpg" class="w-full object-cover" alt="Madeleine McGraw in The Black Phone 2" srcset="https://reactormag.com/wp-content/uploads/2025/07/madeleine-mcgraw-black-phone-2-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/madeleine-mcgraw-black-phone-2-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/madeleine-mcgraw-black-phone-2-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/madeleine-mcgraw-black-phone-2.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Universal Pictures</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>It&#8217;s hard enough to be an even moderately successful teen band without your parents harboring supernatural creatures. <em>SuperUnknown</em>, an upcoming &#8220;supernatural coming-of-age thriller&#8221; will present just that dilemma. According to <a href="https://deadline.com/2025/07/madeleine-mcgraw-to-star-superunknown-thriller-1236457072/" target="_blank" rel="noreferrer noopener">Deadline</a>, the film &#8220;is about a high schooler who discovers his parents have been harboring a supernatural creature. Subsequently, he and his bandmates must face off with the creature as it escapes and terrorizes their suburban town.&#8221;</p> <p>Madeleine McGraw is set to star in <em>SuperUnknown</em>, the title of which probably nods to both <em>Superbad</em> and Soundgarden&#8217;s 1994 album <em>Superunknown</em> (at least one hopes it does). Deadline says her role is unknown; will she get to be in the terrorized band, or just a fan of it? </p> <p>McGraw was in the Disney series <em>Secrets of Sulphur Springs</em> and played young Hope in <em>Ant-Man and the Wasp</em>. She starred in <em>The Black Phone</em> and is back for its upcoming sequel, <em>The Black Phone 2</em> (pictured above). </p> <p><em>SuperUnknown</em> comes from writers Chris and Charlie Frazier, who have written several short films and have a variety projects in development in both film and television. It has as directors The Brothers Riedell, whose previous films include <em>Bad Night</em> and <em>A Nice Girl Like You</em>.</p> <p><em>SuperUnknown</em> begins filming this fall. No release date has been announced.[end-mark]</p> <p>The post <a href="https://reactormag.com/madeleine-mcgraw-superunknown/">Madeleine McGraw Will Face Monsters and Band Dudes in &lt;i&gt;SuperUnknown&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/madeleine-mcgraw-superunknown/">https://reactormag.com/madeleine-mcgraw-superunknown/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818270">https://reactormag.com/?p=818270</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 02:00 pm

 Must Read Short Speculative Fiction: June 2025

Posted by Sarah

Books Short Fiction Spotlight

 Must Read Short Speculative Fiction: June 2025

A selection of June’s best short science fiction, fantasy, and horror stories.

By

Published on July 15, 2025

Covers for three SFF magazines: FIYAH Issue 35; Khoreo Volume 5, Issue 2; Apex Magazine Issue 150

In June, I ended up reading a bunch of new-to-me authors more or less by accident. And, oddly enough, several with African influences. I don’t know how it happened or why, but it made my short fiction reading last month pretty exciting. It was so hard to choose my favorites, but I managed to narrow down my top ten short science fiction, fantasy, and horror stories. 

“The Cut” by SJ Powell

For the last couple years, Osa has been stuck in the strange world of Lamprey, what she calls the Cut. She’s survived countless horrors and brutal training in her quest to return to Bronzeville. Her latest battle is convincing a creature wearing the face of her mother to trade for safe passage. But she can’t go back, not really. The girl she is now is so different from the girl who left in 1996. That won’t stop her from trying, though. The incredible twist at the end is what won this story a spot on this list. It’s the exact right ending for a story this fierce. (FIYAH Literary Magazine—Summer 2025; issue 35) 

Dear New Tenant” by Jaq Evans

This was such a weird, creepy story. Our narrator shares a college apartment with their roommate, Helena. The place has one unexpected amenity: randomly spawning “sisters.” Helena calls them sisters as a Catholic joke, but they aren’t really people. No matter how human they look on the outside, they contain terrors within. The story is structured like a letter to the next roommate, whoever replaces our narrator after their gruesome confrontation with one of the sisters. (Fusion Fragment—June 2025; issue 25)

“Instructions for Rewilding the Wasteland” by Emma Burnett

Told in four very short vignettes, Emma Burnett explores punishment through body horror. People must pay individually for their crimes against the planet by, well, I won’t spoil the ending but it was quite the surprise. It really got me thinking about how individuals are expected to take responsibility for the environment—recycle and compost, go vegan no matter what your culinary cultural traditions or dietary restrictions, bike ride or walk no matter your ability, no air conditioning, etc—when corporations get to do whatever they want without restriction, and who pays the price. (Radon Journal—issue 10)

“Lentils for Breakfast” by Maroon Stranger

In this fantasy world similar to our own, a South Indian culinary magician earns a scholarship to a prestigious magiculinary school, The Diner University. Although known for her flavorful idli sambar, Deepika’s dishes don’t go over so well with the Westernized palates of her professors. She faces a choice: flatten her dishes or stick to tradition. When the keys to success are bound up in getting Westerners to like you, the decision isn’t necessarily an easy one to make. Maroon Stranger (tremendous name!) could have made this story dark or sad, but she opted for a hopeful tone, one that celebrates community. (Luna Station Quarterly—June 2025; issue 62)

“Let Sleeping Hyenas Lie” by Rutendo Chidzodzo

Mai Alfred is the CFO of a company about to build a bunch of swanky hotels in Hwange National Park in Zimbabwe. She doesn’t care that the construction will force the Indigenous Kupona people off their land—even though her greed has cost her not only her marriage but the affection of her only child. If that won’t put her off the project, the rumors of the Kupona practicing witchcraft won’t either. Too bad those rumors turn out to be real. A great story that touches on the ways colonialism is passed onto and sustained by the colonized. It also has a lot to say about the limitations of feminism when it’s used to uphold Western traditions at the expense of other women.(Strange Horizons—June 30, 2025)

“Outlier” by R.L. Meza

Look, I am terrified of spiders. I don’t like them. At all. I don’t even like reading about them. I nearly DNF’d R.L. Meza’s story once I realized it was about humans mutated into arachnids, but I’m glad I powered through because this story is compelling in an unsettling kind of way. The narrator is trapped in a tank, one of many in an underground lab. A scientist known only by her nametag, “A. Friend,” kidnapped her ages ago and has been torturing them all ever since. When an opportunity for escape presents itself, the narrator leaps. (Clarkesworld—June 2025; issue 225)

“Paths, Littlings, and Holy Things” by Somto Ihezue

Oladeo and Nnadi’s unconventional courtship leads to unconventional pregnancies. Three times in a row, Oladeo gave birth to twins, seen as bad luck in her village. Twice she watched as the midwives took the newborns away to kill them. Once she fought back. This story is a bit fantasy and a bit science fiction. Somto Ihezue pulls on real folklore from the Igbo of Nigeria that holds that twins are bad omens. All Oladeo and Nnadi can see are two helpless infants they love more than they can say. (Diabolical Plots—June 16, 2025; #124B)

“The Swampmasters” by Joshua Lim

I love reading stories set during historical events I know nothing about. I get to learn something new while also enjoying a good tale. This fascinating story was set in Klang, Malaysia, where author Joshua Lim is from, just before the Japanese invasion in World War II. Seven-year-old Hong Ang and his family are Chinese and at the greatest risk of being imprisoned or worse. They seek refuge on Pulau Ketam, an island just off the coast of Port Klang, and beseech the protection of spirits they call the swampmasters. (Khōréō Magazine—volume 5, issue 2)

“We are the Abikus” by Ogochukwu Bibiana Ossai

Speaking of Nigerian folklore, Ogochukwu Bibiana Ossai delves into Yoruba culture with the abiku, the spirit of a child who dies before their thirteenth birthday. In Yoruba folk tradition, the abiku can return to the same mother over and over again, with each rebirth ending in the child’s death. Here, the spirits of twelve dead children, all iterations of each other, connect in another world made of “glass rocks, cracked honey earth, coarse red sand, rugged terrains, a cotton sky that looked like the seas of lava, and trees with deep dark green boughs and twigs.” There they consider what they lost and what their mother lost. (The Dark—June 2025; issue 121)

“What the Crab Apple Tree Near Miranda Spaceport Saw” by Elijah J. Mears

This flash sci-fi story made my heart ache. Years ago, someone planted a decorative crab apple tree in a garden on the Miranda Spaceport. The tree, our narrator, has watched humans come and go over the years, but feels particular affection for two young men, Jun and Elliot. As the spaceport is being decommissioned and humans sent to the far reaches of the galaxy, the men face a potentially permanent separation. As each tries to convince the other to go with them, the crab apple tree tries to help them one last time. It’s a beautiful, kind story, and the perfect one to close out this list. (Apex Magazine—June 2025; issue 150)

[end-mark]

The post  Must Read Short Speculative Fiction: June 2025 appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-15 01:30 pm

Star Trek: Strange New Worlds’ Martin Quinn on Scotty’s Relationship With Carol Kane’s Pelia

Posted by Vanessa Armstrong

Movies & TV star trek: strange new worlds

Star Trek: Strange New Worlds’ Martin Quinn on Scotty’s Relationship With Carol Kane’s Pelia

“He’s not able to spread his wings, because he’s got his teacher breathing down his neck…”

By

Published on July 15, 2025

Photo Credit: Pari Dukovic/Paramount+

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/">https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818122">https://reactormag.com/?p=818122</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/star-trek-strange-new-worlds/" class="inline-block link-no-animation" aria-label="Link to term or tag star trek: strange new worlds 1"> star trek: strange new worlds </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Star Trek: Strange New Worlds</i>’ Martin Quinn on Scotty’s Relationship With Carol Kane’s Pelia</h2> <div class="prose post-hero-description prose--post-hero">&#8220;He’s not able to spread his wings, because he’s got his teacher breathing down his neck&#8230;&#8221;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo Credit: Pari Dukovic/Paramount+</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 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height="493" src="https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000-740x493.jpg" class="w-full object-cover" alt="Martin Quinn as Scotty and Carol Kane as Pelia in season 3 of Strange New Worlds streaming on Paramount+." srcset="https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/SNW_S3_GENREPAIRING_COMEDY_PR_Vert_2700x4000.jpg 2000w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo Credit: Pari Dukovic/Paramount+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The third season of <em>Star Trek: Strange New Worlds </em>brings us back to Captain Pike’s U.S.S. Enterprise, with the addition of a well-known character. I’m talking, of course, about Scotty, originally played by James Doohan on <em>The Original Series</em> and <a href="https://reactormag.com/here-today-gorn-tomorrow-star-trek-strange-new-worlds-hegemony/" target="_blank" rel="noreferrer noopener">portrayed by Martin Quinn in season two of <em>Strange New Worlds</em>.</a></p> <p>Quinn is back as Scotty for season three and is officially part of the Enterprise crew. He’s not the lead engineer on the ship, however: he&#8217;s working under his former teacher, Pelia (Carol Kane). In a roundtable discussion with several outlets that Reactor took part in, Quinn said that Scotty finds it “so annoying” to work for Pelia.</p> <p>“He’s not able to spread his wings, because he’s got his teacher breathing down his neck,” he added. “It’s kind of like… my big brother went to Uni, and he was so annoyed when this guy who he went to high school with went to the same Uni course. And he was like, ‘Great, now I can’t be myself. Now I can’t start afresh. There’s someone always there who remembers how uncool I was in high school.’ My brother wasn’t uncool, but I’m just saying that’s how Scotty feels a bit about Pelia. He can’t be his own person. She’s breathing down his neck all the time and always very critical of him, which is frustrating, but there are lessons for him to learn, and maybe he should listen up.”</p> <figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f-1100x733.jpg" alt="L to R Martin Quinn as Scotty and Carol Kane as Pelia in season 3 , Episode 1 of Strange New Worlds streaming on Paramount+." class="wp-image-818124" srcset="https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f-1536x1024.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/07/SNW_301_MG_12_19_23_00862_RT_f.jpg 2000w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Photo Credit: Marni GrossmanParamount+</figcaption></figure> <p>Quinn is also the first actor actually from Scotland to play Scotty, and he also shared that one thing he wanted to do was keep his accent as much as he could. “I was really worried because I was around Americans and Canadians, and that in trying to be understood on set, I would completely lose what I actually talk like,” he said. “This happened before. I worked at a camp when I was 18 in Massachusetts, and there’s a video of me just losing my accent completely to be understood by the kids. [<em>Switching to exaggerated American accent]</em> I started talking in an American accent, like that, so they could understand me.”</p> <p>Quinn was able to resist losing his Scottish brogue for season three of <em>Strange New Worlds</em>. Check him out and the rest of the cast when the the first two episodes of season three premiere on July 17, 2025, with additional episodes dropping weekly on Thursdays.[end-mark]</p> <p>The post <a href="https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/">&lt;i&gt;Star Trek: Strange New Worlds&lt;/i&gt;’ Martin Quinn on Scotty’s Relationship With Carol Kane’s Pelia</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/">https://reactormag.com/star-trek-strange-new-worlds-martin-quinn-on-scottys-relationship-with-carol-kanes-pelia/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818122">https://reactormag.com/?p=818122</a></p>
Blog - Nathan Bransford | Writing, Book Editing, Publishing ([syndicated profile] nathanbransford_feed) wrote2025-07-14 09:56 pm

What happens on and off the page in your novel?

Posted by Nathan Bransford

Whenever I rewatch Seinfeld, I’m struck by how many classic moments in the show involve the core characters recapping events that have already happened. Elaine talking about running into John F. Kennedy Jr. at the gym, Kramer recounting seeing the pig man, George’s “the sea was angry that day, my friends” monologue, or “He took it out.”

It’s a very common sitcom approach in general, whether it’s brunch in Sex and the City or Tim and Wilson talking over the fence in Home Improvement.

But recapping something that’s already happened very rarely works in a novel. Put a great deal of thought into what you choose to dramatize and what you leave off the page.

What’s really happening here?

I’ve written previously about the dangers of screenplay-izing or teleplay-izing your novel. Some writers inevitably default to movies and TV shows when they’re imagining their novels. The problem is that this often results in plodding, dialogue-centric novels where characters are just standing around endlessly chitchatting.

When we watch TV or movies there’s far, far more that we’re absorbing than the dialogue. There’s a setting, facial expressions, gestures, inflection, sound effects, physical presence, movement… If all you’re providing is dialogue and you’re neglecting physical description and gestures, you’re not even replicating the information we’re receiving when we watch a TV show.

You’re also missing the interiority that makes novels such a unique and powerful medium. We don’t have the chance to see and feel a moment in a TV show from inside a character’s head like we can in a novel.

There are a whole lot of reasons a recap works in a sitcom. Actors can be funny, and it’s enjoyable to see characters’ reactions to what’s being said as a proxy for our reactions (something Japanese TV understands extremely well). Not to mention practical considerations like not having the budget to show George Costanza saving a whale.

But most importantly: recaps leave more to the viewer’s imagination. Imagining George atop a whale is a whole lot funnier than actually seeing some bad CGI approximation.

In novels, everything is the reader’s imagination. Recapping doesn’t create a gap for more imagination, it just means we’re another step removed from experiencing a dramatic moment ourselves.

Put your dramatic moments on the page

In short: build your novel so that your reader experiences the most dramatic moments for themselves. There’s a great deal of power in experiencing events along with the protagonist(s) and seeing and feeling their reactions in the moment.

If all we’re getting is recaps of dramatic scenes after the fact, we’re distanced from what happened. It gets confusing about why we’re seeing what we’re seeing and what the narrative voice is choosing to show us. It can feel like the author is playing “keep away” with the good stuff.

Put a great deal of thought into what you keep on and off the page. Err on the side of including the dramatic moments and brushing past mere movement from Point A to Point B.

There are, of course, exceptions to this. There are novels like Absalom, Absalom! that involve recapping and some unspoken moments that happen off the page, and we mainly see them refracted in the aftermath.

But that was a very conscious choice for very specific reasons. The unspeakableness of some of the events was the point. It was not because William Faulkner just found it easier to write scenes centered around dialogue than he did describing action.

Dramatize your most important events, and better yet, build your novel around them.

Leave the boring stuff off the page

On the flip side, if you put tedium on the page, the reader is going to be tempted to skim forward to get to the good bits, or put down your book entirely. As Elmore Leonard famously said, “Try to leave out the part that readers tend to skip.”

Remember: your goal when writing a novel is not to replicate real life, it’s to tell a good story.

Readers are capable of filling in gaps in everyday chores. They’ll assume characters are eating, breathing, and going to the bathroom without needing those realities spelled out on the page. They’ll assume all necessary pleasantries have been exchanged when characters meet each other.

They can infer that when a character moves from Point A to Point B they did, well, whatever they needed to do to get there. While it’s good to provide the broad strokes of how characters move around so it doesn’t feel like they pop out of nowhere, we don’t need every single uneventful step filled in.

In real life, people get aimless, bored, and stuck, but in a novel, it’s usually better to brush past the aimlessness to get to the parts that push the story forward. Remember: if your protagonist is bored, chances are your reader will be too.

Manipulating time is a crucial skill

In novels, you can speed up and slow down time at will. You can brush over a thousand years, or dwell on a split second for dozens of pages. Readers will largely roll with it, as long as you’re pushing the story forward.

One crucial way of doing that is to keep the protagonist active. Err on the side of constructing scenes after a character who’s doing or trying to figure out something, and brush past the parts where they’re stalled out or waiting for something to happen.

Be judicious and thoughtful about what you dramatize. Utilize the unique properties of novels as an art form rather than trying to imitate Sex and the City brunches.

ORIGINALLY PUBLISHED: July 11, 2022

Need help with your book? I’m available for manuscript edits, query critiques, and coaching!

For my best advice, check out my online classes, my guide to writing a novel and my guide to publishing a book.

And if you like this post: subscribe to my newsletter!

Art: Miyamoto Musashi Attacking Giant Whale by Utagawa Kuniyoshi

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 06:20 pm

Tom Holland Says Spider-Man: Brand New Day Will Go “Old School,” in a Good Way

Posted by Vanessa Armstrong

News Spider-Man: Brand New Day

Tom Holland Says Spider-Man: Brand New Day Will Go “Old School,” in a Good Way

The movie starts production in Glasgow later this month.

By

Published on July 14, 2025

Screenshot: Marvel Studios

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/">https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818207">https://reactormag.com/?p=818207</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/spider-man-brand-new-day/" class="inline-block link-no-animation" aria-label="Link to term or tag Spider-Man: Brand New Day 1"> Spider-Man: Brand New Day </a> </span> </div> <h2 class="post-hero-title text-h1">Tom Holland Says <i>Spider-Man: Brand New Day</i> Will Go “Old School,” in a Good Way</h2> <div class="prose post-hero-description prose--post-hero">The movie starts production in Glasgow later this month.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 14, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Marvel Studios</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 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13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="416" src="https://reactormag.com/wp-content/uploads/2022/07/Spider-Man-No-Way-Home-final-fight-740x416.png" class="w-full object-cover" alt="Tom Holland in Spider-Man: No Way Home" srcset="https://reactormag.com/wp-content/uploads/2022/07/Spider-Man-No-Way-Home-final-fight-740x416.png 740w, https://reactormag.com/wp-content/uploads/2022/07/Spider-Man-No-Way-Home-final-fight-1100x619.png 1100w, https://reactormag.com/wp-content/uploads/2022/07/Spider-Man-No-Way-Home-final-fight-768x432.png 768w, https://reactormag.com/wp-content/uploads/2022/07/Spider-Man-No-Way-Home-final-fight.png 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Marvel Studios</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The fourth Spider-Man film in the Marvel Cinematic Universe, <em><a href="https://reactormag.com/the-next-spider-man-movie-has-a-title/" target="_blank" rel="noreferrer noopener">Spider-Man: Brand New Day</a></em>, is slowly moving toward production, and Peter Parker himself (aka Tom Holland) shared how this MCU film will be different than the last one, <em>No Way Home</em>.</p> <p>In an interview with <a href="https://www.instagram.com/p/DMEKovBtK4d/" target="_blank" rel="noreferrer noopener">Flip Your Wig</a> (via <a href="https://www.ign.com/articles/tom-holland-reveals-how-difficult-shooting-spider-man-no-way-home-was-and-how-that-will-change-for-brand-new-day" target="_blank" rel="noreferrer noopener">IGN</a>), Holland said that playing Spidey again was like meeting up with an old pal, and that shooting for <em>Brand New Day </em>will be a breath of fresh air compared to <em>No Way Home</em>, since the latter was shot largely on stages due to Covid. “Now, we’re really going to lean into that old school filmmaking, and shoot in real locations,” he said, adding that this fourth film will feel more like the first one (<a href="https://reactormag.com/spider-man-homecoming-has-the-clearest-vision-of-spider-mans-most-important-message/" target="_blank" rel="noreferrer noopener">2017’s <em>Spider-Man: Homecoming</em></a>) than the previous sequels. <em>Brand New Day</em> will also see some new faces in a Spider-Man film: <em>Stranger Things</em> actor <a href="https://reactormag.com/sadie-sink-to-star-alongside-tom-holland-in-next-spider-man-movie/" target="_blank" rel="noreferrer noopener">Sadie Sink will star in the film with Holland,</a> and <a href="https://reactormag.com/jon-bernthal-spider-man-brand-new-day/" target="_blank" rel="noreferrer noopener">Jon Bernthal&#8217;s Punisher will also be in the movie</a>.</p> <p><em>Spider-Man: Brand New Day</em> begins filming in Glasgow later this month, and Holland also said that the reason they were “starting in Glasgow” is because the crew were putting together “a massive set piece” there. Glasgow is often used in films as a stand-in for New York City, so that news isn’t too surprising, but it’s nice to see the production make it clear that they’re moving away from CGI-ed sets when and where they can.</p> <p>We’ll still have to wait about a year to see the film in theaters: <em>Spider-Man: Brand New Day</em> is currently set to premiere on July 31, 2026. The wait, Holland promises, will be worth it. “I think the fans are going to be over the moon with what we’re putting together,” he said.[end-mark]</p> <p>The post <a href="https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/">Tom Holland Says &lt;i&gt;Spider-Man: Brand New Day&lt;/i&gt; Will Go “Old School,” in a Good Way</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/">https://reactormag.com/tom-holland-says-spider-man-brand-new-day-will-go-old-school-in-a-good-way/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818207">https://reactormag.com/?p=818207</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 06:00 pm

Why Do I Love Charts? Let Me Count the Ways.

Posted by Sarah

Lists Related Subjects

Why Do I Love Charts? Let Me Count the Ways.

Charts hold back chaos, and we should sing their praises!

By

Published on July 14, 2025

Photo by Niko Nieminen [via Unsplash]

Photo of a fountain pen and a printout of a generic pie chart

Photo by Niko Nieminen [via Unsplash]

In my quest to work through all the tabletop roleplaying games that I own but have never run, I am currently gamemastering Fabula Ultima. Part of the attraction is that FU encourages a collaborative approach between players and gamemaster, an approach with which I am not especially comfortable. Personal character growth (for me at least) is inevitable.

In accordance with the collaborative narrativist spirit of the game, I have dialed back my control freak tendencies, which is why, while my master player character chart lists names, core stats, figured stats, defensive stats, classes and which class abilities each PC possesses, it does not detail what each ability does, nor does it list spells1.

All of which brings me to my question: Why are charts so cool2?

On a personal level, the charts I create for tabletop roleplaying games3 are a means of circumventing unreliable memory. All the character names are right there at my fingertips… provided I remember to open the relevant file. The charts I create for the works I review serve a similar purpose as I juggle a number of often incompatible review goals. Much the same is true for charts documenting the books I receive, especially since I don’t seem to have object permanence for ebooks.

More interestingly, a well-designed chart will highlight patterns that might otherwise be overlooked. This ensures that I do not, for example, build an entire scenario around player character abilities that none of the PCs actually have4, or spend an entire year without reviewing any books by women, or, on a more positive note, determine that no single publisher had a lock on Best Novel Nebula Awards, reveal that SFF authors prefer oligarchies to other forms of government, and that publishers currently seem oddly shy about unambiguously labeling books as part of series. Or, in what was for me an astonishing finding, that charts tracking absences are extremely confusing for most people. I didn’t know that! But now I do.

Most importantly, a well-designed, well-presented chart is a thing of beauty. What could possibly match the endorphin rush triggered by glorious data presented in an eye-catching, easily-comprehended format? Charts to order chaos, they illuminate an often-murky world, they make us as gods5!

At least, that’s why I love charts. No doubt there are dozens of equally compelling reasons to adore charts6. If I’ve overlooked your favorites, feel free to mention them below.[end-mark]

  1. Yet. ↩
  2. I know not everyone realizes that they think charts are cool. Charts are like broccoli, or liver, something everyone adores provided only that they are presented correctly. ↩
  3. You know how many older persons encounter some minor change that turns out to be their personal final straw? Having to remember to prepend “tabletop” to roleplaying games lest people think I am talking about computer games comes close to being that for me. ↩
  4. Ah, memories of the moment in a Traveller campaign where we realized that while we had a functioning starship, none of the remaining player characters had the navigation skill needed to get it safely from star to star. ↩
  5. And provide us with a deeper appreciation for the design choice that leads Excel to default to treating all data as dates. ↩
  6. Those long-suffering persons who languish under my house management skills at the theater would point out that the chart I create documenting when they worked and for how long plays an important role in their getting paid. Remember, money can be exchanged for goods and services! ↩

The post Why Do I Love Charts? Let Me Count the Ways. appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 05:00 pm

Babylon 5 Rewatch: “War Without End, Part Two”

Posted by Sarah

Column Babylon 5 Rewatch

Babylon 5 Rewatch: “War Without End, Part Two”

While Sheridan is unstuck in time, the others continue with their timey-wimey plans on Babylon 4…

By

Published on July 14, 2025

Credit: Warner Bros. Television

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-two/">https://reactormag.com/babylon-5-rewatch-war-without-end-part-two/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818043">https://reactormag.com/?p=818043</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/column/" class="inline-block link-no-animation" aria-label="Link to term or tag Column 0"> Column </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/babylon-5-rewatch/" class="inline-block link-no-animation" aria-label="Link to term or tag Babylon 5 Rewatch 1"> Babylon 5 Rewatch </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Babylon 5</i> Rewatch: “War Without End, Part Two”</h2> <div class="prose post-hero-description prose--post-hero">While Sheridan is unstuck in time, the others continue with their timey-wimey plans on Babylon 4&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/keith-decandido/" title="Posts by Keith R.A. DeCandido" class="author url fn" rel="author">Keith R.A. DeCandido</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 14, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: Warner Bros. 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-01-740x493.jpg" class="w-full object-cover" alt="Sinclair stands before a triluminary device in Babylon 5: &quot;War Without End, Part 2&quot;" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-01-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-01-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-01-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-01.jpg 1200w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: Warner Bros. Television</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p><strong>“War Without End, Part Two”</strong><br>Written by J. Michael Straczynski<br>Directed by Michael Vejar<br>Season 3, Episode 17<br>Production episode 317<br>Original air date: May 20, 1996</p> <p><strong>It was the dawn of the third age…</strong> After a summary of <a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-one/" target="_blank" rel="noreferrer noopener">Part 1</a>, we open in 2278 with Sheridan in the throne room of Emperor Mollari seeing the capital city of Centauri Prime burning. Mollari coughs raggedly, and orders Sheridan back to his cell with instructions to make peace with whatever deity he worships.</p> <p>In 2254, Ivanova and Cole—after being ambushed by a couple of B4 personnel and dispatching them—stumble across an access panel and start on Ivanova’s plan to sabotage the station.</p> <p>Sheridan becomes unstuck in time, briefly fading in near Zathras in 2254 before winding up back in the Centauri cell in 2278, where he is joined by Delenn. She says she hasn’t told the Centauri anything and that their son is safe. This intelligence rather surprises Sheridan…</p> <p>In 2254, Ivanova creates a fake hull breach alert, which gets the entire deck evacuated, allowing the B5 crew to work in peace.</p> <p>In 2278, Sheridan explains that he’s from the past, and Delenn—remembering what happened in 2260—says she understands, and says only that they built something great, but at a terrible price. But the only way to avoid paying that price is to let the Shadows win, which would be, y’know, <em>bad</em>. They’re then taken to Mollari, they assume to their deaths.</p> <p>However, they are brought to a darkened throne room and a <em>very</em> drunk Mollari. It turns out that his super-villain act from the end of Part 1 was just that: an act. He behaved that way for the benefit of his Keeper—a parasitic creature, belonging to allies of the Shadows, who control and monitor Mollari. The only way to put the Keeper to sleep is for Mollari to drink heavily. However the time it stays unconscious gets shorter with each binge. Mollari allows Delenn and Sheridan to escape, on the condition that they and their allies work to free his people.</p> <p>After they leave, G’Kar, with his left eye covered by a bandage, enters. Mollari calls him “old friend,” and urges G&#8217;Kar to kill him before the Keeper can wake up. However, the Keeper awakens while G’Kar is strangling Mollari, forcing the emperor to return the favor.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04-1100x825.jpg" alt="G&#39;Kar strangles emperor Mollari in Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818072" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-04.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>As they’re being led to their escape vessel, Sheridan becomes unstuck in time again. Before he fades back to the past, Delenn urges him, “Do not go to Z’ha’dum!”</p> <p>Vir walks into the throne room and finds the corpses of Mollari and G’Kar on the floor. He picks up the emperor’s medallion…</p> <p>In 2254, Ivanova, Cole, and Zathras are bringing equipment from Epsilon III over to B4 from the <em>White Star</em>. Zathras rigged up a space suit for Sheridan to wear when he reappears in the hopes that it will help stabilize him. To Ivanova and Cole’s shock, this works, and Sheridan reappears in the suit.</p> <p>Sinclair is also in an EVA suit, and he and Sheridan go outside to install some of the components. Ivanova triggers a fake fusion reactor overload, but the B4 crew’s response to that is to increase power, which causes a surge, which sends B4 into a time rift.</p> <p>They come out in 2258—right when B4 appeared last. Zathras manages to stabilize everything, but they need to work quickly. Sheridan has become unstuck in time again and Sinclair looks like he’s twenty years older. He explains that, because he went through the time field once before, it’s still affecting him, even with the stabilizer. It’s why he didn’t want Garibaldi here, it would have affected him as well.</p> <p>Sinclair works on the power core. Zathras looks for equipment to fix Sheridan’s stabilizer, but is captured by B4 security. He’s brought to Major Krantz, and then “meets” Sinclair and Garibaldi, who have just arrived from B5, answering the distress call.</p> <p>Ivanova sneaks into CnC to boost the power and speed along the evacuation.</p> <p>A figure in a space suit appears. Zathras gives the figure the repaired time stabilizer (just like we saw in “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>”), and then the figure fades away.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08-1100x825.jpg" alt="Delenn removes the helmet of her EVA suit in Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818076" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-08.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p>Cole is shocked to see Sheridan—without his suit. He came back, and now has an intact stabilizer. It turns out that, when Sheridan reappeared, Delenn gave him her intact stabilizer and she took his busted one and put on the EVA suit.</p> <p>Ivanova’s sabotage starts to take effect, and the Sinclair and Garibaldi of 2258 start leading the evacuation of B4. Debris falls on Zathras, and Sinclair tries to rescue him, but Zathras urges him to go and save himself so he can fulfill his destiny. After everyone’s gone, Delenn rescues him.</p> <p>While doing his bit when EVA, Sinclair tries to send a message to the Garibaldi of 2258, but he’s out of range.</p> <p>Sinclair reenters the station and takes his helmet off, and we get the scene we saw in “Babylon Squared” again, except we see Delenn this time.</p> <p>In B4’s CnC, Sinclair tells everyone to head back to the <em>White Star</em>. He’ll set everything up and rejoin them. Cole refuses to accept that, because if it was automatic, he wouldn’t have to stay behind. He plans on going to the past and not coming back. Sinclair confirms that, and Cole says he’ll go instead, but Sinclair says it <em>has</em> to be him. He reveals that the letter he got at the top of Part 1 was in his own handwriting from 900 years previous. He has to go because he’s already gone.</p> <p>Zathras then speaks to Sheridan, Sinclair, and Delenn alone. He’s referred to all three of them as “the one” at different points, and Zathras explains that in Minbari culture, everything is in threes—three castes, three languages, the Grey Council is nine (three times three), etc.—and that includes the one. Sinclair is the one of the past, Delenn is the one of the present, and Sheridan is the one of the future. They form the beginning, middle, and end of a great story.</p> <p>Sinclair and Zathras stay on B4 while everyone else disembarks to the <em>White Star</em>. Using a triluminary, Sinclair undergoes a transformation while remembering several past incidents that hinted at this.</p> <p>On the <em>White Star</em>, which goes through the time rift to 2260, Delenn explains that human and Minbari souls became intermingled a thousand years ago—and her own transformation was to restore the balance. But Sinclair couldn’t present B4 to the Minbari as a human, because the Minbari of the past wouldn’t accept that.</p> <p>Cole figures out the rest of it: Sinclair transforms himself into a Minbari and brings B4 to the fight a thousand years previous, accompanied by Zathras and two Vorlons, and identifying himself as “Valen.”</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02-1100x825.jpg" alt="Sinclair, transformed into the Minbari Valen in Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818070" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-02.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Nothing’s the same anymore. </strong>Sinclair turns out to be <s>Minbari Jesus</s> Valen. This goes a long way toward explaining why Valen’s prophecies tended to come true…</p> <p><strong>Get the hell out of our galaxy!</strong> Sheridan disappears completely from the <em>White Star</em>, but then reappears in the future—but inside his future self’s body. It’s unclear what happened to the Sheridan that was already there in the future.</p> <p><strong>Ivanova is God.</strong> Most of the damage done to B4 that forced the evac in “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>” turned out to be by Ivanova. Go her.</p> <p><strong>The household god of frustration.</strong> Garibaldi only appears in this episode in archive footage from “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>.”</p> <p><strong>If you value your lives, be somewhere else.</strong> Delenn’s actions since the start of the show all come into focus here, as she is a major mover and shaker toward Sinclair going back in time to become <s>Minbari Jesus</s> Valen.</p> <p><strong>In the glorious days of the Centauri Republic…</strong> As predicted by Lady Morella in “<a href="https://reactormag.com/babylon-5-rewatch-point-of-no-return/" target="_blank" rel="noreferrer noopener">Point of No Return</a>,” Vir is seen to be taking on the mantle of emperor after he finds Mollari and G’Kar’s dead bodies.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06-1100x825.jpg" alt="Vir holds the emperor&#39;s medallion in Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818074" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-06.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Though it take a thousand years, we will be free.</strong> G’Kar and Mollari appear to be friends now, or at least not mortal enemies. They kill each other, as predicted, but not at all the way we expected…</p> <p><strong>We live for the one, we die for the one.</strong> In a lengthy exposition dump that’s mainly there to show how J. Michael Straczynski adjusted his storyline once he lost his male lead at the end of season one, Zathras explains who, exactly, “the one” <em>is</em>—er, well, that is, <em>are</em>.</p> <p><strong>The Shadowy Vorlons.</strong> Two Vorlons accompanied Sinclair-as-Valen when he introduced himself to the Minbari, which probably helped sell the whole thing.</p> <p><strong>Looking ahead.</strong> Delenn has a flashforward to her watching Sheridan sleep, only to be interrupted by a woman’s voice. This scene will come to pass in “Shadow Dancing.”</p> <p>We see the fullness of Mollari and G’Kar’s strangling of each other, first mentioned in “<a href="https://reactormag.com/babylon-5-rewatch-midnight-on-the-firing-line/" target="_blank" rel="noreferrer noopener">Midnight on the Firing Line</a>” and foreseen by Mollari in “<a href="https://reactormag.com/babylon-5-rewatch-the-coming-of-shadows/" target="_blank" rel="noreferrer noopener">The Coming of Shadows</a>.”</p> <p>We have previously been told that Sheridan will die if he goes to Z’ha’dum, so Delenn’s urging of Sheridan not to go to there is understandable, though if he’s still alive seventeen years hence, he obviously doesn’t die—exactly. This will all be explained in “Z’ha’dum” and the first several episodes of season four.</p> <p>The Keeper is of Drakh origin—we’ll see more of the Drakh in the future. Mollari’s acquisition of the Keeper will happen in very aptly titled season-five episode, “The Fall of Centauri Prime.”</p> <p>G’Kar will lose his left eye in “Falling Toward Apotheosis.”</p> <p><strong>No sex, please, we’re EarthForce.</strong> Sheridan and Delenn will have a son. This rather surprises Sheridan. Also we get our first Delenn-Sheridan kiss, though it’s really only Sheridan’s first time kissing Delenn because time travel…</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05-1100x825.jpg" alt="Delenn speaks with Sheridan about the future in Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818073" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-05.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>Welcome aboard.</strong> Back from <a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-one/" target="_blank" rel="noreferrer noopener">Part 1</a> are Michael O’Hare as Sinclair, Tim Choate as Zathras, and Kevin Fry as the Centauri guard. Back from “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>” is Kent Broadhurst as Krantz, while Bruce Morrow plays Krantz’s second-in-command. Choate will return in “Conflicts of Interest,” while O’Hare will return (via archive footage from “<a href="https://reactormag.com/babylon-5-rewatch-and-the-sky-full-of-stars/" target="_blank" rel="noreferrer noopener">And the Sky Full of Stars</a>”) in the movie <em>In the Beginning</em>.</p> <p><strong>Trivial matters. </strong>This obviously continues from <a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-one/" target="_blank" rel="noreferrer noopener">Part 1</a>, and also finishes telling the other side of the story told in “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>.” Indeed, large chunks of this episode consist of footage from that first-season episode, mixed in with new material.</p> <p>Sinclair sends a message to the Garibaldi of 2258 to watch his back, a reference to Garibaldi being shot in the back in “<a href="https://reactormag.com/babylon-5-rewatch-chrysalis/" target="_blank" rel="noreferrer noopener">Chrysalis</a>,” an event still in the security chief’s future.</p> <p>Before his transformation, Sinclair remembers the Soul Hunter telling him that the Minbari are using him and Delenn saying that the Minbari were right about him, both from “<a href="https://reactormag.com/babylon-5-rewatch-soul-hunter/">Soul Hunter</a>,” and Neroon telling him he talks like a Minbari in “<a href="https://reactormag.com/babylon-5-rewatch-legacies/" target="_blank" rel="noreferrer noopener">Legacies</a>.”</p> <p>We first heard Valen described as a Minbari not born of Minbari—and also that no one knew where he came from—in “<a href="https://reactormag.com/babylon-5-rewatch-passing-through-gethsemane/" target="_blank" rel="noreferrer noopener">Passing Through Gethsemane</a>.”</p> <p>There are many inconsistencies with “Babylon Squared.” Delenn is wearing a different-colored outfit from the one we saw on her sleeve in the prior episode. The B4 crew’s capture of Zathras does not match what Krantz described in the prior episode (this was a conscious choice, as filming the scene as described would have added three minutes to an already-overcrowded script, so J. Michael Straczynski just bagged it). In “B<sup>2</sup>,” Krantz never mentions the explosions of the Shadow ships and subsequent EMP that we saw in Part 1, which doesn’t really track. The moaning of the EVA-suited figure in “B<sup>2</sup>” was definitely male, though this episode has it be Delenn in the suit. No mention was ever made in “B<sup>2</sup>” of two of B4’s personnel being taken out by two people in black outfits.</p> <p><strong>The echoes of all of our conversations.</strong></p> <p>“Come on, grab what you need—we’re running out of time.”</p> <p>“Cannot run out of time. There is infinite time. <em>You</em> are finite, <em>Zathras</em> is finite, <em>this</em>—is wrong tool. No, not good. Never use this.”</p> <p>—Ivanova trying and failing to rush Zathras.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="825" src="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03-1100x825.jpg" alt="Babylon 5: &quot;War Without End, Part 2&quot;" class="wp-image-818071" srcset="https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03-1100x825.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03-740x555.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03-140x105.jpg 140w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03-768x576.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/Babylon-5-War-Without-End-2-03.jpg 1200w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Credit: Warner Bros. Television</figcaption></figure> <p><strong>The name of the place is Babylon 5.</strong> “No one ever listens to Zathras.” One of the difficulties with aggressively plotting out a five-year storyline for television is that sometimes changes happen due to circumstances beyond your control, like actors leaving the show. In particular, J. Michael Straczynski’s storyline was given a punch in the solar plexus by Michael O’Hare’s departure at the end of season one. Not all of Sinclair’s role in the overall storyline—most particularly his going back in time to become <s>Minbari Jesus</s> Valen given how much of that was seeded in season one—was something that could be just transferred to another character.</p> <p>This two-parter is an attempt to get the storyline’s breath back following that gut-punch (he says, abusing the metaphor). On the one hand, you can see that some of the fixes are wielded with a very large hammer; on the other, you gotta admire the fact that Straczynski <em>mostly</em> pulled it off.</p> <p>His solution to Sinclair no longer being “the one” all by himself, since both he and Sheridan can’t be “the one” is very Catholic. (While he is an atheist, Straczynski’s family is Catholic, and he was likely raised in that tradition.) By throwing Delenn into the mix, we get a three-as-one thing, which is very Creator-Child-Spirit (not to mention the “<a href="https://en.wikipedia.org/wiki/Rule_of_three_(writing)" target="_blank" rel="noreferrer noopener">rule of three</a>” that is a truism in writing). And Minbari culture has already, as Zathras said, been established as doing lots of things in threes. You can still see the spackle, but at least it covers the hole.</p> <p>The solution to the much older Sinclair seen in “<a href="https://reactormag.com/babylon-5-rewatch-babylon-squared/" target="_blank" rel="noreferrer noopener">Babylon Squared</a>” is very elegant, since the possibility of being rapidly aged by the temporal rift was seeded in that first-season episode with the death of that poor never-named Starfury pilot. So that part, at least, works out, though the whole, “It happened just the way I remembered it” thing doesn’t really make much sense from only two years on the way it would have from two decades on.</p> <p>And then we get the always-intended revelation that <s>Minbari Jesus</s> Valen is a time-displaced (and chrysalis-transformed) Sinclair, finally paying off all the hints we got throughout season one.</p> <p>But the best part of this whole two-parter is the revelation of the full story behind Mollari and G’Kar killing each other. It’s absolutely brilliant, since everything we know about these two in general and Mollari’s premonition in particular points to the two of them ending their years of acrimony with a final double-murder. So to reveal that it’s a mercy-killing on G’Kar’s part to free Mollari, and that Mollari’s violent response is solely due to the reason for the mercy-killing is a masterstroke. It’s completely unexpected, especially as it starts with Mollari referring to G’Kar as his old friend. While the revelation in <a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-one/" target="_blank" rel="noreferrer noopener">Part 1</a> that the good guys will win the Shadow War is a bit of a spoiler, this apparent rapprochement between two old enemies is a magnificent bit of foreshadowing, adding still more complexity to an already-complex dynamic between the two most interesting characters on the show.</p> <p>On the one hand, saving these dual revelations for the last episode would’ve made for a banger of a finale. On the other hand, putting it midway through like this (a) means we don’t have to wait until four years after he left the show to find out Sinclair’s final fate, and (b) is a great tease for the future of the Mollari-G’Kar dynamic, which will get so much more interesting in season four. (B) works so much better as a bit of dramatic foreshadowing than it would have as the culmination of the storyline.</p> <p><strong>Next week:</strong> “Walkabout.”[end-mark]</p> <p>The post <a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-two/">&lt;i&gt;Babylon 5&lt;/i&gt; Rewatch: “War Without End, Part Two”</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/babylon-5-rewatch-war-without-end-part-two/">https://reactormag.com/babylon-5-rewatch-war-without-end-part-two/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818043">https://reactormag.com/?p=818043</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 04:00 pm

Who Gets a POV In Your Story? It’s a Political Decision

Posted by Sarah

Books writers on writing

Who Gets a POV In Your Story? It’s a Political Decision

Everyone in a story is a person, and nobody is an NPC.

By

Published on July 14, 2025

Photo by Aaron Burden [via Unsplash]

Photo of a fountain pen resting on a blank notepad

Photo by Aaron Burden [via Unsplash]

POV is one of those writing issues that get a little bit thorny—because there are people out there who will tell you there are Strict Rules about how many POVs you can have, and how much you can shift between them, and so on.

A lot of people seem to hate omniscient narrators—despite the fact that many of the world’s most beloved books are written in omniscient third person. But also, some very influential writers advocate a strict economy of viewpoints, in which a book must establish its POV characters early on and not introduce any more POVs later on, no matter how convenient it might be to see events from a particular character’s perspective.

Because I don’t believe in rules—literally, there are no rules when it comes to writing—I feel like you should use as many POVs as you want to, as long as they’re helping you tell the story in the most entertaining, immersive way possible. Have a single first-person narrator, or a few. Have a single third-person POV, or a ton. Go omniscient, whatever. Go nuts.

The question of who gets to have a POV in a story is artistic—but also kind of political, because it goes to the heart of whose perspective counts.

When I started out writing fiction as a career, I mostly wrote in the first person, because I love a mouthy, obnoxious first-person narrator. But I kind of hit a wall, and I read some writing advice that said it was easier to sell short stories written in the third person. Plus writing in the third person felt like a fun challenge, so I switched. And sure enough, I found that writing in third person forced me to describe things differently, and to think about the position of the narrator in relation to the events in a way that I hadn’t with first person. (The first draft of Lessons in Magic and Disaster was written in first person, but I changed it to third person in revision for a similar reason.)

My first novel, Choir Boy, has a single third person POV, that of the main character, Berry. But the narrator is free to make all sorts of silly observations about the town where Berry lives—like, I think there’s a long elegiac section about the slow decline of the noodle-stretching factory across the street from Berry’s apartment at one point. Still, I kept my narrator from going too omniscient, because I’d internalized a strong prohibition (especially in science-fiction circles) on “head-hopping,” or allowing the reader to glimpse more than one character’s thoughts at any given moment. I had learned to think of an omniscient narrator as the third rail of fiction: touch it at your peril.

Imagine my surprise when the biggest successes of my career came from a novelette called “Six Months, Three Days” and my novel All the Birds in the Sky, both of which feature gently omniscient narration. There’s one moment in All the Birds in the Sky that I was convinced would make people rage-quit the book. It’s the bit where Laurence and Patricia are sitting under the escalator speculating about people based on their shoes—and then the narrator reveals that they’ve guessed correctly about the last guy who went past, who is indeed an assassin named Theodolphus Rose. I almost cut this bit several times, convinced people would tell me it was the reason they abandoned the book. Instead, people kept telling me it was their favorite moment in the entire book.

Lately, I’ve read more and more books that casually throw in extra POVs here and there—some side character who’s only stood in the background of scenes will suddenly have a POV chapter in the final stretch of the book. I feel like young-adult fiction started playing fast and loose with POV in the 2010s, and this has now seeped into adult fiction. I’ve also seen more ambitious experiments, like The Ten Percent Thief by Lavanya Lakshminarayan, where each chapter is told from a brand new POV.

Some of my favorite memories of reading involve surprising POV shifts—like, I remember being a kid and reading Terrance Dicks’ surprisingly good novelization, Doctor Who and the Auton Invasion. Dicks would dip into the head of a random side character for a few paragraphs, someone who might not have even gotten any dialogue on screen, and it was dazzling. Everyone has their own opinion, even the guy standing in the corner while the Doctor grandstands!

There’s something kind of magical about realizing that everyone in a story is a person, and nobody is an NPC.

Still, I have often found myself feeling cautious about adding more POVs to a story—because I do have the sense that a POV should be immersive. In other words, you should fully inhabit the mind of a character if you’re going to see through their eyes. It’s a bit of an imaginative lift each time, which requires you to think about who this person is, where they come from, how much information they have, and what’s going on. I do think that even if a POV only appears a couple of times in a long book, you need to make sure there is a unique attitude and set of concerns animating this person, so it stands out from the other POVs at least somewhat.

I get more annoyed when a book has multiple first-person narrators whose voices are too identical—but even with third-person POVs, ideally you want them to be thinking differently. It’s sort of the same problem as when all your characters talk the exact same way.

I’ve been thinking a lot lately about POVs, because I’ve found out the hard way that it’s super challenging to make readers fully identify with someone whose thoughts we never experience. I’m not saying it’s not doable, it’s just tough—especially with characters who make unsympathetic choices or behave even a little selfishly.

When I wrote The City in the Middle of the Night, I decided that only Sophie and Mouth would have POVs in the book. (In fact, originally it was going to be just Sophie, and after I had written a couple of drafts I realized the book needed more of an edge, so I promoted a random smuggler to a second POV.) At the time, making Sophie first-person present tense and Mouth third-person past tense felt a bit daring, even though young adult fiction had been doing this sort of thing a lot.

Anyway, at a certain point I ran into a question: should I give Bianca some POV chapters as well? For those who haven’t read the book, Bianca is someone who starts off idealistic and radical (but unaware of her own privilege in various ways), and she ends up becoming a bit of a monster. I have a certain amount of sympathy for Bianca, even though her actions are unforgivable. (I also have a sneaking suspicion that if Bianca were a man, she would have had a lot of people defending her and demanding a redemption arc.) In any case, I toyed with giving her a POV, to make her actions more legible to the reader. But I didn’t want to give her equal space to Sophie and Mouth, and I wasn’t sure if it would work to just dip into her POV a couple of times. More importantly, I wanted to preserve the surprise of Bianca’s heel turn, and I didn’t think I could do that while letting people in on her thought process.

I’ll never know how things in the book would have turned out if I’d given Bianca some POV chapters, but on balance I’m glad I didn’t. It kept the focus on what I wanted the book to be about: Sophie and Mouth both bought into other people’s ideals of justice and community, and they both learn the hard way that they need to make their own.

But more recently, I have been finding that when in doubt, it’s usually a good idea to give someone a POV. In my upcoming novel Lessons in Magic and Disaster, I originally included only a couple of brief sections from the POV of Jamie’s mother Serena. And I found some of my beta readers had a hard time feeling invested in Serena or understanding why she does the things she does in the story. The book fails miserably unless you care what’s happens to Jamie’s mom. And I have so much love and empathy for Serena, someone who consistently tries to do the right thing and struggles to shoulder the weight of grief and trauma.

So I gave Serena way more space in the book, including a huge chunk of flashbacks to her early years as an activist and her marriage to Jamie’s other mother, Mae. As soon as I did this, it was obviously the right choice: it deepened all of the other themes and relationships in the book to have this level of understanding of Serena’s joys and struggles.

So lately, I’ve been thinking about the politics of POV.

The issue of whose perspective is included in a story feels inherently political. A character who’s only seen from the outside inherently becomes a bit of a cipher—or an NPC, as I said above. I wrote before about the idea that we should stop talking about characters having agency in a story and instead talk about whether a character gets to be an authority on their own life. The characters who matter in a story tend to be the ones whose opinions shape how we feel about the overall events.

So as I start crafting my next couple of novels, I’m increasingly thinking about how to be a bigger POV slut—because I think it’s a matter of simple fairness to allow as many voices as possible to exist within the story.

I do think a POV character needs to pull their own weight narratively—not just in terms of witnessing events that nobody else in the story could have witnessed, but also by adding a different sensibility. Or set of concerns. Or something that might change how we think about the story a bit.

Especially when someone is a character that readers might be predisposed to judge harshly because of internalized prejudices, I think it’s important to try to represent that person’s viewpoint in the story. But also, people whose actions shape the narrative, in ways that feel startling or confusing, can really benefit from getting to tell their side of the story. Lately I’m noodling on the idea that it’s not so much a question of “How can I structure the story in such a way as to keep the narrative moving” as “Who is being silenced in this story, and do they deserve a voice?”

I guess I’m craving more anarchy in my stories, because I have read some stories lately that were gloriously promiscuous in their use of viewpoints, and I was surprised by how much it enhanced the experience. And because I feel like the dominant experience of 2025 is being trapped in our own perceptions of reality, with less and less ability to know how other people are thinking and feeling about the same events. One of the great joys of fiction is that it lets you understand that any one event can be understood from many different angles. (See: Rashomon.)

A few caveats apply: I still love an omniscient narrator and I’m probably going to try to keep making that happen. Also, here’s where I admit that my next novel, the one that I’m hoping comes out in 2026, has only one POV for reasons that I hope will become clear. Finally, I do think that if a POV fails to stand out or feel unique, it can be worse than not going into that person’s mind at all.

All in all, though, I have been getting the feeling lately that the era of POV puritanism—the idea that you gotta pick a small number of major POVs and stick to them—is over, and the era of “anything goes” has begun. And I couldn’t be happier, not just from a writing standpoint but also from a standpoint of wanting to experience as many ways as possible of looking at a story within that story.[end-mark]

Buy the Book

Lessons in Magic and Disaster
Lessons in Magic and Disaster

Lessons in Magic and Disaster

Charlie Jane Anders

A young witch teaches her mother how to do magic—with very unexpected results…
Lessons in Magic and Disaster
Lessons in Magic and Disaster

Lessons in Magic and Disaster

Charlie Jane Anders

A young witch teaches her mother how to do magic—with very unexpected results…
A young witch teaches her mother how to do magic—with very unexpected results…

Buy this book from:

This article was originally published at Happy Dancing, Charlie Jane Anders’ newsletter, available on Buttondown.

The post Who Gets a POV In Your Story? It’s a Political Decision appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 03:00 pm

Everyone’s Favorite Cetacean: The Dolphin

Posted by Sarah

Column SFF Bestiary

Everyone’s Favorite Cetacean: The Dolphin

Dolphins, with their playful personalities, are among the most beloved aquatic creatures…

By

Published on July 14, 2025

Photo by Ranae Smith [via Unsplash]

Photo of two dolphins swimming with the heads above the water

Photo by Ranae Smith [via Unsplash]

On the opposite end of the cute spectrum from the orca is what we mostly mean when we say “dolphin”: the bottlenose dolphin made popular by films and television shows, notably Flipper, and some of its relatives including the spinner and the spotted dolphin. Orcas are actually the largest of the dolphins, and both are, more broadly, toothed whales, related to the beluga and the sperm whale (versus baleen or krill-sifter whales like the humpback). Toothed whales are predators, and as a class, they’re highly intelligent. We’ve certainly seen that when it comes to orcas.

Dolphins with their playful personalities, relatively unthreatening size, and their naturally adorable, smiling faces are the most appealing and accessible of the cetaceans. They seem to enjoy human contact, or at least not to be overtly stressed or terrified by it. “Swimming With Dolphins” experiences are a staple of the vacation industry.

Human-dolphin contacts go back a long way. There’s an ancient Greek story of a man called Arion, a poet and singer who had been robbed and thrown overboard by the crew of a ship. A dolphin rescued him and carried him on its back to the shore. May be a myth. May not be. It’s not impossible, from what we know of dolphins.

These are highly social animals. They live in pods or family groupings, and they have a language, though it’s not exactly like the human version. It appears that they have names, and call each other by them. They hunt together, and they use strategy and tactics. They play—constantly, enthusiastically, creatively.

And they use tools. Take for example the dolphins of Shark Bay in Australia. A particularly sprightly series of articles describes two different groups, the spongers and the shellers (as well as the beachers, who herd fish to shore and beach themselves to feed).

The spongers select a sponge from the sea bed and fit it to their noses, and use it as a sort of glove to protect their skin while they forage for sea perch. They’ll carry a sponge around and reuse it. It’s not a natural or instinctive behavior; it’s passed down from mother to daughter and sometimes son. Spongers tend to associate with each other, share tips and finer points, and refine their art as they mature.

Shellers are a different cultural group, a bit more equally divided between the sexes. They lift giant sea snail shells from the bottom, scoop up fish, carry the shells to the surface, wiggle and flip them over, and dump the fish into their mouths. The level of sophistication it takes to do this, and the number of steps and the degree of finesse, is pretty impressive.

But not all that surprising. Dolphins have big brains for their size, comparable to humans. Also like  humans, they have a highly developed neocortex (associated with problem-solving and self-awareness among other things) and Von Economo neurons, which are linked with emotions and social cognition. There’s a lot going on there; how much, we’ve barely begun to understand.

We want to. We try. Someday maybe we’ll crack the code of dolphin language. We’ll learn more about how they perceive the world: how their sonar works, and what it feels like.

We know it can act like ultrasound, allowing them to see into and through a solid body. They’re fascinated by pregnant human swimmers. Imagine being able to look at another person and see what’s going on under the skin, and know what’s happening inside. We have to invent machines for this. Dolphins come with it already installed.[end-mark]

The post Everyone’s Favorite Cetacean: The Dolphin appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-14 02:00 pm

Wind and Truth Reread: Chapters 78-80

Posted by Drew McCaffrey

Books Wind and Truth Reread

Wind and Truth Reread: Chapters 78-80

Day Seven begins with visions of the past and foreboding for the future.

By , ,

Published on July 14, 2025

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<p class="syndicationauthor">Posted by Drew McCaffrey</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wind-and-truth-reread-chapters-78-80/">https://reactormag.com/wind-and-truth-reread-chapters-78-80/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817798">https://reactormag.com/?p=817798</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/wind-and-truth-reread/" class="inline-block link-no-animation" aria-label="Link to term or tag Wind and Truth Reread 1"> Wind and Truth Reread </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Wind and Truth</i> Reread: Chapters 78-80</h2> <div class="prose post-hero-description prose--post-hero">Day Seven begins with visions of the past and foreboding for the future.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/lyndsey-luther/" title="Posts by Lyndsey Luther" class="author url fn" rel="author">Lyndsey Luther</a>, <a href="https://reactormag.com/author/paige-vest/" title="Posts by Paige Vest" class="author url fn" rel="author">Paige Vest</a>, <a href="https://reactormag.com/author/drew-mccaffrey/" title="Posts by Drew McCaffrey" class="author url fn" rel="author">Drew McCaffrey</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 14, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/wind-and-truth-reread-chapters-78-80/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/02/wind-and-truth-reread-header-740x407.png" class="w-full object-cover" alt="Cover of Brandon Sanderson&#39;s Wind and Truth" srcset="https://reactormag.com/wp-content/uploads/2025/02/wind-and-truth-reread-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/02/wind-and-truth-reread-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/02/wind-and-truth-reread-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/02/wind-and-truth-reread-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <p>Welcome to Day Seven, Cosmere Chickens! Things are certainly heating up on a <em>lot</em> of fronts this week. The war on the Shattered Plains is growing more desperate, Azimir is in deep, deep trouble, and Queen Fen of Thaylenah and Jasnah face a difficult decision. Meanwhile, in the Spiritual Realm, Shallan, Renarin, and Rlain are having to face some hard truths about their pasts. We have a lot to delve into this week (as always), so please join in for this week’s installment of the <em>Wind and Truth </em>Reread!</p> <p>The book has been out long enough that most of you will hopefully have finished, and as such, this series shall now function as a re-read rather than a read-along. That means there <em>will</em> be spoilers for the end of the book (as well as <strong>full Cosmere spoilers</strong>, so beware if you aren’t caught up on all Cosmere content).</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><a></a>Paige’s Commentary: Plot Arcs</h3> <p>It’s Day 7, and we’re drawing ever closer to the contest of champions! Let’s dive in with chapter 78, “A True Radiant,” which opens with Sigzil planning out the next phase of his defense. He doubts himself, as he always does, but he speaks up for what he believes they should do and the other generals listen to him. They’re trying to keep the singers and Fused away from Narak Prime and the Oathgate, so they concoct a plan to draw the enemy where they want them to go, in order to keep the focus off of the Oathgate. At least for the time being. But as Sigzil knows all too well, they’re dangerously low on Stormlight and doing all they can to conserve it. This plotline is full of desperation, as are most of them in this book, but somehow the circumstances surrounding Sigzil and his troops and the situation in Azimir feel the most precarious as things stand at the start of Day 7.</p> <p>Sig heads out and speaks to a few soldiers, trying to bolster their confidence, and it feels remarkably like what Adolin often does in terms of remembering names and speaking to as many soldiers as he can. It’s quite heartwarming. As he seeks out Leyten, he asks Vienta about how long they might last with the Stormlight they have. Her answer is not encouraging: She doesn’t think it likely that they’ll last three more days. When he finds Leyten, his friend is in a reflective mood, asking Sigzil, “[D]o I belong here?” He’s doubting himself, and doesn’t feel like he’s a true Radiant, but Sig invokes Kaladin and since Leyten respects their former commander, he accepts that Kaladin trusted them to be in charge. As he encourages Leyten, Sigzil realizes that he’s found himself. It’s extremely satisfying to see him accept what he’s become and embrace the challenge of leading:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Sigzil was, at long last, the man he’d always wanted to be.</p></blockquote></figure> <p>POV Shift!</p> <p>Venli and her comrades are in the chasms with the chasmfiends, heading toward Narak. They encounter an obstruction and the chasmfiends just pick them all up and carry them over it. Those big guys are quite handy! Venli talks with Leshwi, who doesn’t think she can go on, feeling useless and purposeless. Venli assures her that she was strong enough to walk away from Odium—and that was the hard part—and tells her that if she stays with the listeners, Leshwi won’t be a god among them, but she will be free.</p> <p>Then there’s a cool moment, when Venli feels Curiosity from the big daddy chasmfiend; Venli guesses that he wants to know the source of the song as much as the listeners do. The chasmfiend, Thundercloud, finds a bridge wedged in the chasm and lifts Venli up to look at it. Another cool bit is how she projects to Thundercloud what the bridge would have looked like when it was new. I love the way they can communicate in these ways!</p> <p>POV Shift!</p> <p>Jasnah and Fen receive a message from the Windrunners who went to scout out the singer fleet on its way to Thaylen City. They confirm that the ships are full of rocks and that it’s a fake force. Fen knows that Jasnah now wants to move Radiants to the Shattered Plains, but she’s worried about her city and the likelihood of her people being attacked without those forces to protect them. Jasnah says she has Dalinar’s authority to send the Radiants and Fen doesn’t like that answer. Jasnah, however, is determined to do the most good, and she feels certain that means assisting the forces at Narak.</p> <p>Chapter 79 is titled “The Rhythm of Longing” and features POVs from Shallan, Renarin, and Rlain. They’re each in a vision, embodying a past version of themselves, watching scenes transpire from their youth or, as in Rlain’s case, their relatively recent past. It’s a pretty straightforward chapter, with events we’ve read about before: Shallan remembers telling stories to her frightened brothers as they’re all hiding during a fight between their parents; Renarin is remembering a time Adolin rescued him from bullies; and Rlain is remembering when he “volunteered” to take dullform and be a spy among the humans. They’re all sad memories, but these experiences got our Radiants to where they are now.</p> <p>Chapter 80 is titled “Seeing the Future” and starts with Adolin learning how to use binoculars. He thinks they’re incredible and says he wants a hundred of them, but Colot breaks it to him that there’s only one pair, and that Adolin is holding them. Peering through the binoculars, they observe some Heavenly Ones in the distance, and Adolin gets the feeling that something is going to happen today.</p> <p>POV Shift!</p> <p>Navani is in the past at Urithiru and she and Dalinar see people leaving with all of their belongings. They find the Tower Bondsmith of that day trying to mediate a talk between a Windrunner and a group of a hundred Skybreakers. Navani names him Melishi and Dalinar tries to send her close to him using Connection, but instead she finds herself in Melishi’s body.</p> <p>The Windrunner is telling one of the Skybreakers that they need to stay together but one Skybreaker speaks for the others and she says that “the fight” is not their fight. The Windrunner disagrees and both he and the Skybreaker spokeswoman look to Melishi—Navani—to mediate. She doesn’t know what to say so she asks to discuss it in a calmer setting, which sets off the Skybreaker. She accuses the Windrunner of deception and running cons, and demands to know what he’s hiding. She knows where they came from and how humankind destroyed their old world and complains that the Windrunner and Melishi refuse to let her tell everyone. Then she reveals that they’ve already told everyone else the truth before she abruptly departs.</p> <p>The Windrunner speaks with Melishi/Navani and he tells her he’ll gather the Radiants but that a fight is coming. Before he goes, Navani tries to get more information and asks him about the accusations that he’s been lying, and what he’s been lying about, but the Windrunner remains cold and unyielding, leaving without explaining.</p> <p>POV Shift!</p> <p>Back to Adolin, where he consults with Kushkam and they try to make a plan out of a seemingly hopeless situation. They discuss plugging the tunnels into the dome over the Oathgate and Kushkam says he’ll work on it. Adolin hears Maya saying that help is coming and, of course, thinks she’s bringing Windrunner spren. Kushkam doesn’t know what good that will do them, and Adolin feels much the same way.</p> <p>As Adolin goes to check on his Plate, he encounters the young girl who wanted to join the Alethi army. He had sent her to May to learn archery but, unfortunately, she’s not very good at it; she’s just too small to draw a bow. May sends her off and has a pointed word with Adolin about the necessity of getting enough sleep. She’s too funny; she says she’s his ex, so she’s the closest thing his wife has to an advocate. It made me like her a lot more when she said that!</p> <p>Notum shows up and says that he can see glimpses into Shadesmar but suddenly sees something very unsettling: a thunderclast soul. Adolin immediately runs outside, shouting and calling for his armor. Then he sees the hulking form rising from the field: The thunderclast has arrived.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><a></a>Lyndsey’s Commentary: Character Arcs &amp; Maps</h3> <figure class="wp-block-image aligncenter size-full"><img loading="lazy" decoding="async" width="1500" height="839" src="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-78.png" alt="Wind and Truth Chapter Arch - Chapter 78" class="wp-image-817804" srcset="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-78.png 1500w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-78-740x414.png 740w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-78-1100x615.png 1100w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-78-768x430.png 768w" sizes="auto, (max-width: 1500px) 100vw, 1500px" /></figure> <p>Chapter 78 has an interesting blend of Heralds portrayed on its deteriorating arch. Battah, patron of the Elsecallers and the Counselor, serves two purposes here: She’s symbolic of a chapter in which Jasnah appears, and her role is also emblematic of Sigzil, who is functioning as a strategic counselor. Sig (and Queen Fen) are also displaying attributes of leadership, which accounts for Jezrien’s inclusion. And Kalak is here for Venli’s POV, in his position as patron of the Willshapers.</p> <figure class="wp-block-image aligncenter size-full"><img loading="lazy" decoding="async" width="1500" height="811" src="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-79.png" alt="Wind and Truth Chapter Arch - Chapter 79" class="wp-image-817803" srcset="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-79.png 1500w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-79-740x400.png 740w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-79-1100x595.png 1100w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-79-768x415.png 768w" sizes="auto, (max-width: 1500px) 100vw, 1500px" /></figure> <p>Chapter 79’s arch Heralds are Shalash, Palah, and Jezrien. This is a VERY heavily character-driven chapter, with deep dives into Shallan, Renarin, and Rlain’s pasts and events which shaped them into the people they are today. As such, Shalash (patron of the Lightweavers) and Palah (patron of the Truthwatchers) make sense to be included here. But why Jezrien? As has happened often times over the last couple months, I’m mystified as to his inclusion. We see no leadership (except in Eshonai’s actions, but that would be a stretch) or Windrunners here.</p> <figure class="wp-block-image aligncenter size-full"><img loading="lazy" decoding="async" width="1500" height="839" src="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-80.png" alt="Wind and Truth Chapter Arch - Chapter 80" class="wp-image-817802" srcset="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-80.png 1500w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-80-740x414.png 740w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-80-1100x615.png 1100w, https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-Chapter-Arch-Chapter-80-768x430.png 768w" sizes="auto, (max-width: 1500px) 100vw, 1500px" /></figure> <p>Finally, we have Jezrien, Vedel, and Battah heading up chapter 80. Jezrien likely represents Adolin, who’s making some big leadership and strategy decisions over in Azimir, as well as the Windrunner we see in Navani’s vision over in the Spiritual Realm. Battah can also stand for Adolin, as he’s serving as a wise counselor, carefully going over the tactics and studying the battlefield in order to hold out as long as possible. Vedel often appears on Adolin chapters, as the order he’s most closely aligned with are the Edgedancers.</p> <h4 class="wp-block-heading"><strong>Leyten</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“He died, you know,” Leyten said, with a half smirk. “Two bridge runs later. Gabaron, the man who consigned me to the bridge crews? Dead.”</p></blockquote></figure> <p>We can hardly blame Leyten for a touch of schadenfreude here. When someone sends you off to <em>literally die</em> for an imaginary offense, only the very best of people wouldn’t feel a touch of justice in watching this fate unfold.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“I’m not a true Radiant, Sig. I’m a guy who likes to sit and count how many uniforms we need before we run out. I don’t belong in the sky, glowing.</p></blockquote></figure> <p>Ah, imposter syndrome. And maybe a touch of survivor’s guilt as well.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>&#8220;Sig… I miss him, Kaladin. But you should know, I’m just as proud to serve under you.”</p></blockquote></figure> <p>Nothing like a heartfelt discussion in which two characters really connect and share their deepest insecurities to signal that one of them’s about to die.</p> <h4 class="wp-block-heading"><strong>Sigzil</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>As the camp rushed to execute his plans, and his generals found his ideas worthwhile, Sigzil discovered something remarkable.<br><br>This was him. This man who could lead.</p></blockquote></figure> <p>And, speaking of things that narratively foreshadow the reader to coming events… What’s this, Sigzil, believing in himself? Well, obviously he’s about to get knocked down a peg (or in this case, a whole ladder). Otherwise how will he climb back up?</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Here, beneath red lightning and on a plain full of chasms he’d claimed as his own, Sigzil found himself. In a way that training with Master Hoid, or learning beneath Kaladin, had never done for him.</p></blockquote></figure> <p>On the one hand, I’m happy for him that he’s finally found acceptance of his place and his value. On the other, knowing full well what’s about to happen to him… this is utterly heartbreaking.</p> <h4 class="wp-block-heading"><strong>Venli</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Even with all that, she found she loved this place.</p></blockquote></figure> <p>This whole sequence of observations from Venli is truly beautiful. She has grown enough that she’s not focused on herself, but rather on the beauty of the nature around her. Her journey from self-absorbed jerk only out for herself to a fully realized, empathic individual is quite a thing to witness.</p> <h4 class="wp-block-heading"><strong>Leshwi/Venli</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“You were strong enough,” Venli said to Praise, “to turn against your orders, your own kind, and your god because you knew it was right. <em>That</em> was the difficult part, Leshwi. Just keep going.”</p></blockquote></figure> <p>It’s wild, knowing where Venli started her character journey, to see her displaying this level of empathy for another.</p> <p>On Leshwi’s side, I can only imagine how difficult it must be to change yourself when you’ve spent <em>literal millennia </em>as one thing… then having that taken from you, and having to not only rebuild who you are, but to lose the things you loved most (namely, flight). Leshwi is learning to grapple with a disability; it’s the equivalent of someone losing the ability to walk.</p> <h4 class="wp-block-heading"><strong>Queen Fen</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>But what if by listening to you now, I throw everything away, Jasnah?</p></blockquote></figure> <p>I’m glad that Jasnah doesn’t immediately discount this fear, because it <em>is</em> a valid one. Queen Fen has a lot at risk here, and a huge amount of responsibility as the leader and protector of her people.</p> <h4 class="wp-block-heading"><strong>Jasnah</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>Do the most good</em>, she thought to herself. When decisions grew difficult, she relied on this guiding philosophy.</p></blockquote></figure> <p>Interesting, and perhaps we can see a parallel here to Hoid, and a glimpse into why they were initially drawn to one another. Hoid has said that he’d be willing to watch one world burn to save the Cosmere as a whole; the “lives of the many outweigh the lives of the few” concept.</p> <h4 class="wp-block-heading"><strong>Shallan</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>She was a child. Hiding in a corner. Crying while her parents shouted at each other.<br><br>Hers wasn’t a <em>unique</em> story, she knew.</p></blockquote></figure> <p>But a new piece of information for us. We knew that Shallan’s childhood wasn’t a happy one, of course, but this all-too-real experience of a child watching their parents’ love fall apart is a revelation—especially given what we now know about Shallan’s mother. It seems as though Chana was trying to force herself into a new mold, to recreate herself, and it… was not going well. Was this because of her growing mental instability, or just because she’d spent so much of her long, long, <em>long</em> life as a soldier that her attempt at constraining herself to the bounds of a housewife simply wasn’t sustainable?</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>As an adult, she sometimes told herself the lie that everything had been wonderful up until her mother’s death; but as with many lies in her life, she had let that one live too long.</p></blockquote></figure> <p>As a child of a broken family, I understand this all too well. Some of us do have a tendency to try to look back with rose-tinted glasses; we don’t want to think ill of the people who raised us and loved us.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>This memory was <em>authentic</em> joy. The looks her brothers gave as she ignored her own pain and fear and told them a tale she’d imagined…</p></blockquote></figure> <p>A beautiful memory, and a beautiful gift she gave to her brothers. A moment of peace in a tumultuous household, and a thing that many storytellers and entertainers can relate to. Sometimes, as with people like Robin Williams, those carrying the heaviest burdens can also bring to others the greatest joy.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Together, despite parents who seemed not to care, they became a family <em>anyway</em>.</p></blockquote></figure> <p>In a way, this almost seems like a melding of blood family and found family. They’re related by blood, but still actively <em>choosing</em> one another. In my opinion, this is the strongest bond there can be; shared history, blood, and experience alongside an active effort and choice to continue nurturing the relationship and one another.</p> <h4 class="wp-block-heading"><strong>Renarin</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>[…] the elder him saw something new he’d missed when younger. Those nervous postures, the way the boys kept glancing to one another, feeding their actions with nods? These boys… they were <em>afraid</em>.</p></blockquote></figure> <p>How perceptive of him! I’m not surprised that he missed it when he was younger; he was so focused on his own fear that the fear and pain of others wouldn’t be as obvious.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Why would his friends—people he <em>perceived</em> as his friends—treat him this way? Where had these sudden emotions come from? What had he done wrong, and could he be sure to never do it again?</p></blockquote></figure> <p>These social anxieties are so <em>real</em>, and reveal a deeply kind and naive little boy. Betrayal often hits people like Renarin the hardest.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>And storms, Renarin loved him for it. He didn’t need saving as he once had, but he <em>remembered</em> how it felt when Adolin had shown up. Like a hero from some story…</p></blockquote></figure> <p>You know, Sanderson <em>could </em>have gone the route of Renarin resenting Adolin for saving him, but I’m glad he went with the less cliché one. It also makes Renarin a more kind and relatable character, I think, that he resents <em>himself</em> rather than the person coming to his aid.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>What will this day do to the young you?</em><br><br>“Show me that I can’t trust people,” Renarin said. “Because I can’t read them. For years I was afraid that every friend would turn out to secretly hate me.</p></blockquote></figure> <p>Hoo boy. This is an anxiety I’m <em>intimately </em>familiar with. When someone you trust betrays you, it cuts deep and leaves a scar that never really heals.</p> <h4 class="wp-block-heading"><strong>Adolin</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Adolin Kholin had been protecting the weak since he could walk. Strange, that Renarin was now the knight.</p></blockquote></figure> <p>This is an interesting observation, and one that several characters voice. I think what it all comes down to is that pesky “I am what I see myself to be” aspect of the Radiant powers. Adolin doesn’t ever see himself as a Radiant; he doesn’t <em>want</em> to take the Oaths, to be beholden so tightly to his word. And so he becomes something else, still protecting those who cannot protect themselves, but in his own way.</p> <h4 class="wp-block-heading"><strong>Rlain</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>They’d just been talking about how the parshmen were invisible to humans, but they treated him the same way a lot of the time.<br><br>He waited for the objections, or at least for someone to say they’d miss him. Instead they all perked up.</p></blockquote></figure> <p>Poor, poor Rlain. It seems like he’s unwanted and stuck on the outside wherever he goes. With the singers… with Bridge Four… with the people in Urithiru…</p> <p>I went to see <a href="https://reactormag.com/pixars-elio-grapples-with-loneliness-on-earth-and-in-the-communiverse/" target="_blank" rel="noreferrer noopener"><em>Elio</em> (the new Pixar film)</a> with my son this week and I can see some parallels here between how Elio felt unwanted and wanted to escape to an alien world. (Side note, but if you’ve enjoyed Pixar films in the past or have small kids, definitely go check <em>Elio</em> out, it’s one of their stronger films and doesn’t seem to be getting much of a media push.) In the past, we’ve discussed in this reread how Rlain’s exclusion is often due to unconscious racism, especially within Bridge Four. And his exclusion from his own people also appears to be, at least partially, because of prejudice; this time for his sexuality. It’s stated that he’d had an unfortunate encounter with another malen while in mateform, and the other singers never treated him the same afterward. Rlain says that he thought they found it amusing, but they’re still treating him like an outsider. Different. Not willing to conform, and unwanted because of it.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>No, they simply… well, they didn’t know him. They didn’t care to know him. He was always there, but never relevant. The quiet one at the edge of the conversation.</p></blockquote></figure> <p>Don’t misunderstand me; It isn’t <em>all</em> due to prejudice. Part of it does just seem to be Rlain’s personality. But I don’t think the mateform incident helped any. The only person who’s ever really, truly wanted him around…</p> <p>…is Renarin. ::<em>swoon</em>::</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>[…] he remembered how not a single one of his friends had spoken up to request he stay.</p></blockquote></figure> <p>Ouch.</p> <h4 class="wp-block-heading"><strong>Navani</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Any fight to defend people is our fight.” <br><br>The Skybreaker sniffed and rolled her eyes. It seemed that dealing with Windrunners was the same regardless of the era.</p></blockquote></figure> <p>This is an interesting take, and not one I’d expect of Navani, to be quite honest. She has never seemed the type to trivialize protecting the downtrodden.</p> <h4 class="wp-block-heading"><strong>Zabra</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“So…” she said softly. “You’re saying I need to get me a set of Shardplate.”</p></blockquote></figure> <p>I appreciate her drive, and I understand her <em>need</em> to be useful, to prove herself worthy, to protect her people. I also appreciate how she <em>does</em> listen to Adolin. Once he gives her a logical reason for why she can’t do certain things, she accepts it. She obviously doesn’t like it, and immediately comes up with a new idea that needs to be shot down, but she <em>does</em> listen.</p> <h4 class="wp-block-heading"><strong>Strategy</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>[…] what we need to do is make them think that by attacking Narak Three, they’ll be getting what they want: a way to demoralize us.</p></blockquote></figure> <p>In this chapter, we see Sigzil debating with the other generals on the Shattered Plains over what to do with Narak. It is vital that they retain control of Narak Prime, and they go back and forth a bit on whether to pull their troops to defend that plateau alone, or guard the Oathgate on Narak Two.</p> <p>Eventually Sigzil convinces them that the best strategic plan is to fool the enemy into thinking that they have reserves of Stormlight on Narak Three, drawing them to attack it in an effort to demoralize the troops in the remaining three days. In reality, those Stormlight reserves are an illusion, leading the enemy to waste precious time attacking a plateau with no strategic value.</p> <figure class="wp-block-image aligncenter size-full"><img loading="lazy" decoding="async" width="468" height="308" src="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-map-detail.jpg" alt="Map Detail from Wind and Truth" class="wp-image-817805" /><figcaption class="wp-element-caption">Credit: Dragonsteel</figcaption></figure> <h4 class="wp-block-heading"><strong>Azimir</strong></h4> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>The bronze fortification at the center, roughly circular with a rounded top, had expanded further. […] Outside it was a long, wide ring of stone ground that […] was coated in crusted blood and corpses. … That wide field was also strewn with debris that had been pushed outward, in columns, thirty or forty yards by the attackers as they made their assaults: forming barricades behind which the defending soldiers sometimes took up positions. All together, it formed a star pattern.</p></blockquote></figure> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>The idea was to fill some of the hallways with Soulcast bronze, so when the enemy battered down the door, they found the path had turned solid. Trouble was, if they plugged too many, their own forces couldn’t make it in to fight.</p></blockquote></figure> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>[…] see that larger corridor across the way, where they’ve pushed debris to the sides more than others? I think that happened intentionally, not as part of a failing line. I suspect they’re preparing that corridor for a large assault today.”</p></blockquote></figure> <p>In my little diagram here, I’m assuming those columns to be horizontal rather than vertical, based on the “star pattern” description. I’m also going to assume that the Azish still have a ring of defenders along the outer edge, to stop the singers from leaving the dome. I’ve also drawn a super basic idea of how the hallways likely function; a twisting, labyrinthine warren intended to slow the enemy and force them into close-quarters fighting should they manage to exit the inner dome.</p> <figure class="wp-block-image aligncenter size-full"><img loading="lazy" decoding="async" width="468" height="430" src="https://reactormag.com/wp-content/uploads/2025/07/Wind-and-Truth-map-detail2.jpg" alt="Map Detail from Wind and Truth" class="wp-image-817806" /><figcaption class="wp-element-caption">Credit: Dragonsteel</figcaption></figure> <p>Adolin knows the Fused are on the way, which is going to strain their already weak defenses to the breaking point. And, even worse…</p> <p>Here comes the thunderclast.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><a></a>Drew’s Commentary: Invested Arts &amp; Theories</h3> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>I’m sorry.</em></p></blockquote></figure> <p>I feel like I’m the one who should be saying this, because the epigraphs in this part of the book aren’t all that exciting. Once upon a time, I harbored a hope that this letter was from Hoid to Valor, laying the groundwork for an epic Shardic-scale tragedy and love story. But I very quickly had to admit that, no, this is Hoid’s reply to Jasnah’s breakup letter.</p> <p>Alas.</p> <p>This is extra disappointing because my section this week is going to be so thin. These three chapters are packed to the brim with character development, introspection, and growth…but they hardly touch on the magical elements of the story and world <em>at all</em>. After a beefy write-up last week, we’ve got slim pickings now.</p> <p>But that doesn’t mean we’ve got <em>nothing</em>.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>A theory: the meeting of storm and storm had never again been so violent as it had been that first time, when plateaus had been destroyed. Was that another clue? Had this location caused the violence of that convergence? Were others weaker because they happened elsewhere? Or was it what they’d guessed originally: that the violence of that first convergence had been caused by the Everstorm’s exultant inception?</p></blockquote></figure> <p>On reread, we understand that Odium’s perpendicularity, hidden below Narak, was the main cause of the more violent meeting of the storms, back in <em>Words of Radiance</em>. Presumably, the growing strength of Odium is also why the Everstorm just plain <em>defeated</em> the highstorm over Narak earlier in <em>Wind and Truth</em>.</p> <p>This has my mind thinking about other potential interactions between Shards, and the importance of perpendicularities. If Sazed had been more capable of action during <em>The Lost Metal</em>, what would have happened in Bilming? Would he have set off some kind of reaction by trying to intervene directly over Autonomy’s shardpool? What about Odium on Sel, or, perhaps most intriguingly, on Threnody? According to Khriss, Threnody doesn’t have a regular shardpool, but rather intermittent and temporary perpendicularities that pop up when some “morbid” event happens (possibly the creation of Shades). If Odium—or Retribution, now—went back to Threnody, we could see some truly crazy stuff happening.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Our new leader has told us where we came from, what humankind did to its homeworld, and you two refuse to let me tell everyone.</p></blockquote></figure> <p>A minor tidbit here, but an interesting one: Nale took over the Skybreakers shortly before the Recreance. He spent quite a long time after Aharietiam doing who-knows-what, before returning to the fold in his own twisted way.</p> <p>And it seems it was <em>his</em> testimony about Ashyn and the destruction there that put some of the first cracks in the Radiants’ resolve.</p> <p>Unfortunately, that’s all I’ve got, as far as noteworthy lore and theories go. Lyn’s expansive character breakdowns are the real feature this week, but never you worry—there’s plenty more to come!</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p><a></a>We’ll be keeping an eye on the comment sections of posts about this article on various social media platforms and may include some of your comments/speculation (with attribution) on future weeks’ articles! Keep the conversation going, and PLEASE remember to spoiler-tag your comments on social media to help preserve the surprise for those who haven’t read the book yet.</p> <p>See you next Monday with our discussion of chapters 81, 82, and 83![end-mark]</p> <p>The post <a href="https://reactormag.com/wind-and-truth-reread-chapters-78-80/">&lt;i&gt;Wind and Truth&lt;/i&gt; Reread: Chapters 78-80</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/wind-and-truth-reread-chapters-78-80/">https://reactormag.com/wind-and-truth-reread-chapters-78-80/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817798">https://reactormag.com/?p=817798</a></p>
Blog - Nathan Bransford | Writing, Book Editing, Publishing ([syndicated profile] nathanbransford_feed) wrote2025-07-11 07:00 pm

Is “crossover” becoming a real thing? (This week in books)

Posted by Nathan Bransford

This week! Books!

Lots of links saved up over the past few weeks, let’s get to them!

Anthropic Scores a Landmark AI Copyright Win—but Will Face Trial Over Piracy Claims –  Kate Knibbs, Wired – In a huge ruling on A.I. and copyright, a federal judge agreed that using books to train A.I. is fair use, but Anthropic will stand trial over pirating books. Basically, the judge said Anthropic could have used books to train for A.I. if they’d actually paid for them. A mixed result for authors.

A Different California Judge Believes LLMs Are Likely Infringing Much of the Time, But Authors Made the Wrong Argument So Meta Case Is Dismissed – Michael Cader, Publishers Lunch – In a separate trial, a judge dismissed a lawsuit against Meta over A.I., but suggested the authors were making the wrong arguments and charted a course for a successful lawsuit that argues LLMs are infringing authors’ rights by appropriating work in a way that creates market harm for authors.

Supreme Court Rules That Parents Can Opt Out of Classes Using LGBTQ+ Books – Katy Hershberger, Publishers Lunch – And in yet another ruling, the Supreme Court ruled that parents can remove their children from lessons where “LGBTQ+-inclusive” books are used.

In Wake of Court Losses, Rhode Island Codifies ‘Right to Read’ – Sam Spratford, Publishers Weekly – And in response to the censorious cultural and legal atmosphere, Rhode Island became the latest state to codify protections for librarians and affirming authors’ right to sue for censorship.

I look forward to a time when legal rulings aren’t among the most important news items in the publishing world.

Authors petition publishers to curtail their use of AI – Chloe Veltman, NPR – More than 70 authors signed an open letter urging publishers to promise they will never release A.I.-generated books.

How local bookstores are helping immigrants amid ICE fears – Victoria Ivie, San Gabriel Valley Tribune – Amid horrifying masked raids and military escalations in the Los Angeles areas, local bookstores are serving as crucial community hubs with mutual aid groups to provide support for the immigrant community. As if we needed another reason to love independent bookstores!

Berkley, Penguin Young Readers Team Up on New Imprint – Sam Spratford, Publishers Weekly – I often discourage authors from pitching the “crossover” appeal of their novels, because for a long time, there really was no such thing. Sometimes books break out of their core genre and get retroactively labeled a crossover hit, but agents and publishers specialize and adult and YA novels sit on completely different shelves in bookstores. Well. Two imprints at Penguin Random House are now teaming up on an adult-YA crossover imprint, so the times may be changing.

Accusations of plagiarism, AI use and author bullying: ‘BookTok’ rocked by recent scandals – Kalhan Rosenblatt, NBC News – You will be shocked, SHOCKED to learn that there is author drama on TikTok.

Marginalia mania: how ‘annotating’ books went from big no-no to BookTok’s next trend – Caitlin Welsh, The Guardian – The kids have discovered marginalia.

The Plight Of The White Male Novelist – Sarah Brouillette, Defector / When Novels Mattered – David Brooks, New York Times / The Forever Dying and the Always Dead; or, Literary Fiction and the Novel – Lincoln Michel, Counter Craft – Grouping these together because there has been a ton of #Discourse lately around literary novels and, in particular, the state of the male novelist. (Will no one think of the men, lol!) Lincoln Michel makes the most persuasive case that much of this discourse revolves around false glory days and the rise of mass consumerism across all media. He also pre-debunked claims Brooks made today in his column.

What Reading 5,000 Pages About a Single Family Taught Me About America – Carlos Lozada, New York Times – Speaking of which, in contrast to the gauzy nostalgia about past literary golden eras, one of the actual biggest bestsellers of the ’70s and ’80s was a pulpy multi-generational historical melodrama that followed a single family through American history, written by then-household name John Jakes. Carlos Lozada has a thoughtful essay on what the series meant then and now.

The Critic and Her Publics – Merve Emre, LitHub – Merve’s one of the smartest critics in town, and her fantastic podcast season on what it means to be an editor is now fully available in transcript form.

In This Parisian Atelier, Bookbinding Is a Family Art – James Hill, New York Times – Very cool images and video of an artisanal bookbinder in Paris keeping the dream of beautiful print books alive.

Sprayed Edges Are Everywhere and I Hate Them – Selah Jordan, Paste – Also in bookbinding news, Selah Jordan has some thoughts on the rise of sprayed edges, which have become ubiquitous in romantasy.

Inside the Salt Path controversy: ‘Scandal has stalked memoir since the genre was invented’ – Lucy Knight, The Guardian – The latest memoir scandal is brought to you by Salt Path. These have literally been going on since the concept of a memoir was invented.

Moral Rights: What Writers Need to Know – Victoria Strauss, SFWA – The indispensable Victoria Strauss discusses a lesser-known dimension of author rights, and what to consider if you’re asked to give up moral rights.

The truth behind the endless “kids can’t read” discourse – Constance Grady, Vox – Are the kids really reading less or are we all just getting old? Constance Grady delves into what we do and don’t know about whether the kids are reading.

This week in bestsellers

Here are the top five NY Times bestsellers in a few key categories. (All links are affiliate links):

Adult print and e-book fiction:

  1. Edge of Honor by Brad Thor
  2. Project Hail Mary by Andy Weir
  3. Atmosphere by Taylor Jenkins Reid
  4. One Golden Summer by Carley Fortune
  5. Do Not Disturb by Freida McFadden

Adult print and e-book nonfiction:

  1. The Body Keeps the Score by Bessel van der Kolk
  2. Behind the Badge by Johnny Joey Jones
  3. The Anxious Generation by Jonathan Haidt
  4. Abundance by Ezra Klein and Derek Thompson
  5. Mark Twain by Ron Chernow

Young adult hardcover:

  1. You’ve Reached Sam by Dustin Thao
  2. Nothing Like the Movies by Lynn Painter
  3. Wings of Starlight by Allison Saft
  4. The Nightblood Prince by Molly X. Chang
  5. A Treachery of Swans by A.B. Poranek

Middle grade hardcover:

  1. Wonder by R.J. Palacio
  2. Refugee by Alan Gratz
  3. Impossible Creatures by Katherine Rundell
  4. Blood in the Water by Tiffany D. Jackson
  5. Snoop by Gordon Korman

This week on the blog

In case you missed them, here are this week’s posts:

And keep up with the discussion in all the places!

And finally:

Seven Days At The Bin Store – Jen Kinney, Defector – A fascinating look at the rise of bin stores, and what they mean for our era of late stage capitalism.

Have a great weekend!

Need help with your book? I’m available for manuscript edits, query critiques, and coaching!

For my best advice, check out my online classes, my guide to writing a novel and my guide to publishing a book.

And if you like this post: subscribe to my newsletter!

Photo: Sea Ranch, CA. Photo by me.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-11 05:58 pm

George Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum

Posted by Vanessa Armstrong

News George Lucas

George Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum

The Hall H panel will be moderated by Queen Latifah and also include Guillermo del Toro and Daniel Chiang

By

Published on July 11, 2025

Lucas photo courtesy of Skywalker Properties Ltd.; Museum construction photo by Sand Hill Media/Eric Furie

Headshot of George Lucas next to an arial shot of the Lucas Museum of Narrative Art under construction

Lucas photo courtesy of Skywalker Properties Ltd.; Museum construction photo by Sand Hill Media/Eric Furie

On Sunday, July 27, 2025, George Lucas, the creator of Star Wars, will make his way to the Hall H stage at San Diego Comic-Con for the first time. The reason he’s there, however, isn’t for a galaxy far, far away: It’s to discuss the power of illustrated storytelling, and also give the audience a sneak peek of the Lucas Museum of Narrative Art, which is nearing the end of construction in downtown Los Angeles.

The panel, descriptively titled “Sneak Peek of the Lucas Museum of Narrative Art,” will be moderated by renowned singer and actor Queen Latifah, and Lucas will be joined onstage by Guillermo del Toro (Hellboy, Crimson Peak, and many other great films) and artist Doug Chiang, who for decades has been shaping the look and feel of Star Wars universe.

“We are beyond thrilled to welcome George Lucas to Comic-Con for the very first time,” David Glanzer, Comic-Con’s chief communications and strategy officer said in a statement. “Nearly five decades ago, Star Wars made one of its earliest public appearances at our convention, along with a booth featuring Howard Chaykin’s now legendary Star Wars poster as a promotional item. Now, to have Mr. Lucas return—this time to debut the Lucas Museum of Narrative Art—is a true full-circle moment. His lifelong dedication to visual storytelling and world-building resonates deeply with us and our community, and the museum’s mission to celebrate narrative art in all its forms perfectly reflects what Comic-Con has championed from the very beginning.”

The Lucas Museum of Narrative Art was co-founded by Lucas and Mellody Hobson, and is set to open in 2026. It will feature art from Norman Rockwell, Kadir Nelson, Jessie Willcox Smith, N. C. Wyeth, Beatrix Potter, Judy Baca, Frida Kahlo, and Maxfield Parrish; as well as comic art legends such as Winsor McCay, Jack Kirby, Frank Frazetta, Alison Bechdel, Chris Ware, and R. Crumb; and photographers Gordon Parks, Henri Cartier-Bresson, and Dorothea Lange. It will also house the Lucas Archive, which contains props, models, concept art, and costumes from Lucas’ filmmaking career. [end-mark]          

The post George Lucas Heads to San Diego Comic-Con for the First Time — to Promote His Museum appeared first on Reactor.

Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-11 05:40 pm

Superman Cracks a Long-Forgotten Code to Its Central Character

Posted by Emmet Asher-Perrin

Movies & TV Superman

Superman Cracks a Long-Forgotten Code to Its Central Character

The movie is over-stuffed, but who cares when being kind is the new punk rock?

By

Published on July 11, 2025

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/">https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818096">https://reactormag.com/?p=818096</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/superman/" class="inline-block link-no-animation" aria-label="Link to term or tag Superman 1"> Superman </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Superman</i> Cracks a Long-Forgotten Code to Its Central Character</h2> <div class="prose post-hero-description prose--post-hero">The movie is over-stuffed, but who cares when being kind is the new punk rock?</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/emmetap/" title="Posts by Emmet Asher-Perrin" class="author url fn" rel="author">Emmet Asher-Perrin</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 11, 2025 </p> </div> </div> <div class="quick-access 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="401" src="https://reactormag.com/wp-content/uploads/2025/05/superman-dog-740x401.jpg" class="w-full object-cover" alt="Superman lying in bed with Krypto on his chest in Superman (2025)" srcset="https://reactormag.com/wp-content/uploads/2025/05/superman-dog-740x401.jpg 740w, https://reactormag.com/wp-content/uploads/2025/05/superman-dog-1100x596.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/05/superman-dog-768x416.jpg 768w, https://reactormag.com/wp-content/uploads/2025/05/superman-dog.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>It’s a cliché at this point to say that it’s difficult to make a decent Superman film. And what makes that cliché frustrating is that too many moviegoers (and the general populace) take this as a given, and too many of them cite the same tired reasoning for said difficulty: It’s just too hard to make someone so good and so powerful <em>interesting</em>, don’t ya know?</p> <p>And golly, it says a lot of things about us—as a society and an era—that so many people believe that. (The ‘golly’ is relevant here, I swear.) At a point in time when cynicism and distrust are at load-bearing capacity in so many facets of our lives, if we can’t conceive of a way to make goodness interesting… we might as well pack it in. We’re toast, y’all.</p> <p>So, to say that a new Superman film has its work cut out for it is a massive understatement. And while imperfect on its face, what I can say about the latest attempt is simply this—as the film ended, I became aware that I was grinning. One of those embarrassing open-mouthed grins, and one that I had no intention of breaking. I think I’d forgotten what that felt like.</p> <p>We start in media res, and quickly learn that Superman (David Corenswet) has gotten into a bit of trouble for intervening in foreign affairs—Boravia is America’s ally and preventing their invasion of Jarhanpur has made things complicated politically. He’s also, naturally, working for the Daily Planet and dating coworker Lois Lane (Rachel Brosnahan), who is aware of his double identity. (Look, it’s not <em>that</em> hard to figure out.) Meanwhile, CEO Lex Luthor (Nicholas Hoult) is doing his level best to find dirt on “the alien” who draws so much of his ire… and uncovers the perfect ammunition in the—fully restored, thanks to nanotechnology—message left by Clark’s Kyptonian parents, Jor-El, and Lara Lor-Van (Bradley Cooper and Angela Sarafyan) at the Fortress of Solitude. As the world turns on their erstwhile hero and LordTech’s Justice Gang (Nathan Fillion as Guy Gardener / Green Lantern, Edi Gathegi as Michael Holt / Mister Terrific, and Isabela Merced as Kendra Saunders / Hawkgirl) reap a few benefits, the global situation only gets worse.</p> <p>A few very clever things are happening in this film, but it still might not be your personal jam. These calibrations are tricky at our point of superhero saturation, and we’re all reaching for different things to make these movies feel fresh to our brains. For my part, I think writer-director James Gunn made a fascinating choice in combining two distinct oeuvres for the character. First, the film begins much like the Richard Donner films—in that Superman is a known quantity who does not have to go through the motions of revealing himself to the world. Similar, also, to <em>Batman: The Animated Series</em>, we don’t have to smash all the same origin narrative buttons, or spend time grappling with how people react to him, or to any “metahumans” as they’re being termed. They exist and are part of the status quo of this reality—which is always a more interesting place to start.</p> <p>Second, and perhaps more important for the exercise: This movie feels more like a comic book than maybe any comic book film that’s come before it. Imagine that you popped into your local shop and scooped up the latest issues of a Superman run, and you’ve got a pretty good idea of what you’re in for. The angle here is clearly: You know who this guy is. You know what these movies are. You can handle it, even if things are a little messy.</p> <p>Does it mean that this film is at times over-crowded and juggling a few too many threads? Sure, but that also manages to be part of the fun. Not every movie demands such careful focus, and frankly, it’s a relief to watch these characters interact like they’re all comfortable with one another. It’s true in the moments at the Daily Planet, where Lois and her coworkers behave like people who genuinely work together all day every day, as in all the interactions between Clark and the Justice Gang, who have their own comical rapport.</p> <p>A few characters get missed in this sprawling landscape, and they are telling for both their underuse, and how often Gunn favors actors with specific brands of charisma. For example, Fillion’s Guy Gardener is a frequent delight—but Isabela Merced’s Hawkgirl isn’t fully cooked here, which sets her apart in a bad way when Gathegi’s Mister Terrific gets his much-deserved spotlight. (I’ll take it, as Edi Gathegi has been criminally overlooked as an actor for years—justice for Darwin in <em>X-Men: First Class</em>.) Similarly, María Gabriela de Faría’s turn as Angela Spica / The Engineer feels as though it’s missing significant backstory, which is relevant when her character’s drive is so important to the antagonism Superman is facing. But on the positive side, we’ve got Pruitt Taylor Vince and Neva Howell as Jonathan and Martha Kent, proving that the most important attribute for Clark’s adoptive parents is that they seem like actual human people, not multi-award-winning superstars. (Stop stunt casting superhero extended families! It’s distracting and it doesn’t work.)</p> <p>Oh, and yes, the dog is great. And will make you sniffle. Krypto is too CGI&#8217;d onto his living canine counterpart for my tastes, but he&#8217;s so dang good.</p> <p>Lois Lane gets her due in Brosnahan’s hands, in that the character doesn’t feel overly ingenue-d (a problem I admittedly always had with Margot Kidder’s version) or simply “Reporter, but make it a Woman this time” with few other characteristics. Audiences know that Lois Lane is supposed to be great at her job—they need to know what else is in there, and this iteration feels more complete than usual, especially on film. Moreover, the romance with Clark never undercuts her commitment to her work, her interest in challenging his actions, or her own self-assuredness. We also find out that she was a bit of a punk in her youth, which is always reassuring.</p> <p>But the toughest sell is always Superman himself, and Corenswet brings that Reeve-ian charm we’ve been searching for, while allowing for all the idiosyncrasies the character is often missing. Here is a Clark Kent who is young enough to be a little petulant; to be certain of right and wrong without any thought toward complexity; to falter but search tirelessly for ways to get back up. He’s earnest, and eager, and so very <em>cheesy</em>—and I need it understood that when I say cheesy, I am bestowing it as the world’s highest compliment. Please, for the love of everything we hold dear: <em>Let Superman be cheesy. </em>Let him be a little cringe. Our cultural moment’s obsession with eschewing those things is a mistake, and making us more jaded by the minute. Let Clark Kent remind us that these are thoroughly enjoyable and very cool things to be.</p> <p>It’s not just that Clark is thoroughly enjoyable to watch as a character—it’s that Lex Luthor <em>isn’t</em>. Oh, Nicholas Hoult is doing an electric job as always, sharp and suited and grandiose and casually cruel every step of the way. But it feels relevant that, in nearly every acted iteration of the character before him, Lex Luthor was always <em>entertaining</em> as a presence in the Superman mythos. Even Jesse Eisenberg’s departure from the norm was fun to watch, in its own backwards way. Yet here? Luthor feels malignant, like a cancer that needs eradicating. There’s never a moment where you want to root for him, never a point where he feels like a guy we can all relate to. He’s selfish and petty, and his evil is utterly banal, no matter how intelligent he may be.</p> <p>The film has plenty of homages to previous Supermans on film, with an eye toward what worked and what didn’t. There are a few enjoyable shoutouts, including the reintroduction of Eve Teschmacher (Sara Sampaio) as Lex Luthor’s girlfriend, reworking one of the better twists of Donner’s run. But in a pointed reverse of everything Zach Synder offered to audiences in <em>Man of Steel</em>, Superman’s journey is not defined by his alien heritage and superiority; it is defined by the love of his human parents and his choice to belong here. To us. <em>With</em> us.</p> <p>Even—and especially—when it’s hard.</p> <p>Look, I’m interested in all sorts of Superman takes and reduxes and reimaginings. But it’s been a long time since the character has fully felt like himself, and offered hope in a manner that felt organic rather than proselytizing. So when all is said and done, I’m on board with the messiness—I’ll take crowded any day if it means that Superman is <em>fun</em> again.</p> <p>It does prove one element unequivocally, too: If your Superman can use the John Williams theme, you’ve probably done it just right.[end-mark]</p> <p>The post <a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/">&lt;i&gt;Superman&lt;/i&gt; Cracks a Long-Forgotten Code to Its Central Character</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/">https://reactormag.com/movie-review-superman-cracks-a-long-forgotten-code-to-its-central-character/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818096">https://reactormag.com/?p=818096</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-11 05:35 pm

Maggie Levin Will Adapt Clay McLeod Chapman’s Ghost Eaters for Film

Posted by Molly Templeton

News Ghost Eaters

Maggie Levin Will Adapt Clay McLeod Chapman’s Ghost Eaters for Film

Get ready for some really trippy fictional drugs.

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Published on July 11, 2025

Author photo: Quirk Books

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818081">https://reactormag.com/?p=818081</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/ghost-eaters/" class="inline-block link-no-animation" aria-label="Link to term or tag Ghost Eaters 1"> Ghost Eaters </a> </span> </div> <h2 class="post-hero-title text-h1">Maggie Levin Will Adapt Clay McLeod Chapman&#8217;s <i>Ghost Eaters</i> for Film</h2> <div class="prose post-hero-description prose--post-hero">Get ready for some really trippy fictional drugs.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 11, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Author photo: Quirk Books</p> 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="442" src="https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-740x442.jpeg" class="w-full object-cover" alt="Author Clay McLeod Chapman and the cover of Ghost Eaters" srcset="https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-740x442.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-1100x656.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-768x458.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-1536x917.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/cmc-ghost-eaters-2048x1222.jpeg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Author photo: Quirk Books</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> <p></p> </div> </div> <p>An adaptation of Clay McLeod Chapman&#8217;s novel <em>Ghost Eaters</em> is in “early development,” <a href="https://www.hollywoodreporter.com/movies/movie-news/ghost-eaters-adaptation-scott-derrickson-maggie-levin-1236311508/" target="_blank" rel="noreferrer noopener">according to <em>The Hollywood Reporter</em>.</a> Maggie Levin (<em>My Valentine</em>) will write and direct the film, which has Vince Cheng, C. Robert Cargill, and Scott Derrickson as producers.</p> <p>Derrickson and Cargill are on a horror roll; they are also the pair behind the <em>Black Phone</em> films. </p> <p><em>Ghost Eaters</em> was published in 2022 by Quirk Books and was a “best horror novel of the year” at <em>Vulture</em>, <em>Paste</em>, CrimeReads, and BookRiot. <em>Esquire</em> called it “a nostalgia trip to the late-’90s indie-nihilism of <em>Fight Club</em> and <em>Donnie Darko</em>, in a story about addiction and mushrooms that let you see the dead.”</p> <p>The synopsis says:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Erin hasn’t been able to set a single boundary with her charismatic but reckless college ex-boyfriend, Silas. When he asks her to bail him out of rehab—again—she knows she needs to cut him off. But days after he gets out, Silas turns up dead of an overdose in their hometown of Richmond, Virginia, and Erin’s world falls apart.<br><br>Then a friend tells her about Ghost, a new drug that allows users to see the dead. Wanna get haunted? he asks. Grieving and desperate for closure with Silas, Erin agrees to a pill-popping “séance.” But the drug has unfathomable side effects—and once you take it, you can never go back.</p></blockquote></figure> <p>Chapman is the author of several other novels; his most recent, <em><a href="https://reactormag.com/excerpts-wake-up-and-open-your-eyes-by-clay-mcleod-chapman/" target="_blank" rel="noreferrer noopener">Wake Up and Open Your Eyes</a></em>, was published earlier this year. He recently signed a <a href="https://www.instagram.com/p/DJ63K0OAhN9/" target="_blank" rel="noreferrer noopener">three-book deal with Nightfire</a>; his first book for the imprint, <em>Mr. Lonelyhearts</em>, is due in 2027.</p> <p>No casting or production timeline for <em>Ghost Eaters</em> has been announced.[end-mark]</p> <p>The post <a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">Maggie Levin Will Adapt Clay McLeod Chapman&#8217;s &lt;i&gt;Ghost Eaters&lt;/i&gt; for Film</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/">https://reactormag.com/maggie-levin-clay-mcleod-chapman-ghost-eaters/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818081">https://reactormag.com/?p=818081</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-11 02:52 pm

The Aunts Are Back For Practical Magic 2

Posted by Molly Templeton

News Practical Magic 2

The Aunts Are Back For Practical Magic 2

The magical sequel has also snagged Lee Pace for an unknown role.

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Published on July 11, 2025

Screenshot: Warner Bros.

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">https://reactormag.com/the-aunts-are-back-for-practical-magic-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818060">https://reactormag.com/?p=818060</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/practical-magic-2/" class="inline-block link-no-animation" aria-label="Link to term or tag Practical Magic 2 1"> Practical Magic 2 </a> </span> </div> <h2 class="post-hero-title text-h1">The Aunts Are Back For <i>Practical Magic 2</i></h2> <div class="prose post-hero-description prose--post-hero">The magical sequel has also snagged Lee Pace for an unknown role.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 11, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2025/07/practical-magic-aunts-740x493.jpg" class="w-full object-cover" alt="Stockard Channing and Dianne Wiest in Practical Magic" srcset="https://reactormag.com/wp-content/uploads/2025/07/practical-magic-aunts-740x493.jpg 740w, https://reactormag.com/wp-content/uploads/2025/07/practical-magic-aunts-1100x733.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/07/practical-magic-aunts-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2025/07/practical-magic-aunts.jpg 1500w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Warner Bros.</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> <p></p> </div> </div> <p>Finally, an answer to the most important question about <em>Practical Magic 2</em>: Yes, Stockard Channing and Dianne Wiest will return as Aunt Franny and Aunt Jet. <a href="https://deadline.com/2025/07/practical-magic-2-adds-six-to-cast-1236454716/" target="_blank" rel="noreferrer noopener">Deadline has the news</a> that the two actors will return to their beloved roles—oddly and intriguingly, it&#8217;s wrapped into a much larger cast announcement.</p> <p>Character details and anything resembling a plot are still locked in a chest full of magical accoutrements, but newcomers to the series include Maisie Williams (<em>Game of Thrones</em>), Xolo Maridueña (<em>Blue Beetle</em>), Solly McLeod (<em>House of the Dragon</em>), and Lee Pace (<em>The Fall</em>, <em>Foundation</em>). </p> <p>One character is confirmed: Joey King is set to play the daughter of Sandra Bullock&#8217;s character, Sally.</p> <p>The original <em>Practical Magic</em>, released in 1998, starred Bullock and Nicole Kidman as orphaned sisters from a long line of witches. They live under a family curse: If they fall in love with a man, he&#8217;s doomed to die. Naturally, one decides never to fall in love, and one goes the opposite direction. There&#8217;s poisoning, and potions, and possessions, and a happy ending—but presumably a few things will have changed, almost 30 years later.</p> <p><em>Practical Magic 2</em> is directed by Susanne Bier (<em>Bird Box</em>) from a screenplay by original screenwriter Akiva Goldsman and Georgia Pritchett (<em>Veep</em>, <em>Avenue 5</em>). The original film was based on Alice Hoffman&#8217;s novel, and while she did write sequels, it&#8217;s entirely unclear if the new film follows the story of any of Hoffman&#8217;s subsequent books. </p> <p>The magic returns to theaters on September 18, 2026.[end-mark]</p> <p>The post <a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">The Aunts Are Back For &lt;i&gt;Practical Magic 2&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-aunts-are-back-for-practical-magic-2/">https://reactormag.com/the-aunts-are-back-for-practical-magic-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=818060">https://reactormag.com/?p=818060</a></p>
Reactor ([syndicated profile] tordotcom_feed) wrote2025-07-11 02:00 pm

Murderbot Is Faced With a Choice in Season Finale “The Perimeter”

Posted by Emmet Asher-Perrin

Movies & TV Murderbot

Murderbot Is Faced With a Choice in Season Finale “The Perimeter”

First comes the illusion of choice; then a real one.

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Published on July 11, 2025

Image: Apple TV+

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/">https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817845">https://reactormag.com/?p=817845</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/movies-tv/" class="inline-block link-no-animation" aria-label="Link to term or tag Movies &amp; TV 0"> Movies &amp; TV </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/murderbot/" class="inline-block link-no-animation" aria-label="Link to term or tag Murderbot 1"> Murderbot </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Murderbot</i> Is Faced With a Choice in Season Finale &#8220;The Perimeter&#8221;</h2> <div class="prose post-hero-description prose--post-hero">First comes the illusion of choice; then a real one.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alex-brown/" title="Posts by Alex Brown" class="author url fn" rel="author">Alex Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on July 11, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image: Apple TV+</p> </div> 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="379" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-740x379.jpeg" class="w-full object-cover" alt="Murderbot stripped of its armor in Murderbot S1 finale &quot;The Perimeter&quot;" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-740x379.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-1100x564.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-768x394.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-1536x787.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-5-2048x1049.jpeg 2048w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image: Apple TV+</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We’ve reached the final episode of what is hopefully the first of many seasons of <em>Murderbot</em>. In it, we get corporate shenanigans, a PR nightmare, and the illusion of choice.</p> <p><strong>Spoilers ahoy!</strong></p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>“Something has happened.” We open with “system reboot” flashing on the screen. Murderbot’s voice sounds hollow. It repeats that phrase as its eyes open, sounding more like itself now. Murderbot doesn’t know where it is, but we the audience do. It’s back in the Threshold Pass Fabrication Center from the fourth episode. The workers wipe its memory, and the last thing it sees is Mensah gazing up at it. Next comes a new governor module (and a globule of spit). The Company claims SecUnits are nothing more than equipment, but they treat them worse than that. You don’t humiliate, degrade, and insult a tent, to use Arada’s example. The workers treat the equipment they use to maintain SecUnits better than they treat the actual SecUnits.</p> <p>PresAux is also in the Corporate Rim, back in the meeting room where they made their initial deal with the Company. The suits are confused as to why they’re so concerned with “the physical location of a particular piece of equipment.” Pin-Lee gets to play lawyer for a hot minute as they take on the “fucker” in charge. Later, as the group discusses next steps, they’re torn about SecUnit. As Gurathin points out, “that Unit is full of proprietary data.” He’s certain the Company is going through Murderbot’s memory looking for anything they can sell.&nbsp;</p> <p>Things aren’t great in the Corporate Rim. We’ve seen hints of this in the indenture contracts and Gugu getting press ganged into the Company’s espionage squad, but now we see that unrest billowing out into the working class. SecUnit’s contract has been passed onto law enforcement, something Ratthi discovers the hard way. I live in Southern California, where the military is marching around doing disruptive demonstrations, ICE is terrorizing my neighbors, and local cops are aiding and abetting the state. So to see Murderbot go from a goofy little droid who just wants to watch space soaps to a weapon of state violence was a hard dose of truth in fiction.&nbsp;</p> <p>Strikers are protesting and the cops are eager to “do some damage” by antagonizing the workers into bloodshed. It’s a helluva thing to hear human strikers chant “We’re not slaves!” while a bunch of cops sic a group of enslaved constructs on them. Because these people are in violation of their indenture contract, they’re effectively without rights. However, remember that most of these humans are/were on indenture. Indenture is terrible for everyone involved except those turning a profit, but it’s not slavery. They have the choice to strike and fight back (so did real enslaved Africans, to be fair; there were a couple hundred slave rebellions in the so-called New World, not to mention the Haitian Revolution). SecUnits do not have that choice.&nbsp;</p> <p>Those strikers don’t see SecUnits as potential allies. Why would they? SecUnits are things, equipment, tools. They aren’t people to Corporate Rim indentured workers. That division is sown by the Corporate Rim and reinforced by Corporate Rim humans (and those streaming shows Murderbot likes so much). That fraction of a memory of a massacre is still in Murderbot’s brain, and it pops back right as the melee kicks off with the protestors, causing it to glitch out. It doesn’t want to hurt humans, no matter what its governor module commands. Instead of using Murderbot’s glitch as an opportunity to go after the human cops or to try and turn that SecUnit to their side, the strikers pummel Murderbot with their own weapons. On one hand, I understand why. They feel powerless, and as we’ve seen before, wielding what tiny bit of power they have over SecUnits is a way to feel in control of their lives. On the other hand, SecUnits are tools in this situation; go after the hand holding the weapon, not the weapon itself. Most of the humans in the fray aren’t doing anything but cheering on those attacking Murderbot with hammers. They aren’t attacking other SecUnits or the cops, just celebrating destroying a toaster. It’s a complicated, nuanced scene in which humans on both sides come out looking not great.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="552" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1100x552.jpeg" alt="Gurathin considering in Murderbot S1 finale &quot;The Perimeter&quot;" class="wp-image-817877" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1100x552.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-740x371.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-768x385.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-1536x770.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-3-2048x1027.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure> <p>This moral haziness is explored again through Gurathin’s interactions with his former drug dealer. The guy acts like he had no choice and elides all responsibility, as if the fact that he doesn’t deal drugs <em>now</em> makes up for what he did <em>then</em>. He did his time in the trenches. He used Gurathin to earn his way into a good job, nice apartment, and a happy, well-cared-for kid. He nearly ruined Gurathin’s life, but at least he came out on top, right? Then Gurathin turned around and did the same thing to Mensah, or tried to before he realized he wasn’t a slave to the Company, not really. He had a choice. His memory wasn’t wiped. He didn’t have a governor module installed (his version of that was the drugs, and he was able to kick that, just like Murderbot). He has a choice now, too. The Gurathin we met in the first episode wouldn’t have confronted his former dealer and taken all this risk to help a SecUnit. Gurathin uses the guy to get access to the data file and tracks down Murderbot’s memory. Then he does something surprising. He downloads all of Murderbot’s memories into his own brain. He’s been digging around Murderbot’s mind all season, and now he finally gets full access… and he does it all to help Murderbot.&nbsp;</p> <p>After glitching, Seccy is decommissioned and set to be destroyed in acid, the thing it fears the most. It’s been stripped of its armor and is fully exposed, but it has no reaction. It’s a blank slate. Fortunately, it’s saved at the last minute by Pin-Lee’s injunction. Back in their quarters, Mensah is devastated that its organic parts haven’t retained any memory of them. It’s curious that it still has the massacre memory and not anything of PresAux. I feel like Mensah has a pretty big impact on it. Either way, Gura passes on the memories and Murderbot is back! A bit subdued, but back nonetheless. According to Mensah, it&#8217;s going with them to Preservation Alliance where it will be a “free agent.” Except no, not quite. It won’t have a job, a purpose, or even its armor. It will be under Mensah’s guardianship.&nbsp;</p> <p>Preservation Alliance can sneer at indenture and slavery all they way, but they’re doing something not all that dissimilar to constructs. Murderbot would be free to make simple choices such as picking a hobby or deciding what clothes to wear, but bigger things would seemingly require Mensah’s permission or are outright denied (it couldn’t marry a human, for example). Even if she was likely to say yes, it is in effect putting another governor module on it. What Preservation Alliance offers isn’t freedom, it’s ownership by another name. All this reminds me of how 19th century white abolitionists often talked about freeing enslaved Africans but didn’t think they could be educated or have equal rights. I think of Phillis Wheatley Peters, whose poetry authorship was consistently challenged as either a trick or a pleasant surprise that couldn’t be replicated by other enslaved Africans. I think of Sojourner Truth’s speech from the 1851 Ohio Woman’s Rights Convention and how the version most people know is not her true voice but a heavily altered transcript produced more than a decade later by a white woman abolitionist that changed Truth’s words to sound like the stereotype of an ignorant, largely illiterate Black Southerner. I think of that line in <em>Sinners</em> about Jim Crow in the North: “Chicago ain’t shit but tall buildings instead of plantations.” And I think about how Preservation Alliance still refers to it as SecUnit even though they know it calls itself Murderbot, even after it is no longer a Company-owned SecUnit. No one ever asks what it wants to be called.&nbsp;</p> <p>In a moment that is both bitter and sweet, Gugu and Murderbot have a moment of total honesty and mutual respect. Gurathin wants to help Murderbot get used to Preservation Alliance, but Murderbot can’t go with them. The moment he realizes what Murderbot is asking for, you can see his heart break in real time. It’s tremendous acting from David Dastmalchian and Alexander Skarsgård. Not even Gurathin, a guy who experienced indenture at the hand of the Corporate Rim—indenture but not bondage—really understands why. Given her reaction, Mensah accepts its choice, even if she doesn’t like it. Gurathin gives it one last command and off Murderbot goes. As it sails away with a cargo transport bot excited to watch new shows, We get one last voiceover and a small smile: “I don’t know what I want. But I know I don’t want anyone to tell me what I want…or to make decisions for me. Even if they are my favorite human.”</p> <p>Thank you for joining me on this journey! I hope you loved this show as much as I did. I think the showrunners did a great job expanding the world Martha Wells created while staying true to the tone and themes. I maintain that the show should’ve cast a nonbinary spectrum actor in the lead, but Skarsgård did win me over. I’ve been watching him in other movies and TV and he is a much better actor than I gave him credit for. Lots of good, subtle work from him. The ending wasn’t some big cliffhanger, but it was perfect. <a href="https://reactormag.com/murderbot-has-been-renewed-for-a-second-season-on-apple-tv/" target="_blank" rel="noreferrer noopener">Season 2</a> can’t come soon enough!</p> <p>If you want more Murderbot, I’ll be covering the entire series starting this summer with <em>All Systems Red</em> over at Reactor’s <a href="https://reactormag.com/tag/martha-wells-book-club/" target="_blank" rel="noreferrer noopener">Martha Wells Book Club</a>.&nbsp;</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="460" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1100x460.jpeg" alt="Murderbot in civilian clothes, traveling in Murderbot S1 finale &quot;The Perimeter&quot;" class="wp-image-817876" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1100x460.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-740x310.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-768x321.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-1536x643.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-2-2048x857.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure> <p><strong>Final Thoughts</strong></p> <ul class="wp-block-list"> <li>Episode 10 covers the rest of chapter 7 and chapter 8 (the rest of the book) in <em>All Systems Red</em>, but much of the episode is invented for the show.</li> </ul> <ul class="wp-block-list"> <li>Not hearing Murderbot’s voiceover hit harder than I expected. The silence was deafening.&nbsp;</li> </ul> <ul class="wp-block-list"> <li>I’m going to be thinking about that little half smile Gura does when Mensah asserts her authority and that lone tear when he realizes Murderbot is leaving forever.</li> </ul> <ul class="wp-block-list"> <li>It’s not lost on me that most of the cops are white or white presenting.</li> </ul> <ul class="wp-block-list"> <li>That hostile alien world is officially known as planetary body 898/8712. How creative.</li> </ul> <ul class="wp-block-list"> <li>Nice little nod as to why Murderbot doesn’t like eye contact. It spent its entire life having to look at humans directly as part of its normal functioning, albeit from the privacy of its helmet. Once it hacks its governor module, it gets to choose how it wants to look at them based on how it feels about that interaction. That and watching TV are pretty much the only choices it gets to make before meeting PresAux.</li> </ul> <ul class="wp-block-list"> <li>I love the shot of Murderbot as it stands just off center in the PresAux suite. Hands in loose fists, wearing fabricated clothing and surrounded by things it cannot use and doesn’t own.</li> </ul> <ul class="wp-block-list"> <li>I think that was the first time we’ve seen Gurathin and Murderbot really smile, and they did it to each other.</li> </ul> <ul class="wp-block-list"> <li>I think the show needed to dig into the guardianship aspect a little more. It gets glossed over so that the impact of why Murderbot chooses to leave doesn’t carry as much weight as it should. Most of my reaction in this review was based on what I know from the books, rather than the show itself. I also wish we got a depiction of the cargo bot interaction, even if just as data on Murderbot’s screen. It would help set up for ART, assuming season 2 follows at least part of the plot of <em>Artificial Condition</em>. </li> </ul> <ul class="wp-block-list"> <li>The first thing Murderbot does when it’s finally free? It sits down.&nbsp;</li> </ul> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="460" src="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1100x460.jpeg" alt="Murderbot surrounded by PresAux out of it&#39;s armor in Murderbot S1 finale &quot;The Perimeter&quot;" class="wp-image-817875" srcset="https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1100x460.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-740x310.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-768x321.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-1536x643.jpeg 1536w, https://reactormag.com/wp-content/uploads/2025/07/murderbot-perimeter-1-2048x857.jpeg 2048w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Apple TV+</figcaption></figure> <p><strong>Quotes</strong></p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Madam President. You will address me as Madam President.” Damn Mensah!&nbsp;</p></blockquote></figure> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“On the Corporate Rim, eventually there is nothing but misery.”&nbsp;</p></blockquote></figure> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Murderbot saying “I’m going to…check the perimeter,” then cutting Gurathin off with “I <em>need</em> to check the perimeter.” My heart!</p></blockquote></figure> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Murderbot, end message.”</p></blockquote></figure> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p>[end-mark]</p> <p>The post <a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/">&lt;i&gt;Murderbot&lt;/i&gt; Is Faced With a Choice in Season Finale &#8220;The Perimeter&#8221;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/">https://reactormag.com/tv-review-murderbot-episode-10-the-perimeter/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=817845">https://reactormag.com/?p=817845</a></p>